Spoiler alert! Spoilers ahead for the series finale of “The Marvelous Mrs. Maisel”, titled “Four Minutes”. Read on at your own risk.
08.05.2023 - 19:17 / deadline.com
A Canadian comedy from the exec producer of Schitt’s Creek is heading to The CW.
The network has bought Son of a Critch to air this summer, reuniting Andrew Barnsley, who exec produced Schitt’s Creek, with former Pop TV boss Brad Schwartz, who is now The CW’s President of Entertainment.
The CW will air Son of a Critch, which comes from Canada’s CBC and Lionsgate Television, this summer.
The series was created by and stars Mark Critch, based on his memoir. It is the story of a young Mark coming of age in the 1980s. The comedy stars Mark Critch as his father, Mike, and Benjamin Evan Ainsworth (Pinocchio) as young Mark. Claire Rankin (Molly’s Game) stars as Mark’s mother, Mary, alongside newcomers Sophia Powers and Mark Rivera, who play classmates of young Mark. Colton Gobbo (Ginny & Georgia) plays Mark’s older brother, Mike Jr., and Malcolm McDowell (A Clockwork Orange) stars as Patrick “Pop” Critch.
Deadline revealed that the series had been renewed for a third season in Canada in March.
Last November, after he scored The CW job, Schwartz joked to Deadline that he was already taking calls from friends in Canada. “I already have shows in mind. I already have people in mind. And yes, my phone has been blowing up with calls from the 416 area code.”
It comes as The CW is expected to buy more shows from north of the border as well as co-produce titles. “When you can get out there and think entrepreneurially about business models — looking to do co-productions, looking at financing models, looking at second windows or first windows with a streaming partner — I think we are going to be open to all,” he added.
Created by Critch and Tim McAuliffe (The Office), the series is a co-production between Barnsley’s Project 10
Spoiler alert! Spoilers ahead for the series finale of “The Marvelous Mrs. Maisel”, titled “Four Minutes”. Read on at your own risk.
took its final bow on Friday, as the season 5 finale showed us exactly where Rachel Brosnahan's titular comedienne ended up in the later years of her A-list career.The flash-forward-heavy final season of the Emmy-winning comedy took away the suspense of Midge's success early on in the final episodes, sharing with viewers that she did, in fact, become one of the biggest names in comedy. The unique story structure was one that the creative team had been planning for some time, executive producer Dan Palladino told ET.«Once we decided it was the last season, we just dove right into it,» he recalled. «It was fun, because we got to do time travel, but we're not science fiction.
An ideal family home has come up for sale in a popular market town in Greater Manchester. The larger than average four-bed property is up for grabs in Ashton-under-Lyne and has been described as 'ready to move into' by estate agents.
There has been a lot of talk in recent years about cooking as a form of care, an idea intrinsically linked to the feminist revaluation of the work usually performed by women, which is most often unremunerated yet essential to day-to-day living.
EXCLUSIVE: Hasan Minhaj is set to play Marshall opposite Blake Lively and Justin Baldoni in Wayfarer Studios and Sony Pictures’ film adaptation of Colleen Hoover’s highest-selling novel, It Ends With Us. Baldoni is directing. Alex Saks is producing for Saks Picture Company, along with Jamey Heath who is producing on behalf of Wayfarer Studios. Jenny Slate and Brandon Sklenar are also on board.
On her own — but not really. Kim Kardashian opened up about when she’ll feel ready to fall in love again after her split from Pete Davidson.
Sony Pictures Classics has unveiled a July 14th release date and trailer for The Miracle Club, their Dublin-shot comedy that Laura Linney, Maggie Smith, Kathy Bates and Agnes O’Casey lead for Emmy-nominated director Thaddeus O’Sullivan.
Halle Bailey put in the work to play Ariel in The Little Mermaid.
Black Flies,” the Sean Penn and Tye Sheridan film about emergency medical first responders, smacked the Cannes Film Festival in the face with a brutal world premiere on Thursday. Splattered brains, dead dogs, an addict giving birth with a needle dangling from her arm — these and a litany of other horrors confronted Penn and Sheridan, who play veteran and rookie paramedics, respectively, at the New York Fire Department. Interestingly enough, the black-tie screening at the Grand Palais enjoyed the dose of reality, giving the film a five-minute standing ovation. “We carry the misery,” a weary Penn tells Sheridan in the film of their chosen profession. That’s an understatement, as chaos unfolds neighborhood by neighborhood in a portrait of an unforgiving city.
ABC is taking a realistic approach to its fall schedule given the current writers strike, leaning into unscripted titles such as the return of Dancing with the Stars and a new Bachelor spinoff.
EXCLUSIVE: Comedic documentary filmmaker John Wilson is joining Michael J. Fox among honorees at the Museum of the Moving Image’s spring Moving Image Awards benefit on June 6.
Following an admittedly disappointing result at last night’s Eurovision Song Contest, the UK has got behind our entry, with Mae Muller’s I Wrote A Song heading for the Top 10 for the first time.
The Cure have finally begun their tour of North America – their first in seven years – with a career-spanning setlist that features several rarities, new tunes and fan favourites.The first show of the tour, which took place on Wednesday (May 10) in New Orleans, saw Robert Smith and co. perform a whopping 29 songs, complete with not one but two encore sets.The Cure’s expansive setlist featured two rarities – ‘A Thousand Hours’ and ‘Six Different Ways’, both of which were last performed in 1987.
