‘Simone: Woman of the Century’ Review: Olivier Dahan’s Lavish but Mawkish Biopic of Simone Veil

Jessica Kiang Imagine that one of Hitchcock’s villains — say, the guy missing the tip of a pinkie in “The 39 Steps,” or the shrink who runs the institute in “Spellbound” — did not simply come from a place of murderous intent but from a different place altogether, perhaps another dimension. Imagine that villain’s supranatural malfeasance backdropped by jagged mountains, captured in black-and-white so crisp it could cut, and widescreen frames so wide whole Alpine ranges fit comfortably inside them. And imagine it all unfolding to a deliberately overpowering score, like Bernard Herrman and Scott Walker conceived a baby during a sonic boom.

TELLURIDE – Considering the success and adoration of the “Sideways,” it’s sort of surprising it took Alexander Payne and Paul Giamatti this long to find another film to make together. Almost 20 years later, the director and actor have reteamed for “The Holdovers,” which debuted at this year’s Telluride Film Festival.

Early in his new film “The Pigeon Tunnel,” Errol Morris creates one of the most vivid images of a career packed with them: a man in a suit walking through a meadow filled with mirrors. He’s always had a gift for finding specific and memorable visual metaphors for the stories he tells and the themes he’s drawn to; here, what’s noteworthy isn’t just the mirrors but the way the man keeps moving away from them.

TELLURIDE- Despite a varied resume that includes art-house Sci-Fi, a classic coming-of-age tale, and a haunting drama on racial injustice, we weren’t sure Jeff Nichols had it in him to make a movie such as “The Bikeriders.” After its world premiere at the 2023 Telluride Film Festival, we’ll likely never doubt him again. Nichols has crafted a highly entertaining period piece on a legendary biker club that is at times sexy, funny, and filled with fisticuffs.

“Tell me your story, and I will tell you who you are.” This line is repeated through the 8-episode first-season run of Apple TV+’s fascinating “The Changeling,” spoken via narration by the author of the acclaimed novel on which it’s based, Victor LaValle. This production is clearly the work of storytellers, people who believe in the power of not just the personal journey but the mythology that still serves as a foundation for so much of the world.

Guy Lodge Film Critic “The Promised Land” deserves a sexier title than “The Promised Land”: It’s hard to hear those well-worn words and not expect something as beige and starchy as the spuds grown on its titular terrain. It has one, in fact.

Jessica Kiang Check under most any post relating to the recently released trailer for Luc Besson’s “Dogman,” and you’ll find one, if not several responses riffing, to various degrees of enthusiasm, on the theme of “OMG, what if ‘Joker’ but with dogs?” That rhetorical question can now be answered, following this numbskulled nonsense movie’s inexplicable Venice Competition premiere, with a resounding “If only.” The bludgeoningly obvious, creatively inert, deathly dull tale of a cross-dressing misfit in a wheelchair who favors canine company over that of humans, it is scarcely fit to lap from the same water bowl as Todd Phillips’ controversial Golden Lion winner. Even those who didn’t much like “Joker” have to admit that it did not so actively treat its audience as if they were brain dead that everyone left feeling about 30 IQ points dumber than when they went in.

Watching Michael Mann’s “Ferrari,” one may wonder whether it’s even possible to make a film about an Italian figure and have it not be at least 80% about style. An admittedly rather inane thought, but one made a little more legitimate by the central presence of Adam Driver as the titular Enzo Ferrari.

Kylie Jenner and Timothée Chalamet are keeping the romance alive… and keeping it as quiet as possible!

Dennis Harvey Film Critic “Based on a true story” has become one of the most overused (and misleading) labels of our time. Still, its application to “Nandor Fodor and the Talking Mongoose” is duly warranted — and no less ridiculous for being so. The “true events” drawn on here remain dumbfounding: In the 1930s, a family living in a farmhouse on the Isle of Main claimed they played frequent host to an octogenarian mongoose from New Delhi whose mysterious powers were hardly limited to human speech.

Belíssimo.Italian organized crime makes a weightier match for deadly Robert McCall — a Godzilla vs. Mothra of the world’s seedy underbelly.

The numbers are in!

Is everyone leaving Scooter Braun or not?

HBO’s The Gilded Age is returning for an eight-episode second season that will premiere on Sunday, October 29 at 9 p.m. ET/PT.

Peter Debruge Chief Film Critic In out-there Estonian comedy “The Invisible Fight,” a clueless Russian border guard somehow escapes a surprise attack by three formidable Chinese action figures — gravity-defying kung fu warriors who swoop in out of nowhere, blasting Black Sabbath on their bright red boombox — so he does what anyone in his position would do: He resolves to become an Orthodox monk. Huh? “I guess God has other plans for you,” a less-fortunate comrade wheezes with his dying breath, setting up one of the oddest plots audiences are likely to find on the art-house circuit this year.

Chris Willman Senior Music Writer and Chief Music Critic It’s been a few years since Rhiannon Giddens did anything remotely in the ballpark of a “pop” album, and it’s not hard to come up with reasons for that: Besides her having a full dance card, you could almost argue she’s overqualified for the job. The recipient of both a MacArthur “genius grant” and a Pulitzer, the banjo-wielding balladeer has sustained herself for a while at the intersection of earthy and highbrow, most recently winning acclaim for her opera, “Omar,” and she looks at least at much at home fronting the LA Phil as she used to leading the old-fashioned string band the Carolina Chocolate Drops.

Low end forecasts have Sony’s Denzel Washington starring, Antoine Fuqua-directed action threequel, The Equalizer 3 at $30M+ over 4-days.

A feature doc about the journeys of the Ukrainian Got Talent acts is in the works at local broadcaster STB and Fremantle.

Michael Schneider Variety Editor at Large “The Conners” is making its way to off-net syndication, as Tom Werner’s Werner Entertainment has stuck a deal with both Lionsgate Worldwide Television Distribution Group and Debmar-Mercury to distribute the sitcom’s first five seasons (and future seasons as well). “The Conners” will be sold for a fall 2024 launch in domestic syndication.

Calvin Harris left The One Show viewers in fits of laughter with his savage plastic surgery dig at Simon Cowell.