Tessa Thompson’s Valkyrie to Appear in ‘The Marvels,’ New Trailer Confirms

Jamie Dornan is helping support his friend Matthew Heineman!

The Marvels’ low box office numbers.Following its release on Friday (November 10), The Marvels made just $47million (£38m) in its opening weekend in the US – the lowest opening ever for a movie in the Marvel Cinematic Universe since 2008’s The Incredible Hulk. At the worldwide box office, the film has made just over $88million (£71m).In a post on X, King called out those dogpiling on the film’s failure, later suggesting it might be down to “adolescent fanboy hate”.“I don’t go to MCU movies, don’t care for them, but I find this barely masked gloating over the low box office for THE MARVELS very unpleasant,” King wrote.

There’s no other way to put it. It’s not a good day for Marvel Studios as their third film of 2023, “The Marvels,” opened to just $47 million at the U.S.

Rebecca Rubin Film and Media Reporter There’s nothing super about the opening weekend of Disney’s superhero adventure “The Marvels,” which whiffed at the box office with $63 million internationally and $110 million globally. Those figures are far behind expectations (heading into the weekend, Disney hoped for $140 million or more, and even that wouldn’t have been great for the $220 million-budgeted tentpole) and rank as one of the worst worldwide debuts in the history of the Marvel Cinematic Universe. “The Marvels” is the 33rd MCU film and the sequel to 2019’s billion-dollar behemoth, “Captain Marvel,” which debuted to a massive $302 million internationally and $455 million globally.

The Marvels, Nia DaCosta’s action-packed addition to a decent if not spectacular year for the films of the MCU.The ending we’re talking about is not only the film’s climactic showdown and good-humored epilogue but, since this is a Marvel movie, also the buzzworthy mid-credits sequence. All three components offer satisfactory closure to the story at hand, while heralding intriguing future adventures for the film’s titular trio of superheroes.The credits scene, in particular, foreshadows the first truly exciting MCU plot development since Marvel cracked open its now 33-film fictional universe into a kaleidoscopic multiverse of rarified worlds and reimagined characters.

Brie Larson is heading out to promote her new movie The Marvels!

Iman Vellani and Nia DaCosta are surprising fans at a screening for their new movie The Marvels!

Jordan Moreau SPOILER ALERT: This post contains major spoilers about the ending of “The Marvels,” now playing in theaters. At this point in the Marvel Cinematic Universe, the multiverse is in shambles. By the end of “The Marvels,” the villain has ripped a massive hole into the fabric of space and time, causing another reality to start bleeding into the MCU. To repair it, the titular superheroes — Carol Danvers, aka Captain Marvel (Brie Larson); Kamala Khan, aka Ms.

The Marvels.Park Seo-jun stars in The Marvels as Prince Yan. The film, which is directed by Nia DaCosta, is the sequel to 2019’s Captain Marvel and a continuation of the television miniseries Ms. Marvel.The South Korean actor’s appearance in the film was highly anticipated, but fans have since soured on his appearance due to his reportedly limited screen time.

The new Marvel Cinematic Universe film The Marvels is now in theaters and fans who check it out will be treated to some fun surprises.

Park Seo-joon has a brief role in the new movie The Marvels and it marks his Hollywood debut!

Comic book fans are going to be laughing at this headline, but we have a feeling that many The Marvels viewers won’t realize that X-Men‘s The Beast is making a cameo in the end credits scene.

Angelique Jackson Nia DaCosta survived the roller coaster of making “The Marvels,” but London’s rush hour traffic threatens to make her sick. It’s late October, weeks from the Nov. 10 release of the $250 million superhero movie, and DaCosta is conducting a Zoom interview from the back seat of a car as it inches toward her home.

We usually start these posts mentioning that fans often wonder if there’s going to be a post-credits scene for the movie they’re watching, but when it’s a Marvel movie, you know there will be one for sure!

Marvel Cinematic Universe (MCU), The Marvels, has split the critics with a range of mixed reviews.READ MORE: ‘The Marvels’ review: a quirky cosmic caper that lacks punchThe film, which is directed by Nia DaCosta, is the sequel to 2019’s Captain Marvel and a continuation of the television miniseries Ms. Marvel.

Marvel film The Marvels hits cinemas tomorrow (November 10) and comes with its own original soundtrack – see the full tracklist below.Directed by Nia DaCosta, the superhero blockbuster sees Brie Larson return as Captain Marvel alongside Teyonah Parris as WandaVision’s Monica Rambeau and Iman Vellani as Kamala Khan aka Ms. Marvel.An NME review of the film said: “This has to be one of the quirkier MCU entries. Cat-lovers will more than get their fix thanks to Danvers’ moggy Goose – secretly a Flerken that has tentacles that spring out of its mouth and swallows things whole (people, plates, you name it).

The Marvels hits theaters this Friday (November 10), but critics have already had a first look at the latest entry in the Marvel Cinematic Universe!

Rebecca Rubin Film and Media Reporter “The Marvels,” the 33rd installment in Disney’s Marvel Cinematic Universe, is barreling toward an unfortunate box office distinction. The big-budget superhero sequel is expected to generate just $60 million to $65 million from 4,000 North American theaters in its opening weekend, which would be one of the lowest debuts in MCU history.

Filmmaker Nia DaCosta isn’t a stranger to stories about the power of vengefulness or forgiveness. Her directorial debut “Little Woods” sees its protagonist (Tessa Thompson) trying to create a life when local vengeance gets in the way, while “Candyman” sees artist Anthony McCoy (Yahya Abdul-Mateen II) get ever closer to folklore’s Candyman, the vengeful spirit of a wrongly murdered man who can overtake your life if you whisper enough times into a mirror.

In an era where the Marvel Cinematic Universe frequently shuttles between multiverse escapades and interplanetary conflicts, Nia DaCosta‘s The Marvels emerges as a breath of fresh air, eschewing bombast for a nuanced exploration of its characters. DaCosta, alongside writers Megan McDonnell and Elissa Karasik, anchors the superhero spectacle in the tangible and personal, making the extraordinary feel accessible and grounded.