Summer Box Office 2023: ‘Barbenheimer’ Brought Audiences Back, But Uncertainty Around Strikes Could Capsize 2024

Rebecca Rubin Film and Media Reporter “Expend4bles,” the fourth action-thriller starring Jason Statham and Sylvester Stallone as elite mercenaries on a mission, is expected to top the box office in its debut. It’s aiming for $15 million in its opening weekend, which would be the lowest of the franchise. There’s a chance, though, it could slightly exceed expectations with $17 million.

Patrick Frater Asia Bureau Chief ‘Expendables 4’ narrowly took top place at the mainland China box office on a quiet weekend preceding the National Day holiday season at the end of the month. “A Haunting in Venice” opened outside the top five. Data from consultancy firm Artisan Gateway shows “Expendables 4” earning $10.9 million (RMB78.6 million) over its debut weekend.

Bollywood’s Jawan and star Shah Ruhk Khan livened up a slow specialty market, grossing close to $2.5 million in 776 locations in week two for a cume close to $12.2 million. The Yash Raj actioner is no. 6 at the domestic box office.

Rebecca Rubin Film and Media Reporter “A Haunting in Venice,” Kenneth Branagh’s latest cinematic take on Agatha Christie’s library of murder mystery novels, is expected to spook the box office competition. It’s targeting a soft $13 million to $15 million in its North American debut. Those ticket sales will likely be enough to claim the No.

With Funny Girl off the boards last week and the impact of the 2-for-1 ticket prices of the Broadway Week promotion, Broadway box office receipts for the week ending Sept. 10 took an 18% tumble from the previous week, settling in at $21,334,228.

Lea Michele treated the final-night audience of Broadway’s Funny Girl to an extra song Sunday, performing “My Man,” popularized by Fanny Brice in 1921 but not included in the musical’s original score.

Though Labor Day is upon us domestically — and its somewhat equivalents in many overseas markets to mark the end of summer — the hits keep coming as holds this session were strong on the season’s leaders while a new entry surprised. To wit, and starting with the latter: Sony/Escape Artists’ The Equalizer 3 blazed to a $60.6M global start this weekend, to clock the franchise’s best opening ever. Of that, the $26.1M debut in 49 international box office markets was also a new record bow for the Denzel Washington-led series.

Rebecca Rubin Film and Media Reporter Few were expecting the bomb and the bombshell to save the summer box office. But thanks to the sky-high ticket sales for Greta Gerwig’s very pink “Barbie” and Christopher Nolan’s supremely dark “Oppenheimer,” domestic revenue hit $4 billion between May and August for the first time in the pandemic era.

Variety said the receipts were boosted by showtimes in premium large format auditoriums, and the flick is on track for the second-highest Labor Day weekend opening in historyThe Post praised the movie stating that unlike the first two “dark” and “pathologically unpleasant” films, the third “lives up to the ever-deepening talent of its leading man.”The summer’s biggest blockbuster, “Barbie,” continued to pull in audience, netting $2.5 million Friday.

J. Kim Murphy Denzel Washington’s “The Equalizer 3” is showing some box office virtuosity, taking flight in its domestic debut after grossing $13.1 million on opening day from 3,241 venues. That includes $3.8 million in Thursday previews, boosted by showtimes in premium large format auditoriums.

Naman Ramachandran The “Barbie” and “Oppenheimer” phenomenon helped the U.K. and Ireland box office reach £104.8 million ($132 million) in August, per numbers from Comscore. While this is significantly lower than the heights of £160.7 million in July, it is 67% higher than August 2022 (£62.9 million).

Rebecca Rubin Film and Media Reporter Denzel Washington’s assassin thriller “The Equalizer 3” is gunning for the top spot on box office charts over Labor Day weekend. The R-rated film is projected to earn $28 million to $30 million between Friday and Sunday and $33 million to $40 million through the four-day holiday frame. As this weekend’s only new nationwide release, “Equalizer 3” shouldn’t have any trouble in knocking down the prior box office champion, Sony’s racing drama “Gran Turismo,” which opened to $17.4 million and looks to add $7 million to $9 million in its sophomore outing.

Naman Ramachandran The “Barbenheimer” phenomenon continued at the U.K. and Ireland box office, occupying the top two positions for the sixth consecutive weekend. Warner Bros.’ “Barbie” collected £1.9 million ($2.4 million) in top spot and now has a total of £89.02 million ($112 million), per numbers from Comscore.

according to IMDB’s Box Office Mojo.The flick, which CNN said “moves, ironically, too slow to deliver as a big-screen attraction,” tells the true story of Jann Mardenborough, a teenage Gran Turismo player who became a professional race car driver. “Barbie,” which is now officially the highest-grossing movie of the year in North America, remained in second place, with $4 million in sales.She beat out “Blue Beetle,” which earned $2.6 million and landed in third place.The DC Comics film, which was in the No.

John Hopewell Chief International Correspondent Move over “Barbenheimer”: Spain has a new box office phenom: Javier Fesser’s “Championext” (“Campeonex”), his sequel to “Champions,” Spain’s biggest hometurf box office hit of the last seven years which sparked a Woody Harrelson U.S. remake directed by Bobby Farrelly. Produced by Luis Mansó for Películas Pendleton and Alvaro Longoria for Morena Films, “Championext” is released in Spain by Universal Pictures Intl (UPI), and sold internationally by Latido Films.

Rebecca Rubin Film and Media Reporter Sony’s racing drama “Gran Turismo” is driving to a soft $10 million to $12 million in its first weekend of release. The film lands in 3,800 North American theaters on Friday and will compete with last weekend’s champion “Blue Beetle” for second place on domestic charts behind “Barbie.” Greta Gerwig’s box office behemoth is expected to return to the No. 1 spot in its sixth weekend of release, with projections of $12 million to $14 million between Friday and Sunday.

In the midst of a weekend with National Cinema Day, in addition to several previews, Sony’s feature take of PlayStation game, Gran Turismo, is bound to take No. 1 at the box office. This despite the fact that tracking has lowered its projections on the film down to $12M from $15M.

More pressure on the AMPTP and the guilds to come to terms: This summer’s domestic box office is set to cross $4 billion, for the 13th year ever.

Blue Beetle has made its box office debut!

Rebecca Rubin Film and Media Reporter “Blue Beetle” has dethroned “Barbie” at the domestic box office. The latest DC superhero adventure claimed the No. 1 spot despite a softer-than-expected debut of $25.4 million.