‘The Marvelous Mrs. Maisel’ Could Hit Syndication As Combined Amazon MGM Studios Distribution Launches

Michael Schneider Variety Editor at Large Let’s travel back to the summer of 1989. I’m 15 years old and have just put two large movie posters on my wall: One for Tim Burton’s game-changing take on “Batman,” starring Michael Keaton, and the other for “UHF,” the theatrical comedy debut for the one and only “Weird Al” Yankovic. It’s now 2023. Keaton is back as Batman in next month’s “The Flash.” And Weird Al (always Weird Al, not just Al Yankovic!) is the front-runner for this year’s TV movie Emmy, thanks to the Roku Channel parody biopic “Weird: The Al Yankovic Story.” “1989 is back again! It’s all cyclical,” Yankovic says in his signature cheery, upbeat tone. Tell my 15-year-old self that one day he’ll be recording a podcast with Weird Al, and first he’d say, “what’s a podcast?” But after explaining that it’s essentially a radio show, my 15-year-old self would lose his mind. And ask about 2023’s flying cars. Sorry kid.

Michael Schneider Variety Editor at Large Hasan Minhaj is open to the idea of hosting “The Daily Show” — but it’s not a decision he would make alone. “That’s a family conversation now,” Minhaj tells Variety’s Awards Circuit Podcast. “It’s a very different conversation then when I first got hired at the show, when I was 29. My life is in a very different place. And so that’s a bigger convo.” Minhaj’s recent Netflix stand-up special, “The King’s Jester,” includes a deeply personal look by the comedian at the evolution of his family, from being infertile to eventually raising two children with his life — and how that has changed a lot of things in his life, including his career choices and his on-stage routines.

Michael Schneider Variety Editor at Large That’s true for novelists as much as it is for screenwriters. Often those are one and the same — and because we live in an age where pre-sold IP usually makes it easier to sell a TV project, there have never been more series based on books than there are right now.

Love & Death's finale on Max this Thursday. If you're not caught up on , Lily Rabe, Jesse Plemons, Patrick Fugit, Tom Pelphrey, and more, do so now. The finale is one of the most intense and stunning hours of television I've seen. Viewers will see the struggle between Candy Montgomery and Betty Gore that led to Gore's death, and it's gruesome.

Amy Sherman-Palladino loves working with the same stars for her shows!

Michael Schneider Variety Editor at Large As TV Academy members toasted the stars of “Ted Lasso” on May 1, things were about to change dramatically in the Emmy campaign space. Apple TV+ was celebrating the opening of a “For Your Consideration” activation at Goya Studios, where it erected a massive tent to showcase its bevy of contenders. It’s a well-appointed and pristine space, with an almost Apple Store-meets-Emmys vibe. Displays celebrating Apple TV+ shows were front and center, along with an open bar, passed bites and a theater room for screenings and panels for celebrated shows like “Ted Lasso,” “Shrinking,” “Bad Sisters,” and more. But now here’s the problem with FYC: The writers strike has upended everything. The clouds were already forming at that “Ted Lasso” event, as the strike was called at the same moment co-creator/star Jason Sudeikis and team were celebrating the show’s Season 3 on stage. Many of the “Lasso” stars double as writers — Sudeikis, Brett Goldstein and Brendan Hunt included — so the power and importance of writers was on everyone’s minds. Sudeikis even remarked on how surreal it was to be there on stage talking about writing “Ted Lasso” just as the issues facing the town’s scribes took center stage. “Shout out to the writers,” he said. “What a day to be doing this.”

Angelique Jackson Two-time Emmy winner Alex Borstein is having a transformative year. Not only is “The Marvelous Mrs. Maisel” coming to an end after a five-season run on Amazon’s Prime Video, but she’s also released her most personal project to date, the musical comedy special “Corsets and Clown Suits,” which is also streaming on the platform. In this episode of the Awards Circuit podcast, Borstein reflects on her experience playing Susie Myerson, the no-nonsense manager of the titular stand-up comic (Rachel Brosnahan), and the way her characterization evolved over time, especially this season when her personal life and sexuality are more fully explored. Listen below!

