‘The Eight Mountains’ Directors On Their Acclaimed Cannes Friendship Drama, Filming in The Italian Alps & More [Interview]

EXCLUSIVE: Here at the Cannes Film Festival, Mubi has taken rights in North America, UK, Italy, Latin America, Turkey, India and Benelux to Un Certain Regard movie The Delinquents (Los Delincuentes).

Japanese filmmaker Hirokazu Kore-eda’s latest gem, “Monster,” begins on an enormous inferno. The facade of a hostess club is engulfed in flames of mysterious origin, attracting everyone from curious neighbors to squealing children chasing down roaring fire engines to witness the chaos.

Cannes Film Festival isn’t just a hub of red carpet premieres, champagne-drenched parties, and stars, stars, stars. It’s also a vibrant locus of dealmaking, with studio executives, agents and filmmakers descending on the Riviera to secure financing for their upcoming projects or to find a distributor for their latest movies. The 2023 edition is playing host to several compelling packages and potential awards contenders that could spark heated bidding wars. Here are 11 films that could leave buyers reaching for the espresso instead of the rosé as they engage in all-night battles to land the next big thing. Cast: Sean Penn, Tye Sheridan, Katherine Waterston, Michael Pitt, Mike TysonDirector: Jean-Stéphane Sauvaire Agency: CAA, WMEWhy Buyers Care: Penn and Sheridan have crackling chemistry as disgruntled mentor and doe-eyed mentee in the edge-of-your-seat thriller, which takes audiences into the often harrowing, always intense reality for paramedics in New York City. A gentle warning, though, that “Black Flies” isn’t for the squeamish. Expect plenty of blood, disturbing and graphic injuries, extreme violence…and a lot of yelling.

There were so many stars at the Fast X: Road To Rome premiere!

Showtime’s The Chi is the latest series whose production has been disrupted by the ongoing writers strike. According to sources, the hit drama, which is based in Chicago, filmed Friday morning before moving to another location, which had a picket line already in place.

Stateside, audiences may know Amat Escalante best for directing episodes of “Narcos: Mexico” for Netflix. But Escalante deserves more recognition than that, having excellent independent dramas like 2013’s “Heli” and 2016’s “The Untamed.” And Escalante returns to the Croisette for the first time since “Heli” premiered in competition for the Palme d’Or with his new film, “Lost In The Night.” READ MORE: Cannes Directors’ Fortnight 2023 Lineup Includes New Films From Hong Sang-soo, Michel Gondry & More As a late addition to the Cannes line-up, “Lost In The Night” won’t have its world premiere in competition for the fest’s top prize, instead premiering in the Cannes Premiere section.

Belgian directors Felix Van Groeningen and Charlotte Vandermeersch’s Italian-language drama The Eight Mountains and veteran Marco Bellocchio’s Exterior Night topped the 68th edition of Italy’s David di Donatello Awards on Wednesday evening.

Nick Vivarelli International Correspondent “The Eight Mountains,” Belgian directors Felix Van Groeningen and Charlotte Vandermeersch’s Italian-language drama about friendship, mountains and growing up, scored the top prize at Italy’s 68th David di Donatello Awards. Besides winning best picture, the film also scooped statuettes for best non-original screenplay, photography and sound. Given that the directors are not Italian, it was a particularly significant victory for “Mountains,” which was praised as “quietly magnificent” by Variety critic Jessica Kiang. The film, which is currently playing well on the U.S. arthouse circuit, tracks the decades-long friendship between two Italian boys named Pietro and Bruno — one from the city, the other a shepherd boy from the Alps.

From the day he walked in the door, Erik ten Hag has gone about making big changes at Manchester United.

A ton of celebrities will be appearing to fight anti-LGBTQ+ and anti-drag legislation with Drag Isn’t Dangerous, beginning tonight (Sunday, May 7) at 7 p.m. ET!

