The Who’s Roger Daltrey at 80: “I have to be realistic. I’m on my way out”

The Who’s Pete Townshend has put a dampener on any hopes for a farewell tour, saying that he was being “sarcastic” when he hinted at the idea.It comes as both he and the band’s frontman Roger Daltrey have spoken about what the future holds for the iconic rock group in recent weeks, and hinted that their time as a band may be drawing to an end.Initially, it seemed that the band were planning a farewell tour to end their touring days with a bang, with the guitarist stating last month that The Who have one “final” thing left to do before they call it quits. “It feels to me like there’s a final tour where we play every territory in the world and then crawl off to die,” he said.

Michael Douglas had a very specific plan in mind for his Marvel character Hank Pym in 2023′s Ant-Man and the Wasp: Quantumania – he wanted to die.

Jem Aswad Executive Editor, Music It turns out that when Pete Townshend recently told the New York Times that he was planning on a final Who farewell tour, he was “being sarcastic,” he told the “Sound Up!” podcast in an interview released today (April 16). “It feels to me like there’s one thing the Who can do, and that’s a final tour where we play every territory in the world and then crawl off to die,” he told the Times in an interview published last month.

Sean Ono Lennon – the sons of Paul McCartney and John Lennon – have written a song together called ‘Primrose Hill’ – check it out below.The song is a tender acoustic number about spending time with a loved one at the popular London beauty spot, which appears on the single’s cover art.“I’ll always remember Primrose Hill,” James McCartney sings wistfully on the chorus, backed by a mellow guitar melody.“‘Primrose Hill’ is here!” shared James McCartney on social media alongside a picture with his co-writer. “Today I am so very excited to share my latest song co-written by my good friend @seanonolennon.

“The Who’s Tommy” on Broadway, Townshend’s musical in which the young phenom rocks out as the title “deaf, dumb and blind kid” who becomes a worldwide sensation.Bourzgui is on the verge of major things as well — thankfully less dramatically so than Tommy.His Broadway debut is a knockout — the most exciting of the last several years. The actor’s reviews last month were euphoric (including a four-star rave from The Post), and it’s impossible to find a theater agent in town who doesn’t desperately wish he was their client.Townshend, who first watched Bourzgui tackle the complex role of Tommy Walker at Chicago’s Goodman Theatre in the summer of 2023, said he was born for the part.“Ali hasn’t required the kind of rock ’n’ roll anointment that I have provided to some of the actors in Tommy in the past,” Townshend told The Post.

Ringo Starr alongside the likes of Elton John, Slash and Iggy Pop.The musician, who plays drums for The Who, shared some details about the project in a post on social media last week. Starkey explained that it came together on the day The Who and Guns N’ Roses both played at Rock In Rio in 2017.“Duff [McKagan] and I went in a local studio and cut bass for a cover of T-Rex[‘s] ‘Children Of The Revolution’,” he wrote.“My dad played drums in LA (while I fudged the bass) then in Rio, Duff cut bass.

Jack Dunn Derek Cianfrance, director and co-writer of “The Place Beyond the Pines,” told IndieWire at the New Directors/New Films festival that Bradley Cooper almost bowed out of the production after receiving a rewritten script. Just before principle photography began, Cianfrance brought in screenwriter Darius Marder to rewrite “every word” of “The Place Beyond the Pines.” Cooper was not pleased with the changes to his character, a police officer who kills off a compassionate thief (Ryan Gosling) at the film’s halfway mark.

Broadway box office soared last week, as five productions joined the roster, one returned and no fewer than 30 of the 32 shows saw attendance at 90% of capacity or more. Twenty productions were sell-outs.

More than just a dramatist and storyteller, Oscar-winning director Ang Lee (“Brokeback Mountain”) is an innovator in the vein of James Cameron and has always been quick to test new filmmaking technologies. Lee has been eager to experiment with early motion capture technologies, as he did the mo-cap himself for his movie “The Hulk” and the exceptional 3D and CGI used in his acclaimed “Life of Pi.” More recently, the filmmaker embraced things like 3D and high frame rates in his films “Gemini Man” and “Billy Lynn’s Long Halftime Walk.” However, in a recent interview with IndieWire, the director said he’s soured on the technologies and won’t return to them anytime soon, specifically 3D.

Zack Sharf Digital News Director Ang Lee is moving on from 3D filmmaking after a trio of hit or miss releases: “Life of Pi” (2012), “Billy Lynn’s Long Halftime Walk” (2016) and “Gemini Man” (2019). The former title was an acclaimed blockbuster that won Lee the Oscar for best director, while the latter two releases, also distributing in high-frame rate at 120 frames per second, were mostly critical misfires and big financial disappointments. Lee hasn’t made a movie since “Gemini Man.” “I tried higher frame rate and I tried 3D,” Lee recently told IndieWire.