Michael Schneider Variety Editor at Large SPOILER ALERT: Do not read ahead if you have not watched the Season 9, episode 14 season finale of “The Masked Singer,” which aired May 17 on Fox. Like a river, Bishop Briggs kept a steady flow throughout Season 9 of Fox’s “The Masked Singer” — and her perseverance was rewarded with the championship. Briggs, as Medusa, won this season’s top prize and was finally unmasked on Wednesday night’s finale, along with runner-up David Archuleta, revealed as the Macaw. Briggs, who performed the most of any contestant this season, sealed her victory with performances of “Elastic Heart,” by Sia, and “Welcome to the Black Parade,” by My Chemical Romance. Although Briggs said singing under the Medusa costume was a challenge, she pointed out that it was nothing compared to what she did last year.

Michael Schneider Variety Editor at Large As Amazon Freevee’s hoax reality series “Jury Duty” is currently garnering huge amounts of attention, the format originator is staging a comeback. TBS is set to announce Wednesday that it has ordered a revival of “The Joe Schmo Show,” which will air next year on the cabler. The original “Joe Schmo” premiered in 2003 on Spike TV, with a follow-up in 2004 and then a third season revival in 2013. Created by Paul Wernick and Rhett Reese (both of whom went on to a successful screenwriting career, including the “Deadpool” films), “Joe Schmo” made waves when it first debuted for parodying the then-relatively new and white-hot reality competition genre.

Michael Schneider Variety Editor at Large All three series are some of the most nerve-racking shows on television. Peak TV, meet Stress TV. Hold on, I’m not going to dust off the tired “what’s comedy versus drama” debate. I feel like we lost that battle long ago when hourlong comedic dramas (or dramatic comedies) like “Ally McBeal” and “Desperate Housewives” won comedy Emmys. Shows like “Beef” and Peacock’s “Mrs. Davis” have avoided the debate entirely by instead entering the limited Emmy race. And that’s perhaps for the best — Although “Beef” would seemingly land otherwise in the comedy race and “Mrs. Davis” in the drama race… I think “Mrs. Davis” may be the most lighthearted of any of the shows I’ve mentioned so far (and not nearly as stressful, despite the fact that it’s about A.I., the thing that will probably put me out of a job in a few years._

Amy Sherman-Palladino loves working with the same stars for her shows!

Michael Schneider Variety Editor at Large Melanie Lynskey might be reading this story. The “Yellowjackets” star is a fan of TV, and she’s also a fan of writing and criticism about TV. And that includes reading press about her own shows — and herself. “I love [film and TV] criticism so much,” she tells Variety’s Awards Circuit Podcast. “And it would make me sad to not get to read it. You have to put your ego aside for a minute and just be like, ‘it doesn’t matter what I read about myself. When it’s someone you really love reading, and they’re writing about something that you spent six months working on, it’s hard for me to not do it.” Lynskey says the reviews aren’t always great — but they’re usually accurate even in those cases. “They’ve always been right,” she says. “I know when something hasn’t been that good. So I’ve never been like, ‘that’s not fair.’ I’ve never really had that feeling.”

Michael Schneider Variety Editor at Large BET will launch a new lower-priced ad-supported tier to its BET+ streaming service, which launched in September 2019. The “BET+ Essential” service will cost $5.99 a month, compared to $9.99 for the ad-free version, and will launch at 9 a.m. PT on June 25 — timed to the live 2023 BET Awards that night. BET president/CEO Scott Mills and BET+ exec VP/general manager Devin Griffin were set to announce the new tier on Thursday morning, as they and BET Media Group media sales president Louis Carr prepare to pitch it to advertisers. As part of that pitch, BET is revealing subscriber numbers for BET+ for the first time: More than 3 million. The company expects to grow that number, and although some users will migrate to the lower-cost tier, Mills said he expects to see a net gain.

