Paul Dano took a deep dive into his transformation into the Riddler in the upcoming “The Batman”.
01.02.2022 - 00:03 / justjared.com
A new clip from The Batman has just debuted online!
The upcoming film, which was written and directed by Matt Reeves, is set to be released in theaters on March 4, 2022. Robert Pattinson stars in the title role with Zoe Kravitz as Selina Kyle/Catwoman.
Click inside to see the clip…
In the clip, Bruce Wayne is seen attending a funeral when suddenly an SUV crashes into the church. Paul Dano‘s Riddler briefly makes an appearance before disappearing into the shadows, while the driver of the car is revealed to be District Attorney Gil Colson (Peter Sarsgaard) with a bomb strapped to him.
You can watch the full video down below.
Find out what Matt Reeves recently revealed about his decision to take on the movie.
Paul Dano took a deep dive into his transformation into the Riddler in the upcoming “The Batman”.
upcoming movie, “The Batman.” Broadcaster Brian Anderson appeared to be calling a regular transition to a commercial break when the video board outside Rocket Mortgage FieldHouse in Cleveland advertising the All-Star Game began showing an assortment of clips before eventually changing to green text saying “unmask the truth.” A digital version of the Caped Crusader showed up on the roof with the Bat-Signal in the ominous red sky behind him. In disbelief, Anderson gave play-by-play of the scene.“You guys getting this in the truck? Something’s happening outside.” Anderson said during the promo.
Paul Dano is opening up about his transformation into the Riddler for The Batman.
on “Jimmy Kimmel Live!,” the “Twilight Saga” alum revealed that he sought advice from Christian Bale, who starred in Christopher Nolan’s “Batman” trilogy from 2005 until 2012, about how to urinate while wearing the caped costume.“I was a bit scared to ask them anything but I bumped into Christian Bale,” Pattinson said on the late-night talk show. “[I was] next to him in a urinal and I guess it kind of inspired him to say, ‘The first thing you need to do in the bat suit is figure out a way to pee.'”He added, “So when I went to the costume department I was like, ‘First things first.
Robert Pattinson got the ultimate approval on his new superhero film,. The 35-year-old British actor, who is taking on the role of the Caped Crusader for the first time in the upcoming Matt Reeves film, admitted on Wednesday's to being «absolutely terrified» for the film's release. «I haven't been this scared to a release of a movie in such a long time,» he shared, admitting that it's difficult for him to watch his own work. «I need to be in the perfect balance of serotonin to watch my own stuff,» he said.
Robert Pattinson and Zoë Kravitz are lucky their friendship helped with their screen test. The pair, who play Batman and Catwoman, respectively, in the upcoming film,, share how they helped each other get through the screen test.«The chemistry read was really intense,» Kravitz tells . The actress revealed that unlike Pattinson, she was there for an audition, as she had not been cast for the role yet. «Rob was wearing the Batsuit, and it was a proper camera test with the DP there and everything on a soundstage.
While no one has seen the finished film just yet, it’s clear from all the marketing, Matt Reeves’ take on “The Batman” sheds a lot of the silly comic book-y aspects of the character in favor of a realistic, gritty look at what drives a man to dress up as a bat to fight crime. And that’s by design, as the filmmaker is looking to keep this “grounded” with his take on the Caped Crusader, which means that there will have to be big changes, down the line, if he were to use a villain like Mr.
Zoë Kravitz has given an update on the “vulnerable” new solo music she’s making with Jack Antonoff.The actress and musician previously told AnOther magazine back in October that she’d been recording with Antonoff “for a couple of years, on and off”.Speaking in a new interview with Elle, Kravitz has now spoken further about working with the Bleachers musician at Electric Lady Studios in New York.“It feels vulnerable, and it’s a little scary, but making music makes me happy,” Kravitz said about the project. Elle notes that the forthcoming music “explores love and loss, among other themes she’s still discovering”.Kravitz told AnOther last year that Antonoff is “a fantastic producer – he’s so good at really tapping into who he’s working with and not making it about him”.“Some producers want to make it about … like, ‘I’m going to put my sound on you’.
The first footage of the upcoming Aquaman sequel has been released.
Robert Pattinson is just weeks away from debuting his version of Bruce Wayne, aka Batman, to the world in Matt Reeves’ upcoming film, “The Batman.” While early box office predictions have this film doing really well (obviously), there are still no official plans for a sequel or more stories with Pattinson’s version of the character. But if the actor has anything to say about it, there’s plenty more where that came from.
HBO Max.Set during the COVID-19 pandemic in Seattle, the film stars Zoë Kravitz as the titular Kimi, an agoraphobic tech worker who discovers evidence of a violent crime while reviewing a data stream (i.e. essentially she’s listening in on an Alexa-like device).
When you call out for KIMI, both the sound and the substance of the voice are comforting. It’s a soft, female sound, providing an affirmation: “I’m here.” KIMI is a virtual assistant, like Siri and Alexa, but with the key difference of “people,” according to the CEO of the company that makes it.
The hype machine for Matt Reeves‘ reboot of the ‘Batman’ franchise has almost hit its crescendo as “The Batman” is about to hit theaters early next month. Audiences around the globe will finally get to see Robert Pattinson‘s take on both Bruce Wayne and the Caped Crusader, as Reeves guides us into more of a gritty crime thriller version of Gotham City thanks to the slick visuals courtesy of Oscar-nominated “Dune” cinematographer Greg Fraser.
Zack Sharf Robert Pattinson guarantees comic book movie fans will know Matt Reeves’ “The Batman” is unlike any other Batman movie ever made as soon as they see the opening shot. Reeves’ nearly-three hour Caped Crusader epic is inspired by New Hollywood classics from the 1970s, including “Taxi Driver,” “The Conversation” and “Chinatown.” Pattinson told GQ magazine that viewers will feel these inspirations from the movie’s first frame.“I watched a rough cut of the movie by myself.
aughts “Twilight” days.The British actor, 35, will next be seen in the dark thriller “The Batman,” and asserts that this version will be very different from the previous silver screen iterations of the DC Comics superhero.“He doesn’t have a playboy persona at all, so he’s kind of a weirdo as Bruce [Wayne] and a weirdo as Batman,” Pattinson explained to GQ. “And I kept thinking there’s a more nihilistic slant to it.”He continued, “Normally, in all the other movies, Bruce goes away, trains, and returns to Gotham believing in himself, thinking, ‘I’m gonna change things here.’ But in this, it’s sort of implied that he’s had a bit of a breakdown. But this thing he’s doing, it’s not even working.”The “Lighthouse” actor added, “Like, it’s two years into it, and the crime has gotten worse since Bruce started being Batman.
Robert Pattinson is opening up about his experience making . The 35-year-old actor covers the March issue of , and reveals why he felt alone when he suited up to play the superhero.Filming of the flick, which is due out March 4, began at the end of 2019, and kicked off with an injury for its star.«I broke my wrist at the beginning of it all, doing a stunt, even before COVID,» Pattinson says. «So the whole first section was trying to keep working out — looking like a penguin.
“The Batman,” and now we have a preview of his theme for Paul Dano’s villain The Riddler.On the heels of the debut of Giacchino’s full theme for the film, including Robert Pattinson’s Batman himself, Water Tower Music has released the five-minute theme for The Riddler. The music starts in a chillingly quiet choral before expanding to include the full orchestra, then going quiet again.