Roger Daltrey has said that he never reads reviews of his work, whether they’re positive or negative.The singer of The Who wrote a “backstage diary” for The Times in which, among other things, he reflected on the final series of concerts he curated for Teenage Cancer Trust. He mentioned that he avoids even positive reviews on social media on the basis that likes and comments are “just ego food”.“The reviews [of the concert] are in but I won’t read them,” he wrote.

and an inner child is a deeply relatable idea, even in a cuckoosical such as this one.David Korins’ set of spaceship white-neon frames is more streamlined than past “Tommy’s,” but it’s used so deftly by McAnuff, lighting designer Amanda Zieve and choreographer Lorin Latarro to paint lush and kaleidoscopic stage pictures. Most wouldn’t call this musical a dance show, but Lotarro’s thrilling choreography makes a case for that category.

Trish Deitch There are two kinds of people in this world: Those that love bone-shaking, ear-splitting spectacles, like fireworks and arena-sized heavy metal concerts, and those who want nothing more than to miss such events for a night on the couch with a good book and a cup of hot chocolate. One such youngster had a seat in the orchestra during a Broadway performance of “The Who’s Tommy” and said as much at the top of his lungs. “I don’t like this!” the small child screamed during a rare lull in the overwhelming action.

Certainly one definition of great music might include an ability to meet the present – and the future – head-on and come out unbruised, even triumphant. By that standard and many more, The Who’s Tommy, opening tonight on Broadway, is thrilling proof that the premiere concept album of 1969 is great music indeed.

Kobbie Mainoo, the rising Manchester United star, has a very famous brother who made his name on Love Island. Kobbie's own quick rise to fame continued this week when he got his first call-up to play for England.

Broadway’s first salvo of spring newcomers was more than holding its own last week, with recent arrivals drawing strong audiences.

Pete Townshed has said The Who have one “final” thing left to do before they “crawl off to die” in a new interview.Speaking with the New York Times, Townshend was asked about new music from the band, with the publication pointing out that the band had only done two new albums since 1983 and that Townshend’s last solo album arrived in 1993.Asked if he wanted to create new music, he replied in the affirmative, and said The Who want to do a final world tour.Townshend said: “I do and I think I will,” on being asked about creating new music. He continued: “It feels to me like there’s a final tour where we play every territory in the world and then crawl off to die. I don’t get much of a buzz from performing with The Who.

Paul McCartney and Nile Rodgers have thanked The Who‘s Roger Daltrey for his work with the Teenage Cancer Trust – watch their message below.This year’s edition of the TCT series kicked off at the Royal Albert Hall in London, where the charity brought a week’s worth of gigs courtesy of Noel Gallagher’s High Flying Birds, The Chemical Brothers and more.The Who frontman rounded off the series this year last night (March 24) with his final gig for TCT after confirming that he would be stepping down as the curator for the Teenager Cancer Trust concert series this year. He has curated the charity gigs for 24 years.To mark the occasion, Paul McCartney and Nile Rodgers sent a video message thanking Daltrey for his work with the non-profit organisation.

Eddie Vedder performed a solo set for the Teenage Cancer Trust 2024 series, and brought both his daughter Olivia and singer-songwriter Glen Hansard as special guests. Check out footage of the moment below.The performance from the Pearl Jam frontman took place last night (March 24), closing out a week of gigs held at the historic Royal Albert Hall to raise money for Teenage Cancer Trust and Teen Cancer America.Taking to the stage for the ‘Ovation’ show, following earlier sets from Paul Weller and Stereophonics frontman Kelly Jones, Vedder launched into his seven-song set with an opening rendition of the Pearl Jam track ‘Elderly Woman Behind The Counter In A Small Town’.It was later in his set however when he brought out Simon Townshend – the brother of The Who’s Pete Townshend – as his first special guest, followed by a surprise appearance from Glen Hansard.

Paul Weller invited Roger Daltrey on stage with him last night (March 24), to perform a live rendition of The Who’s ‘So Sad About Us’. Check out footage below.The moment took place during the closing night event for the 2024 Teenage Cancer Trust gig series, dubbed ‘Ovation’. It was billed as “a celebration of 24 years of gigs” for the charity, and saw live performances from Weller, Daltrey, Kelly Jones, Robert Plant with Saving Grace and Eddie Vedder.Taking place at the historic Royal Albert Hall after kicking off the 2024 concert series on Monday (March 18), soloist and former frontman of The Jam opened the night by performing an eight-song setlist.This started with two tracks taken from his 2018 album ‘True Meanings’: starting the show with ‘Gravity’ and following on with a rendition of ‘Mayfly’.