‘Summer of Soul (Or, When the Revolution Could Not Be Televised)’: Questlove’s New “Black Woodstock” Doc Is Superb [Sundance Review]

Get Out” in 2017, and he hasn’t let up since. His performances in “Black Panther” and “Queen & Slim” were every bit as forceful as his horror hit, but he’s topped them all with this one.

Travelodge hopes restrictions will be lifted by summer and has launched a sale on breaks in some of the country's top holiday spots including Cornwall, York and Edinburgh from £25 per night. Over one million rooms are available to book for under £25, according to the hotel chain.

A sun-flared and bong-addled tumble into a teenage Texan summer rife with bombshells and boyfriend problems, “Cusp,” from debut directors Parker Hill and Isabel Bethencourt is one of those fractal-style documentaries, in which any given sliver contains all the colors and contours of the whole.

Sundance Film Festival after the movie’s premiere Monday night of the scene in which he delivers Hampton’s famed “I am a revolutionary” speech.“When I say I can’t remember what I did, I didn’t have an idea about how I was going to play something. I just knew I was a vessel.

As a child, Mendel explored the nearby forests of Michoacán, a state in Mexico, with his older brother Vicente. The trees there are filled with massive, beautiful clusters of monarch butterflies.

Survivre Avec les Loups” and attracted the attention of Disney and Oprah Winfrey. Defonseca had tears in her eyes on talk shows and gave inspiring speeches to stunned students across Europe.

13-year-old Sammy Ko (Miya Cech) is a problem child. Prone to skipping class, smoking cigarettes, and mouthing off to her teachers, she’s the opposite of the meek model student Hollywood typically imagines when writing young Asian-American characters.

Netflix true crime documentary investigating the real-life hotel that inspired American Horror Story is set to arrive next week.Crime Scene: The Vanishing At The Cecil Hotel lands on the streaming service on February 10.A synopsis of the show reads: “From housing serial killers to untimely deaths, the Cecil Hotel in Downtown Los Angeles is known to many as LA’s deadliest hotel.“The latest chapter in the Cecil’s dark history involves the mysterious disappearance of college student Elisa Lam.”See

Questlove responded with incredulous disbelief when he was first told about the footage.

Literally opening, as the title implies, with “The Dog Who Wouldn’t Be Quiet,” Argentinian director Ana Katz’s melancholic rumination on the life of Sebastian (Daniel Katz, the filmmaker’s brother), a languishing writer turned migrant worker, is a visually stunning, but oftentimes opaque experiment. Filmed in lush black and white, with animated interludes used to portray the more devastating aspects of Sebastian’s life, Katz’s film unfurls as a series of vignettes.

Sundance Film Festival Cinema Café talk on Sunday with Rebecca Hall. “Everybody was a judge and there was so much bullying going on.

Rodney Ascher’s computer-haunted documentary “A Glitch in the Matrix” is not the most insightful recent examination of boredom-born foggy Internet delusions. That honor likely goes to Arthur Jones’ antic “Feels Good Man.” Still, Ascher’s appropriately discombobulating stew of queasiness, comedy, and terror seems well-cued to the subject matter, even while missing a certain editorial sharpness that might have brought some of its notions into greater clarity.

its ongoing lies and distortion and insisting that their official death toll is underreported by as much as tens of thousands.Called “In The Same Breath,” the HBO film begins hours after a massive New Year’s Eve celebration in Wuhan, China, a city of 11 million and the one-time epicenter of the pandemic.The next day, a slew of robotic news anchors recited a government script, meant to minimize the impending disaster.

virtual Sundance Film Festival on Thursday, documents the shockingly little-known Harlem Cultural Festival that took place in the summer of 1969.

Owen Gleiberman Chief Film CriticIn “Summer of Soul (…Or, When the Revolution Could Not Be Televised),” which opened the Sundance Film Festival tonight on a note of heady historical exuberance, we see images from the 1969 Harlem Cultural Festival, and they’re like dream visions of a promised land.

During the same summer as Woodstock in 1969, Nina Simone, Sly and the Family Stone, Stevie Wonder and more played a series of free concerts in Harlem intended to be a celebration of Black pride. Called the Harlem Cultural Festival and attended by more than 300,000 people, the shows were largely forgotten, and the recordings languished in a basement for decades.