Steven Soderbergh Isn’t Interested In Doing Another ‘Ocean’s’ Film

Margot Robbie won a best acting award while her film Barbie won for best ensemble at Saturday’s 26th AnnualFamily Film and TV Awards, hosted by The Talk‘s Akbar Gbajabiamila and Amanda Kloots.

Now that Steven Soderbergh’s three-year overall deal with HBO is over, he’s free to work with any studio he chooses. And the filmmaker is doing just that, in his usual workaholic way, as Deadline reports that Focus Features outbid everyone for “Black Dog,” Soderbergh’s upcoming spy thriller with Cate Blanchett and Michael Fassbender.

EXCLUSIVE: Focus Features has won a bidding battle for Black Bag, a package for a spy thriller film that Steven Soderbergh will direct this summer in Europe from a David Koepp script, with Cate Blanchett and Michael Fassbender attached to star. Casey Silver and Greg Jacobs are producing.

Oscars coverage in March, but speaking with his daughter, Honey on their podcast, Reel Talk With Honey & Jonathan Ross, he shared his criticisms of this award season.There has been some backlash following the release of the 2024 Oscar nominations, with many critically acclaimed films, directors and actors missing out on recognition.Ross, who used to be a BAFTA voter, has stopped voting as he felt award shows are mainly focused on films “being rewarded for the wrong reason”.He said: “I’ve been preparing for it by trying to overcome my kind of instinctive dislike for award shows. I’ve come to the conclusion after many years, and you know I used to vote on BAFTA… I’ve stopped [voting] because I was tired of seeing movies again and again which I thought were being rewarded for the wrong reason.”He also shared that he didn’t believe the movies honoured at award ceremonies were necessarily representative of those popular with the public.

Everyone loves a what if, us especially. We all like to dream about the greatest projects never made, right? Well, here’s one more to add to that pile.

Steven Gaydos Executive VP of Content With the 2023 Oscar nominations now in hand, it’s clear that Margot Robbie’s exclusion from the best actress race, along with “Barbie” director Greta Gerwig’s director snub, has outraged the blockbuster film’s massive global fanbase. What everyone seems to be forgetting is that when it comes to Oscar love, especially for actors, Oscar voters annually choose spinach over sweets, meat and potatoes over champagne and caviar.

The “Erin Brockovich” director moves his camera around so much, you want to yell at the screen, “Settle down, please! I have a headache!” There is a rationale for his nearly-nonstop motion shtick: the audience is experiencing the haunted house from the perspective of a ghost. And this particular ghost apparently needs to get its steps in.However, aside from a couple creepy voyeuristic scenes that the technique complements, its more obvious purpose is for Soderbergh to show off elaborate tracking shots.

Brent Lang Executive Editor “Presence,” a twisty new thriller that premiered at the Sundance Film Festival, has sold to Neon. The movie, which is directed by Oscar winner Steven Soderbergh, puts an inventive spin on the haunted house genre. It unfolds from the perspective of the spectral entity and is primarily interested in dramatizing the issues of the people living in the home, who seem to be grappling with a lot of interpersonal problems.

walked back his comments slamming “Barbie” star Ryan Gosling “for doing that s – – t for money.”Stone, 77, said in a post on X (formerly Twitter) that he made those incendiary comments last year before seeing the box-office behemoth, which snared eight Oscar nominations Tuesday — including one for Gosling as Best Supporting Actor and America Ferrera as Best Supporting Actress and has grossed over $1.45 billion worldwide.“At the time, I was busy promoting my nuclear documentary in Europe [‘Nuclear Now’] and had little to no knowledge of the project beyond its title,” Stone wrote, regarding his nuking of Gosling and “Barbie.”He said he saw the film in July “and appreciated the film for its originality and its themes.”“I found the filmmaker’s approach certainly different than what I expected,” he said. “I apologize for speaking ignorantly.”He also praised “Barbie” director Greta Gerwig’s 2017 movie “Ladybird” as “one of my favorites of that year.”” ‘Barbie’s’ box office greatly boosted the morale of our business, which was welcome,” he said.

You’ll remember during the pandemic, Steven Soderbergh revealed he wrote three scripts in a three-month blaze at the beginning of lockdown. One of them was a sequel to “Sex, Lies, and Videotape.” READ MORE: Steven Soderbergh Has Written A ‘Sex, Lies & Videotape’ Sequel; Says George Clooney & More Set For ‘Kill Switch’ Well, it’s not happening, and in a recent Variety article, Soderbergh said while he got actors like Andie MacDowell and Laura San Giacomo to agree to return, he feels like the idea has missed its moment and he’ll likely turn it into a novel instead (which would be his first).

