‘The Exorcist: Believer’ review: Dir. David Gordon Green (2023)

Way before his glamorous starring roles as Captain America and Admiral James T. Kirk in Star Trek, Chris Pine missed a role because of his looks.

EXCLUSIVE: The Hideaway Entertainment has snapped up rights to Level Up, a high concept spec script from screenwriters David Matalon (Totally Killer) and Matthew Altman (Feed the Devil).

Ever since Meghan Markle and Prince Harry sat down with Oprah Winfrey two years ago, claiming someone in the royal family expressed “concerns” about how dark their then-unborn son Archie’s skin tone would be, everyone has been wondering and guessing who the alleged racist royal could have been.

Disney’s latest feature animation brings in the big guns in Frozen director Chris Buck and Disney and animation veteran Fawn Veerasunthorn for their 100th-year original, a fantasy adventure with all the right moves which reaches for the stars but doesn’t quite hit the dizzying heights of its predecessors.For their 100th year, Disney had to do something a bit special, particularly following the last film Strange World which far from performed with critics and fans alike. With Wish, the 62nd film in their history, it paints by numbers to create a feature animation featuring all of the hallmarks of the previous 61, but something doesn’t quite knit together.The story is set in the fantastical kingdom of Rosas, a mysterious desert island somewhere in the Mediterranean, heralded by King Magnifico (the voice of Chris Pine) and his wife Queen Amaya (Angelique Cabral).

The biggest story of the 1936 summer Olympics in Berlin was Black track and field star Jesse Owens winning four gold medals and putting the lie to Adolf Hitler’s theories of race supremacy. A less-heralded U.S. gold medal triumph over host country Nazi Germany glides onto screens this Christmas with The Boys in the Boat from MGM Amazon Studios, directed by George Clooney.

Katcy Stephan The Game Awards, which celebrate the best and brightest releases of the year in gaming, are back again. Alan Wake 2 and Baldur’s Gate 3 lead the pack of nominees, snagging eight nods each. They’ll compete with Marvel’s Spider-Man 2, Resident Evil 4, Super Mario Bros.

Peacock announced on Friday that The Exorcist: Believer, the first in a new trilogy of films based on the 1973 horror classic, The Exorcist, will debut exclusively on the platform on December 1st, there joining titles like The Black Phone and Five Nights at Freddy’s, among many others.

Michael Nordine author Over the last couple years, Please Don’t Destroy has gone from little-known comedy troupe to “Saturday Night Live” mainstays. Their pre-recorded sketches, most of which involve that week’s celebrity host, are routinely a highlight of the show — bits like “Three Sad Virgins,” “Molly Shannon 2K23” and “Hard Seltzer” are as off-the-wall as they are hilarious.

Lisa Kennedy In the early 2000s, director Daniel Peddle turned his gaze to the lives of several young, masculine-presenting lesbians of color living in New York City. He called his documentary “The Aggressives,” in a nod to the label given to, but also embraced by, the women featured. The film was groundbreaking then and remains illuminating today.

The first reviews for the sixth and final season of The Crown are in!

Alison Herman TV Critic For the actor Daniel Radcliffe, Harry Potter was the role of a lifetime. Over eight movies and a decade that spanned his entire adolescence, Radcliffe became the world-famous face of the bespectacled boy wizard.

The book The Hunger Games: The Ballad of Songbirds & Snakes, written by Suzanne Collins, has been adapted for the screen by director Francis Lawrence, alongside screenwriters Michael Lesslie and Michael Arndt. The film delves into the chillingly formative years of Panem, a society not yet inured to the brutality of its central spectacle. This prequel, starkly contrasting its YA predecessors, morphs into a harrowing adult political thriller, unraveling the genesis of the Hunger Games with a disturbingly poignant lens — that is, when it can get out of its own way.

Owen Gleiberman Chief Film Critic “Thanksgiving,” a cheerfully debased — or maybe I should say de-basted — slasher film directed by Eli Roth, marks the second time that one of the luscious mock trailers from Quentin Tarantino and Robert Rodriguez’s “Grindhouse” has been spun into a feature film. The first such movie, Rodriguez’s “Machete,” worked better than anyone might have expected; it gave Danny Trejo perhaps the best lead role of his career, and it was tasty enough in its high-zooming vengeful action hyperbole to spawn a sequel. Roth’s trailer for “Thanksgiving,” on the other hand, was a bloody perfect, outrageously transgressive parody of the holiday horror genre that had long gone out of style.

EXCLUSIVE: The Gotham Group has signed Nigerian filmmaker C.J. Obasi, whose latest feature Mami Wata is Nigeria’s entry for Best International Feature Oscar in the 96th Academy Awards.

Karoline Lyngbye has come out swinging with her debut feature film, Superposition. The film, which received its UK premiere at FrightFest Halloween, is an intimate study of a relationship in crisis. In the wake of an affair, writer Stein (Marie Bach Hansen), her husband Teit (Mikkel Boe Følsgaard), and their young son Nemo (Mihlo Olsen), relocate to the woods. Their aim is for a reconciliation of their marriage away from prying eyes. The reality however, is trickier. Although Teit acts remorseful for his actions, he continually plays the victim, and whilst Stein puts on a brave face, she is clearly not quite ready to forgive and forget. Their marital woes soon take a backseat after Nemo disappears briefly in the woods. Upon his return, he is adamant that Stein and Teit are not his parents, and the plot thickens.Superposition is a film that has a very clever idea and reveal, but it is one that will feel familiar to well-versed genre fans.

Andy Warhol once predicted that everyone would be famous for fifteen minutes. This concept forms the basis for Adam Ethan Crow’s new feature film, Warhol. Set over the course of one evening, Warhol intertwines the lives of several strangers during the dead of night. Filmed across London, Adam Ethan Crow captures the beauty and wonder of the Capitol at night.

Writer and director Andy Fickman is probably better known to UK audiences these days for his work as director of the stage-show Heathers: The Musical. However, not long ago in his career, Fickman was the man behind both She’s the Man and Race to Witch Mountain. He has now returned to film once again with Blue Light, a horror story that is very close to his heart. Inspired by an experience that he and some friends had as teenagers, Fickman uses Blue Light to explore the concepts of belief, superstition, and paranoia.

The Smile have revealed details of their brand-new album, Wall Of Eyes. The album is the second from the trio (Radiohead's Thom Yorke and Jonny Greenwood plus drummer Tom Skinner) and follows their 2022 debut A Light For Attracting Attention.

Clayton Davis Senior Awards Editor Warner Bros. will be juggling a lot in the Oscar race for best original song. As confirmed by an FYC advertisement sent to Critics Choice Association members, along with the multiple tracks from “Barbie” by Billie Eilish, Dua Lipa, Mark Ronson and Andrew Wyatt, the studio will also handle several numbers from their two upcoming holiday movie musicals: “The Color Purple” and “Wonka.” The upcoming adaptation of the musical “The Color Purple” will screen in front of its first official audience of industry voters and journalists next week.

Jem Aswad Executive Editor, Music The path from TikTok phenom to career artist is a challenging one, and while Victoria Beverly Walker — a.k.a. 22-year-old British singer-songwriter PinkPantheress — has navigated it far better than most, a big test comes with “Heaven Knows,” her first conventional full-length album.