‘Terror Train’ Review: Tubi’s Remake Of The 1980 Slasher Goes Off The Rails Fast [BHFF]

Long before Selena Gomez became a household name, she was the daughter of Mandy Teefey (née Cornett) and Ricardo Gomez.

EXCLUSIVE: As it nears a worldwide gross of $200M, the producers of box office hit Smile are lining up new horror Clown In A Cornfield, which Protagonist is launching worldwide sales on ahead of next week’s AFM in LA.

Beth de Araújo made a splash at SXSW this year with her directorial debut, “Soft & Quiet.” Now, audiences get to find out what all the fuss is about, as the movie hits theaters next month. READ MORE: ‘Soft And Quiet’ Review: Beth de Araújo’s Uncomfortable White Supremacist Karens Thriller Is The Real Deal [SXSW] In the film, an elementary school teacher hosts a mixer for like-minded women on a quiet afternoon.

While not as famous as John Carpenter‘s slasher classic “Halloween,” 1980’s “Terror Train” cemented Jamie Lee Curtis‘ legacy as the definitive “final girl.” In the film, Curtis plays one of six friends who reckon with a killer out for revenge for a prank gone wrong years earlier on a train packed with rowdy college students. Alongside Curtis, the original movie also stars Ben Johnson and David Copperfield.

Inspired by the young adult novel of the same name by Soman Chainani, the latest from Paul Feig, “The School for Good and Evil,” is a major departure for the director most known for his riotous comedies like “Spy” and “Bridesmaids“.

Peter Debruge Chief Film Critic “Harry Potter” has had many imitators, but none so blatant or irredeemably over-the-top as Netflix franchise starter “The School for Good and Evil,” an extravagant YA costume show from “Bridesmaids” director Paul Feig that follows two friends to an elite academy where the heroes and villains of future fairy tales are trained. The whole idea derives from a book series by Soman Chainani, though it’s obvious where it really comes from: the imagination of J.K. Rowling, who must be positively livid watching what looks like the most expensive episode of “RuPaul’s Drag Race” ever produced. Feig goes full camp here, casting Kerry Washington and Charlize Theron to play the decked-out divas who oversee the enchanted institution’s two sides. The former embodies Professor Dovey, a prissy headmistress in Tweety Bird-yellow threads, who’s always going on about the rules, while Theron’s evil-minded Lady Lesso takes her fashion cues from Ilsa, She Wolf of the SS. Joined by Laurence Fishburne (as the Morpheus-like School Master), Michelle Yeoh (largely wasted as some kind of beauty instructor) and Cate Blanchett (in voice only, as the film’s self-aware narrator), these stars have been given carte blanche to chew the scenery.

Charlize Theron is always down to reunite with her family! ET's Deidre Behar spoke with the Oscar winner at 's Women in Hollywood event in Los Angeles on Monday, where she opened up about playing villainous cyberterrorist Cipher once again in the franchise's upcoming 10th installment, .«I feel so lucky that I'm just, like, such a small, small part of this incredible thing that they've built for so many years,» Theron raved. «I think what Vin and the producers and Universal have done with that whole franchise is really exceptional. I mean, it just doesn't happen. You just don't have an audience with you for that long of a ride.

Fans are set to see a second edition of Misfits Boxing this Saturday when KSI and co take to Sheffield's Utilita Arena for their sequel outing following a successful even in August.

Lea Michele and Tovah Feldshuh have been starring on Broadway in Funny Girl for the past month and they’ve been getting rave reviews for their performances!

mammoth launch of “Dahmer,” “The Watcher” adaptation drains all the potential relatability and genuine terror out of the source material. With a subtler hand, and a much shorter runtime, a film could have explored the rich themes of the dark side of upward mobility and the erosion of civility among neighbors while serving up subtle but real scares, toying with the idea that the titular letter-writer could be any smiling neighbor at the grocery store.The neighbors in Murphy’s “The Watcher” wouldn’t be even remotely recognizable in the real world, so we get none of that all-too-believable dread.

Alex Swhear Among the many oddities of a tumultuous, pandemic-addled year in music in 2020, the most surprising might have been that Taylor Swift’s massive “Folklore” was surpassed in consumption by the end of the year by an even more massive album from a still up-and-coming Atlanta rapper. Up until the release of “My Turn,” Lil Baby had still been defined, as with so many of his ATL contemporaries, as some variation of “Young Thug clone.” But the record, boosted by its deluxe release to become the most consumed album of the year, chugged along into a sleeper hit that shot him into the hip-hop stratosphere.  It is this rise over the last couple years that undergirds the arrival of his new record, “It’s Only Me,” and what also perhaps explains the mentality behind an often phoned-in slog of a work. The album, Baby’s third studio effort, largely solidifies what was perhaps even more unexpected about his superstardom: the fact that it was built on a sound that, on the star-making “My Turn,” was largely flavorless and inert when taken in its full dosage. Lil Baby rose to the top ranks with a somewhat distinct voice — a smooth, hoarse tone that often sounds effortless on his sprinting flows — but it was typically laid across shamelessly copy-and-paste trap production. 

, Ryan Murphy’s historical anthology, is finally back with season 2. After a five-year gap, the FX series returns with an all-new, star-studded installment called, with the focus on the falling out between notorious writer Truman Capote and several of his female friends, including Ann Woodward, Babe Paley, CZ Guest, Gloria Guinness, Joanne Carson and Slim Keith. “It’s such a great lineup of extraordinary women [and] great roles,” Naomi Watts tells ET about the series, in which she’ll portray Paley.

Rebecca Rubin Film and Media Reporter Theater veteran Tovah Feldshuh has performed in 10 Broadway shows over the last five decades, garnering acclaim and Tony Awards love for “Yentl” and “Golda’s Balcony,” among others. But there’s a unique thrill to her current role on stage, as the endearing mother of Lea Michele’s Fanny Brice in “Funny Girl.” “I get entrance applause at the top of the stairs,” she says. “It’s kind of fabulous.” The crowd at Broadway’s August Wilson Theatre has been nothing short of euphoric ever since Feldshuh and Michele joined the company of “Funny Girl” in September. And the stakes couldn’t have been higher. The revival, which opened 60 years after Barbra Streisand’s star-making turn in the beloved musical, was plagued by negative reviews, bad buzz and wilting ticket sales.

It’s Friday, Friday, gotta get down on Friday — especially when it’s New Music Friday! We’re breaking down this week’s best new tracks to keep on your radar.

Tove Lo has paid tribute to another Swedish pop star, covering Robyn‘s ‘Dancing On My Own’ while appearing on Australian radio station triple j’s Like a Version segment.Tove is accompanied solely by a pianist for her stripped-back rendition of the song, foregrounding her soaring vocals and bringing out all the emotion and power of Robyn’s 2010 heartbreak classic.“I think it’s just the most perfect pop song,” Tove said of her decision to cover the song in a post-performance interview. “Lyrically, it’s so simple, so clear.