“Papicha” filmmaker Mounia Meddour was awarded the 2020 Academy Gold Fellowship Award for Women from the AMPAS during a luncheon hosted by French actress Juliette Binoche in Paris.
19.02.2020 - 16:01 / deadline.com
By Jake Kanter
International TV Editor
International TV event Series Mania has unveiled its 2020 lineup, which boasts world premieres for dramas including The Luminaries, Little Birds and Adult Material.
The event is staged in Lille, northern France, between March 20-28, and is becoming an increasingly prominent part of the international TV calendar, taking place in the week before Mip TV.
Tom Perrotta, creator of HBO’s The Leftovers, will serve as president of the International
“Papicha” filmmaker Mounia Meddour was awarded the 2020 Academy Gold Fellowship Award for Women from the AMPAS during a luncheon hosted by French actress Juliette Binoche in Paris.
Leave your baggage at the door, because the is still going strong in 2020. Ever since French luxury brand Jacquemus sent the meme-worthy down the runway for its Spring/Summer 2018 show, handbags have gotten smaller and smaller—and celebrities and the Internet can't get enough.Insta-famous brands like and have followed suit, designing too-cute takes on the —and Lizzo took it to new heights with a borderline microscopic Valentino bag (or coin purse?) on the .
British women investing their money in Netflix , Apple and Google
Fans are not happy
The organizers of Series Mania have said the international TV drama event will go ahead in France this month, despite the coronavirus threat.
In the moody French policier Night Shift (Police), three officers are tasked with escorting an illegal immigrant to Charles de Gaulle airport, where he will be forced onto a plane and sent back to his homeland. According to statistics, this is something that happens all too frequently in France, where nearly 24,000 people were deported last year alone.
Back in the day before the internet, tv, or really much of anything, Mimes were basically celebrities to children. Their antics would bring smiles to the children, and that was necessary, especially during WWII when the Nazis occupied France.
By Jake Kanter
The latest work from scrappy French iconoclasts Benoit Delepine and Gustave Kervern (I Feel Good,Near Death Experience) is at once a dramedy that dips into yellow-vest sentiment in suburban France; a farce about the digital world that surrounds us and seems to command us more than actually help us; and an all-round, utterly depressing movie about the world we live in today.
BERLIN — Ventana Sur, the biggest film-TV industry event in Latin America – and bulwarked by a hugely popular Cannes Film Week hosted by Thierry Fremaux – has set dates for its 12th edition, and announced a new venue in Buenos Aires.
To some extent, withThe Salt of Tears (Le Sel des larmes)French post-New Wave director Philippe Garrel continues in the familiar vein of his last three films, the intimate dramasJealousy, In the Shadow of Women andLover for a Day. It's shot in black-and-white, it looks at relationship issues surrounding fathers and lovers and much of the same below-the-line talent has collaborated on this effort as well, from production designer Manu de Chauvigny to composer Jean-Louis Aubert.
To some extent, withThe Salt of Tears (Le Sel des larmes)French post-New Wave director Philippe Garrel continues in the familiar vein of his last three films, the intimate dramasJealousy, In the Shadow of Women andLover for a Day. It's shot in black-and-white, it looks at relationship issues surrounding fathers and lovers and much of the same below-the-line talent has collaborated on this effort as well, from production designer Manu de Chauvigny to composer Jean-Louis Aubert.
French filmmaker Sebastien Lifshitz has made three fiction films,Come Undone, Wild SideandGoing South(the latter with current Bond girl Lea Seydoux). But the majority of his output has been in the documentary genre, often exploring marginalized and queer experiences in France, though last year's Adolescentswas a welcome broadening of his horizons as it depicted the life of two teenagers from France over several years (think a non-fictionBoyhoodwith girls).
A 200-minute conversation, set indoors, conducted mostly in stilted French and concerning late-19th-century views of religion, war and good vs. evil doesn’t exactly sound like a recipe for a surefire hit, even in the arthouse arena.
Michael Morpurgo’s 1990 children’s book, set in France during World War Two is brought to the big screen, placing a coming of age tale against the backdrop of the darkest chapter in human history.