Spike Lee Got Creative With Flashbacks In ‘Da 5 Bloods’: “I Was Not Getting $100 Million To De-Age Our Guys”

You would think that Spike Lee wouldn’t have much trouble finding a studio to finance and distribute his films. After decades of films that have been nominated for all sorts of awards and coming off his first Oscar win, it would stand to reason that a filmmaker would have a line of studios hoping to work with him.

the Oscar winner has four black men in their sixties meet up for a happy present-day reunion at a hotel in Ho Chi Minh City.The buds — called the “Bloods” — are back to their former battlefield, we learn, to retrieve the remains of the fifth “Blood,” Stormin’ Norman (“Black Panther” star Chadwick Boseman, in flashback).So, this must be Lee’s reckoning-with-’Nam film, you think.

Few comebacks have been as satisfying as what 2018’s “BlacKkKlansman” wrought. The film netted the esteemed and oft-misunderstood director Spike Lee a Best Adapted Screenplay Oscar, reminding many of his potent cinematic eye.

Also Read: Spike Lee Calls George Floyd and 'Do The Right Thing' Character Radio Raheem 'Brothers' in Short Film (Video)Sprawling and expansive at more than two-and-a-half hours, “Da 5 Bloods” is Lee’s Vietnam epic, a journey up the river with more than a few nods to “Apocalypse Now.” (Wagner’s “Ride of the Valkyries” even shows up at one point.) The more it has on its mind, the better it is, because the vitality of Lee’s filmmaking lies not in the way he shows these guys hiking through the

Spike Lee's hyper-stylized, genre-hopping, and stuffed-to-the-gills Netflix original film Da 5 Bloods ended, and after I'd scooped my brains up off the carpet, I was left with the question "is this movie any good?" It's a big swing at 156 minutes; bold and bloody and rife with characters that are justifiably knotted with paradoxes. It jerks between poignancy, action, comedy, and moral discussions, always in fascinating ways.

Peter Debruge Chief Film CriticWith “Da 5 Bloods,” Spike Lee follows his long overdue Oscar win for “BlacKkKlansman” by revealing a side of the Vietnam story that’s seldom told. Through the Trojan horse of a treasure-hunt adventure movie, the director explores the mindset of Black soldiers who fought for their country at a time when African Americans were being oppressed at home.

After the Oscar-winning success of BlacKkKlansman, what filmmaker Spike Lee opted to follow it up with always always going to be inherently fascinating. After all, that movie had won Lee his first Academy Award.

Shortly after the video was released of George Floyd being killed by a police officer and protests began to rise up around the US, Spike Lee released a short clip editing together the videos of Floyd and Eric Garner being killed alongside a similar scene in the director’s own “Do The Right Thing,” asking the question, “When will history stop repeating itself?” In a new interview with the Los Angeles Times, Lee talked about the connection between his 1989 acclaimed film and the recent racist

"He's trying to be a dictator"

«Will history stop repeating itself?» Spike Lee asks as much at the start of a minute-and-a-half-long short film he shared on Twitter, which splices clips from his 1989 film,, with footage of the police killings of Eric Garner in 2014 and George Floyd in May.

NEW YORK -- It's not the first time that Spike Lee's “Do the Right Thing” has been freshly urgent, but Lee's 1989 film has again found blistering relevance in the wake of George Floyd's death.

The music for the Netflix movie is composed by GRAMMY Award-winning trumpeter Terence Blanchard

The music for the Netflix movie is composed by GRAMMY Award-winning trumpeter Terence Blanchard

The filmmaker previously spoke out against the decision to reopen cinemas in Georgia

In a perfect world, Spike Lee would be promoting his upcoming Netflix film, “Da 5 Bloods,” ahead of its June premiere and prepping to begin filming of his next feature, “Prince of Cats,” which he describes as “Romeo and Juliette during the age of hip-hop.” But COVID-19 had other plans, and even though Netflix is still moving forward with the June release of his next feature, the future is unclear, as he reveals in a new interview with Vanity Fair.

"We're second-class citizens"