Michael Schneider Variety Editor at Large SPOILER ALERT: Do not read ahead if you have not watched the Season 9, episode 13 of “The Masked Singer,” which aired May 11 on Fox. Pentatonix is pretty easy to recognize, as perhaps the best-known a cappella group performing today. So from the start, it was pretty easy to tell it was them on “The Masked Singer” – and indeed, the five-person group was unmasked as California Roll on Thursday’s show, which also doubled as the Season 9 semifinals. For their first song, “Paparazzi,” group member Scott Hoying said they tried to avoid doing any harmonies at first, “so we could hide the iconic Pentatonix harmony sound for  at least a minute. For the first minute, I was trying to really change my voice. But it didn’t work, because every comment on every video was like, ‘I knew from the beginning it was Pentatonix and I was confirmed as soon as they all came in. We know that sound so much.’ But it honestly it was a compliment. It was very flattering to know that we can’t even hide our voice because it’s become part of what people have heard so many years.”

Michael Schneider Variety Editor at Large CBS is supersizing two of its signature reality franchises: “Survivor” and “The Amazing Race” will permanently expand to 90-minute episodes next season, the network announced Thursday morning as it unveiled its 2023-2024 TV lineup. The Eye network went first with its fall plans, but there’s a caveat to it all: The writers strike means it’s very likely that primetime won’t look at all like this come September. And indeed, CBS already has contingency plans in place, including several unscripted series waiting in the wings. But for now, CBS will head into fall with a primetime schedule that looks nearly identical to its current one. The Wednesday switch to just “Survivor” and “The Amazing Race,” for example, simply takes the night’s current 10 p.m. inhabitant, the canceled “True Lies,” out of the equation. Last fall, CBS opened the season with three reality shows on the night: “Survivor,” “The Real Love Boat” and “The Amazing Race,” so an all-reality Wednesday is not uncommon. (Nor are expanded 90-minute editions of “Survivor” or “The Amazing Race,” but until now those were reserved for special moments, like premieres and finales.)

Michael Schneider Variety Editor at Large Roz is back! Marsha Warfield, who played the caustic bailiff on “Night Court” for six seasons, made a surprise appearance on Tuesday night’s episode of the series’ 2023 revival. Warfield’s appearance came on Tuesday during part 2 of the episode “The Honorable Dan Fielding.” In the episode, Dan Fielding (as reprised for the revival by Emmy winner John Larroquette) has taken a job as a judge and is reading what’s next on his docket: “Another fight at a bachelorette party in the French Quarter. OK bailiff, bring in this bride to be!” Turns out it’s Roz, wearing a “bachelorette” banner. “Fielding? They made you a judge?” she stares at disbelief, and then storms out of the courtroom. (Scroll down to watch.)

Michael Schneider Variety Editor at Large “Mrs. Davis” may be one of the most surprising and unconventional new series of the spring — and now it’s making a surprising and unconventional move in the Emmy race as well. As the Television Academy deadline for category submissions ends today, Peacock has decided to make a last-minute shift and move the series into the limited/anthology series categories. Betty Gilpin stars in “Mrs. Davis” as Simone, a sometimes nun who takes on her nemesis, the artificial intelligence being known only as “Mrs. Davis,” and strikes a deal with the algorithm — which promises to shut down if Simone finds and destroys the holy grail. This exploration of faith and technology comes from executive producers Tara Hernandez (“The Big Bang Theory”) and Damon Lindelof (“The Leftovers”).

Amazon Studios is launching the Amazon MGM Studios Distribution division, which will oversee licensing of Amazon Original titles and MGM new release and library movies and series such as film franchises “James Bond,” “Rocky “and “Creed,” and series “The Handmaid’s Tale,” “Vikings,” “Fargo” and the upcoming “Hotel Cocaine” from MGM+.  Titles at launch will include television series like “The Marvelous Mrs. Maisel,” “Goliath” and “Hunters” and films like “Coming 2 America, “”Borat Subsequent Moviefilm,” “7500,” “All the Old Knives,” “Bliss,” “I Want You Back,” “The Tender Bar,” “The Tomorrow War,” “The Voyeurs,” and “Without Remorse.” MGM’s storied library houses more than 4,000 film titles, 17,000 TV episodes, including 180 Academy Awards winners and 100 Emmy Awards winners.The division will be helmed by Chris Ottinger, who has led the distribution team at MGM for more than a decade.

Amazon Studios is launching Amazon MGM Studios Distribution.

Citadel, the long-in-the-works global spy thriller drama from Amazon Studios and the Russo Brothers’ AGBO, is eyeing the biggest debut for a series on the streamer based on original IP.