The Art Of Craft: How ‘Stranger Things’ Production Designer Chris Trujillo Created Season 3’s Starcourt Mall

Netflix and the creators of Stranger Things, Matt and Ross Duffer, are being sued by a company that says the idea for the hit show was stolen from a screenplay called Totem.A lawsuit filed by Irish Rover Entertainment on Wednesday (July 15) in California federal court claims that Stranger Things has copied a number of things from Totem, a screenplay written by Jeffrey Kennedy (via TheWrap).The suit alleges that the Netflix show lifted the “plot, sequence, characters, theme, dialogue, mood, and

The creators of “Stranger Things” are facing a plagiarism lawsuit.

Jazz Tangcay Artisans EditorMonica Sotto was elevated to production designer on “Drunk History” after Chloe Arbiture left the Comedy Central series between the fifth and sixth seasons. Earlier this year, Sotto took home the variety, reality or event special production design award from the Art Directors Guild for her work on the lip-synced historical comedy after being responsible for creating the sets for all 16 episodes of the sixth season.

said during a Q&A that the series was “supposed to come out early [2021]” but has "likely" been delayed. The actor did, however, add that he's no authority on these things.The reason for the delay? The coronavirus pandemic has left many movies and TV shows unable to film, including Stranger Things season 4.

Jazz Tangcay Artisans Editor“Grace and Frankie” production designer Devorah Herbert recalls times in her career when she would walk into tech scout meetings and be the only woman in the room.She couldn’t say anything about it at then because “if you asked for equality in the workplace, you were seen as someone who was bitchy,” she says. So instead, she just “got used to it.

The TV industry is planning on getting back to work.

Anthony D'Alessandro Editorial Director/Box Office EditorWhen it comes to displaying the warmth and California style of the characters on Netflix’s Grace and Frankie, Devorah Herbert continually finds inspiration around her, whether she’s driving around LA, or at a friend’s home.“That authenticity in the sets is a huge part in my mind of the success of a show,” says the two-time Emmy nominated production designer, “You want people to feel that it’s really real, so that they can relate to

Stranger Things.The actor, 17, was planning to change direction after he lost a role in an unnamed film. He then set his sights set on becoming a director.In an interview with The Observer, Wolfhard recalls his first audition for Stranger Things, revealing that he almost didn’t send over an audition tape because he’d resigned himself to a career off camera.

Matt Grobar Assistant Editor, AwardslineOn Victorian fantasy series Carnival Row, production designer Frank Walsh was tasked with creating a village for an ancient race of faeries, fleshing out at the same time a sense of their history and culture.Created by Travis Beacham and René Echevarria, the Amazon drama centers on mythical creatures who have fled their war-torn homeland, gathering as mistreated immigrants within the gritty segment of human society that gives the show its name.Immersed in

In an interview with the Observer newspaper, Finn opened up about his eating habits, reports femalefirst.co.uk."I still eat like a four-year-old child, which is not a good thing when you're constantly travelling and feeling crappy because of your diet," he said.Finn plays Mike Wheeler in The Duffer Brothers' directorial "Stranger Things".

Danielle Turchiano Senior Features Editor, TV“Love Is Blind” was not production designer Dave Edwards’ first foray into a reality relationship competition series that sought to walk its couples down the aisle; he previously worked on the reunions for Lifetime’s “Married at First Sight.” But the Netflix series provided new challenges: He had to design rooms that looked good enough for TV but also provided function and comfort for the contestants who spent hours within them, chatting with their

Stranger Things 4 on hold, at least temporarily, but TV Guide has a new behind-the-scenes look to help hold fans over until footage from the upcoming season arrives. This exclusive previsualization video reveals some before-and-after glimpses of some of Season 3's most memorable fight scenes, as stunt coordinator Hiro Koda, who also worked as a second unit director for the season, sets up the shots with his stunt crew.