Following a four year focus of launching and overseeing the growth of company, Sister co-founder Stacey Snider is stepping down as CEO of the company and stepping into a creative advisor role for the company as well as an independent producer. Having served four years in the role and led the company through its launch and initial growth phase, Snider will remain a shareholder and creative leader in the business and will shift to a creative and advisory role for the Group.
Clayton Davis Senior Awards Editor Showtime has successfully petitioned the Television Academy to switch its Emmy submission for the acclaimed docuseries “Couples Therapy” to outstanding structured reality program, Variety has learned exclusively. During its two previous seasons, the series had been offered in the unstructured reality category, where it competed with shows such as National Geographic’s “Life Below Zero,” TLC’s “90 Day Fiancé” and Hulu’s “The Kardashians.” However, it failed to receive recognition during its respective years. Notably, the show did win a major prize from the Television Critics Association (TCA) Award in 2021 for outstanding achievement in reality programming.
Owen Gleiberman Chief Film Critic Watching a police-procedural homicide drama, whether it’s the grungiest of VOD potboilers or the most visionary film of the genre, Michael Mann’s silvery, dread-drenched “Manhunter,” we more or less know one thing: At the end of two hours, the grisly mystery we’ve been dunked in will have its catharsis and its resolution. We will know who the killer is, and in knowing that a kind of order will have been restored. David Fincher’s “Zodiac,” with its tantalizing ambiguities, might stand as an exception to the form — a singular winding creep-out, without the closure we’re thirsting for — yet even there you feel, by the end, that you’ve glimpsed the face of evil. But “The Night of the 12th,” the French thriller that was nominated for 10 César Awards and won six of them, including best picture (it opens here on May 19), throws the audience a slow-motion curveball that’s intended to tinker with our dreams. And to a degree, it does. Based on a true-crime book by Pauline Guéna, the movie turns into one of the most casually authentic of investigative murder mysteries. Each time we think we’re seeing a classic suspense arc, it unravels into a dead end, and we think to ourselves: Of course. Crime in real life doesn’t necessarily happen so neatly. “The Night of the 12th” is a mostly compelling sit, though what lends the film its singular texture is that it keeps tricking us into thinking it’s a more conventional thriller than it is.
alum Lindsay Arnold is officially a mother of two! Arnold shared on Instagram that she gave birth to a baby girl Wednesday afternoon.Arnold initially shared an update Wednesday saying that «contractions are slowing down now like 20-25 mins apart!» She then added another Story on her Instagram, writing, «Soooo we are heading to the hospital! Contractions are in full effect and about 2-3 minutes apart.»In her third Story, Arnold is seen lying in her hospital bed holding her baby girl. She wrote, «She is here and healthy arrived this afternoon will share more soon.»Then, on Thursday morning, Arnold posted two photos of herself in the hospital bed in what appears to be just moments after she gave birth, via c-section.
Todd Gilchrist editor There are very few movie genres in which Emma Thompson hasn’t left her mark, but she’s established a special pedigree in romantic comedies: from “The Tall Guy” to “Sense and Sensibility” to “Love Actually” to “Good Luck to You, Leo Grande,” she’s explored love in more ways on screen than most people get to experience in real life. In the romantic entanglements of writer-producer Jemima Khan’s “What’s Love Got to Do With It?,” Thompson’s more of a well-meaning instigator than an active participant, playing a divorcee named Cath who clumsily tries to make a match for her serially-single filmmaker daughter Zoe, played by Lily James. Zoe, meanwhile, is more interested in documenting the arranged (or “assisted,” they rebrand it) marriage agreed to by her childhood friend Kazim (Shazad Latif), not realizing the complicated feelings that his impending nuptials are igniting in her about relationships past, present and future.
new bombshell text sent by ex-Fox News host Tucker Carlson was published by The New York Times on Tuesday that reportedly was the catalyst to his ouster from the network in which he spewed more of his racist vitriol. But “The View” host Sunny Hostin just isn’t buying that idea, considering “Fox knew” about his racism.In the text, which was written the day after the Jan. 6 insurrection, Carlson wrote about an apparent desire to support a group of Trump supporters, who “surrounded an Antifa kid and started pounding the living s–t out of him.”“Suddenly I found myself rooting for the mob against the man, hoping they’d hit him harder, kill him,” Carlson wrote.
Leo Barraclough International Features Editor Twenty emerging producers from across Europe have been selected to take part in European Film Promotion’s promotion and networking platform Producers on the Move before and during the Cannes Film Festival. The producers who were selected for the program from nominations submitted by EFP’s member organizations are Gentian Koçi (Albania), David Bohun (Austria), Julie Esparbes (Belgium), Vanya Rainova (Bulgaria), Miljenka Čogelja (Croatia), Stelana Kliris (Cyprus), Alice Tabery (Czech Republic), Emile Hertling Péronard (Denmark), Emilia Haukka (Finland), Silvana Santamaria (Germany), Vicky Miha (Greece), Júlia Berkes (Hungary), Kathryn Kennedy (Ireland), Valon Bajgora (Kosovo), Dominiks Jarmakovičs (Latvia), Erik Glijnis (The Netherlands), Elisa Fernanda Pirir (Norway), Radu Stancu (Romania), Juraj Krasnohorský (Slovak Republic), and Julia Gebauer (Sweden).