Oliver Stone has suggested that Ryan Gosling is “wasting his time” making films like Barbie.Gosling played the role of Ken in last year’s hit Greta Gerwig film, earning huge acclaim including a recent BAFTA nomination for Supporting Actor.However, Stone – who has helmed films such as Platoon and JFK – criticised the film in a resurfaced interview with City A.M. from last year, hitting out at a “ridiculous” joke suggestion from Mattel’s boss that he could direct a Barbie sequel.“Ryan Gosling is wasting his time if he’s doing that shit for money,” Stone added. “He should be doing more serious films. He shouldn’t be a part of this infantilization of Hollywood.“Now it’s all fantasy, fantasy, fantasy, including all the war pictures: fantasy, fantasy.

Since returning from his announced retirement from feature filmmaking, Steven Soderbergh has been on a tear of productivity unmatched since the heyday of Hollywood’s studio system. His quickie projects might feel like slight exercises in style or storytelling, but they have never felt disposable.

Alicia Silverstone was a bright light in the otherwise maligned 1997 superhero movie “Batman & Robin,” playing Batgirl opposite George Clooney’s Batman. Although Clooney has distanced himself from the role in previous years, he showed up in 2023’s “The Flash” in a multiverse cameo. While Silverstone was at the Variety Studio presented by Audible to discuss her new Sundance film “Krazy House,” she was asked about whether or not she’d put the cape back on.

Stephen Rodrick The not-so-secret fact about premieres is that the actors rarely watch, usually ducking out when the lights go down. They spend the film’s duration smoking cigarettes and reciting the cinema’s version of the serenity prayer: “God, grant me the serenity to accept the things I cannot change, i.e. the director’s predilection to use my worst take.” That was not the case at Sundance’s world premiere of Steven Soderbergh’s “Presence,” a ghostly thriller about the Payne family, a bougie clan with a significant number of problems including a spectral, uh, presence that could be friend or foe.

Directed by Steven Soderbergh and penned by David Koepp, the haunting psychological thriller Presence follows a fractured family as a mysterious supernatural force infiltrates their new home that has taken interest in their daughter Chloe. The film is written by David Koepp and stars Lucy Liu, Chris Sullivan, Callina Liang, Eddy Maday, West Mulholland, and Julia Fox.An unsettling presence permeates the home of Chris (Sullivan) and Ruth (Liu)  before they even move in. This supernatural entity is a witness to the family’s most vulnerable moments. It has a particular focus on the couple’s young daughter Chloe (Liang), who is always at odds with her mother and Brother Tyler (Maday). However, the young girl is in mourning because of her two girls, one of them her best friend Nadia, died recently.  

Owen Gleiberman Chief Film Critic “Presence,” a ghost story directed by Steven Soderbergh, is set entirely inside a lovely, renovated, 100-year-old suburban home, and before the characters even have a chance to move in, the place is already occupied. The camera literally seems to be peering at things, staring out the second-floor windows, then coming down the stairs to witness the arrival of a harried real-estate agent, then the family of four she’s about to sell the house to. Darting from room to room in an unbroken wide-angle-lens shot, the camera gives us an impromptu tour of the house, letting us drink in the crisp mint-green walls, the vintage wood that lines everything (windows, doors, stairway, fireplace), the ancient smoke-glass mirror and polished oak-board floors and elegant sprawling kitchen.

Well, the Steven Soderbergh/David Koepp relationship continues. After writing the surveillance thriller, “Kimi” and the upcoming ghost movie “Presence” which will premiere at Sundance soon, screenwriter David Koepp (“Jurassic Park,” “Carlito’s Way”) has penned yet another film for director Steven Soderbergh.

Cate Blanchett and Michael Fassbender are set to co-star in a spy thriller!

BAFTA has responded to snubs in the recently announced nominations list.The nominees for the prestigious awards were announced this afternoon, with Oppenheimer continuing to receive high praise this award season with 13 BAFTA nominations, following another impressive evening at the Critics Choice Awards on January 15.However, Greta Gerwig’s Barbie, which received high critical acclaim and broke multiple box office records, only received five nominations after being longlisted for 15 categories.The movie, which was released in July last year, missed out on the nomination for Best Film, and Gerwig has not been recognised for her directing. Barbie has received nominations for Best Leading Actress (Margot Robbie), Best Supporting Actor (Ryan Gosling), Best Original Screenplay, Best Costume Design and Best Production Design.BAFTA Head of Film, Anna Higgs, spoke about the nominations and omissions: “The field is so competitive.

Brent Lang Executive Editor On a January day in 1989, Steven Soderbergh, a novice filmmaker whose previous gigs included holding cue cards on variety shows and directing a concert film for the rock group Yes, made his way to the front of a makeshift theater in Park City, Utah. He was at Sundance — or the U.S.