Various directors have voiced their concerns about the state of modern studio films in recent years. And that means it’s unavoidable that they’ll eventually comment on the Marvel Cinematic Universe.
01.02.2022 - 22:53 / variety.com
Jazz Tangcay Artisans EditorThe immediate challenge director Chai Vasarhelyi faced in making “The Rescue” was that there was no footage of the gripping 2018 rescue attempt to save 12 young members of a Thai soccer club and their coach from an underwater cave. Clips from the news was all they had to work with.But Vasharhelyi says that didn’t deter her and fellow filmmaker Jimmy Chin from telling the awe-inspiring tale. “This idea of so many different people from different, religions, colors, creed, volunteers and military all coming together — and only together were they able to affect this impossible rescue,” she says.Vasarhelyi added that she and Chin were based a world away from Thailand when they started to make the film, and ran into yet another challenge — the pandemic.
Interviews therefore needed to be completed over Zoom and remotely. In piecing the storytelling together without access to footage, dramatic reenactments with divers would play a crucial role. Never having done a reenactment before, they would have to create a water tank.
Says Vasarhelyi, “We had inherited from National Geographic a 3D scan of the cave. We never would have had that access to the cave because of the pandemic.” So a cave was made, but at the time, they could only afford “five feet of cave.” As events unfolded, they suddenly had “three times as much cave.”As the story came together, editor Bob Eisenhardt wove in news footage with talking heads and reenactments. “We had the diver interviews early, but no one knew the whole story — there were 3,000 people, and we were piecing it together,” Eisenhardt says.
Various directors have voiced their concerns about the state of modern studio films in recent years. And that means it’s unavoidable that they’ll eventually comment on the Marvel Cinematic Universe.
Holly Jones Set in Costa da Caparica, Portugal, amidst the 2008 economic crisis, “Vanda” – which screened at Berlin Film Festival’s European Film Market – tells the true-to-life story of distressed hairdresser turned unlikely criminal Dulce Caroço.Our titular character, played by Gabriella Barros (“Al Berto”), is introduced as she lies on the floor, vacant-faced, smoking a cigarette. Moments later, we see her doused in disguise, a blond wig and oversized sunglasses.In this hour-long, crime-heist episodic, created by Patrícia Müller (“Madre Paula”) and directed by Simão Cayatte (“A Viagem”), Vanda goes from surviving to destitute in a matter of scenes.
Sarah Jessica Parker recently made an appearance on Watch What Happens Live with Andy Cohen and opened up about the Sex and The City reboot–And Just Like That, and Kim Cattrall’s absence in the show. If you didn't know, in the revival show, Parker’scharacter Carrie Bradshaw texts Cattrall’s character Samantha Jones, asking if she’d like to meet for a drink but Cattrall aka Jones declines. Talking about how her absence was handled on the show, Parker gave all the credit to showrunner and head writer Michael Patrick King who made the storyline so easy and understandable.
Frances Bean Cobain, the daughter of Courtney Love and the late rocker Kurt Cobain, is dating Riley Hawk, the son of pro skateboarder Tony Hawk!
Megan Fox and Anitta are twinning at the same event!
EXCLUSIVE: Following a busy fall in both the film and TV worlds, Adrien Brody is looking to stay busy as he set to join Apple Original Films’ Ghosted, starring Chris Evans and Ana de Armas. Dexter Fletcher is directing.
In recognition of their contributions to the world of entertainment, the executive committee of the Black Reel Awards is pleased to announce the recipients for honorary awards this year.
Vivienne Chow Leading Hollywood screenwriters Bruce McKenna and John Fusco have been tapped by U.S-based Inspire Studios to write two Asian-themed war features. One will go into production this year, the other in 2023, Variety has learned.McKenna, who co-wrote and co-produced the Emmy-winning mini-series “The Pacific,” and wrote part of “Band of Brothers,” is attached to the company’s debut release, Filipino-Hollywood feature “Angel Warrior” as scriptwriter.
The 2021 auditions are over, and the Casting Society of America has unveiled the feature nominees for its 37th annual Artios Awards.
Bridget Fonda), Goodwin stars as Monica who, following the death of her father and a nasty breakup, tries to land a job hosting an afternoon talk show. She hires a new assistant, Simone (Riley), and they become close friends. But after Simone moves in next door and immerses herself in Monica’s life, her creepy side starts to emerge — with tragic consequences and a revelation of her deep, dark secret.
Naman Ramachandran In a new series, Variety catches up with the directors of the films shortlisted for the International Feature Oscar to discuss their road to the awards, what they’ve learned so far, and what’s taken them off guard.Maria Schrader, an Emmy winner for directing the Netflix series “Unorthodox,” is also a Berlin Silver Bear winning actor for “Aimée & Jaguar” (1999). Her latest feature “I’m Your Man” follows a scientist (Maren Eggert, “Giraffe”) who agrees to live for three weeks with a humanoid robot (Dan Stevens, “Downton Abbey”) designed to make her happy.
Help wanted: seeking anesthesiologist with world-class cave diving skills and experience in underwater rescues. Volunteer position.
West Side Story‘s Steven Spielberg, The Power of the Dog‘s Jane Campion, Dune‘s Denis Villeneuve, Licorice Pizza‘s Paul Thomas Anderson and Kenneth Branagh of Belfast have been nominated for the top feature film prize as the Directors Guild unveiled nominations Thursday for its 74th annual DGA Awards.
After they won the Academy Award for Best Documentary Feature in 2019 for their thrilling Free Solo, directors Elizabeth Chai Vasarhelyi and Jimmy Chin went underground—in a manner of speaking.
With a promising start with his first film Shithouse for which he starred, directed and wrote and won the Grand Jury Narrative Prize at SXSW, Cooper Raiff looms now also to be one of the breakouts of this year’s Sundance Film Festival where Cha Cha Real Smooth, his small but splendid second film for which he performs the same triple threat duties debuted Sunday as part of the Dramatic Competition lineup. I can only imagine if the festival had managed to be in person as originally planned rather than virtual in this Omicron-stricken year it would be met with a massive standing ovation. Raiff is bound to become an indie darling as if further proof was needed, but Cha Cha Real Smooth cements him as the real deal both in front of and behind the camera.