Do you folks remember, not that long ago, during Star Wars Celebration, when Kathleen Kennedy told the press that Kevin Feige was never really attached to a “Star Wars” film and it was just the fandom that made it all up? She actually said, “We never discussed an idea,” and basically, gaslit everyone into thinking it was all a rumor. Of course, we know that’s not true because Feige talked about it, Michael Waldron talked about being hired to write a script, and now, we have the Russo Brothers, who not only confirm that Feige was working on a “Star Wars” film with Lucasfilm but that they were discussing possibly signing on to direct.

Jennifer Aniston is thankful for her celebrity girlfriends.

Sideshow/Janus Films is estimating a $36k gross or $18k per theater average for The Eight Mountains on two NYC screens, the strongest opening weekend to date for the team behind Drive My Car and EO.

J. Kim Murphy Actor Matthew Lawrence opened the April 28 episode of his Brotherly Love podcast on a serious note, reflecting on the #MeToo movement and his own experience with sexual harassment in Hollywood. On the show, co-hosted by his brothers, fellow actors Joey and Andrew Lawrence, the 43-year-old actor recounts his experience refusing to engage with a director involved with a Marvel project, who asked Lawrence to take his clothes off during a meeting. “There’s been many times in my life where I’ve been propositioned to get a huge role,” Lawrence says on the podcast. “I lost my agency because I went to the hotel room” where, the actor alleges, a prominent director “showed up in his robe, asked me to take my clothes off, said he needed to take Polaroids of me and said if I did X, Y and Z, I would be the next Marvel character.”

Focus Features’ Sundance-premiering Polite Society opens on 927 screens, the feature debut of writer/director Nida Manzoor, creator of We Are Lady Parts, the Peacock comedy about the eponymous British punk rock band.

Taylor Swift and Karlie Kloss sparked a famous friendship after their first interaction on social media back in 2012.

Texas-born rapper Megan Thee Stallion has surged to success with a string of chart-topping hits. In 2020 she was shot, left with bullet fragments in her foot after fellow rapper Tory Lanez pointed a gun at her and told her to dance. He was convicted of three felonies last year, but the aftermath of testifying has been just as challenging to deal with.

COMPETITION“Black Flies” (Jean-Stéphane Sauvaire)“LE RETOUR“Le Retour” (Catherine Corsini)CANNES PREMIÈRE“Perdidos en la Noche” (Amat Escalante)“L’Amour et les Forets” (Valérie Donzelli)“Eureka” (Lisandro Alonso)OUT OF COMPETITION“L’abbe Pierre – Une Vie de Combats” (Frédéric Tellier)UN CERTAIN REGARD“Only the River Flows” (Wei Shujun)“Une Nuit” (Alex Lutz)The film will be screened Out of Competition – Closing Un Certain RegardSHORT FILM“Filles du Feu” (Pedro Costa)SPECIAL SCREENINGS“Little Girl Blue” (Mona Achache)“Bread and Roses” (Sahra Mani)“Le Theoreme de Marguerite” (Anna Novion)MIDNIGHT SCREENING“Hypnotic” (Robert Rodriguez)“Project Silence” (Kim Tae-gon)

Manori Ravindran Executive Editor of International Magnolia Pictures International has acquired worldwide sales rights — including U.S. sales rights — to heist comedy-drama “The Delinquents” from Argentinian writer-director Rodrigo Moreno (“The Custodian”). The film will world premiere as part of the Un Certain Regard section at the Cannes Film Festival. In “The Delinquents,” the routine lives of two bank employees, Morán and Román, break down when Morán steals a small fortune from the bank’s vault. On the run, he glimpses a possible alternative to the gray life he’s been living and, in addition, falls in love. But he is forced to choose between this radical alternative and following through on his heist plans, so he resigns himself to a short prison stint. His colleague Román, unwillingly in possession of the stolen money, feels trapped by the secret he’s keeping; his paranoia increases until he too finds a way out, and also discovers a new love. But, bound by their common destiny (highlighted by the similarity of their names), the two protagonists are inevitably drawn together again.

in the world without federal paid family or maternity leave. One in four women have had to return to work .