Ryan Phillippe Leaps Into Podcasting With Hollywood Stunt History Series From Wheelhouse DNA

Kelly Clarkson was honored with her own star on the iconic Hollywood Walk of Fame on Monday, and the celebrated singer and TV personality beamed as she basked in the celebratory glow of the achievement.Clarkson spoke with ET's Cassie DiLaura after the big event — where she was reunited with original  judges Simon Cowell, Paula Abdul and Randy Jackson — and Clarkson reflected on what it was like to be «cemented in history» on the Walk of Fame.«Wow, how you just said it kind of freaked me out, that's crazy. I didn't really think about it like, that but it's incredible,» Clarkson shared. «I mean, you know, you've seen these pictures since you were a kid, with all these major people that influenced you artistically in your life, and it's cool to be a part of that.»«Especially like right in front of where I won [] 20 years ago,» added Clarkson, whose star is located right in front of the Dolby Theater on Hollywood Blvd.

Kelly Clarkson has officially been honoured with a Hollywood star.

Kelly Clarkson's  family came out in full force to support the singer and talk show host at her Hollywood Walk of Fame ceremony Monday. The original judging panel — Simon Cowell, Randy Jackson and Paula Abdul -- were on hand to help pay tribute to Clarkson.The trio posed for photos with Clarkson as she proudly displayed her star and cemented her place in Hollywood history.Cowell spoke at the ceremony, praising Clarkson and the career she's had since winning the singing competition during its inaugural season.«We were just talking about the moment when you sang 'Respect,' and we all looked at each other, and it was like, 'Oh.

told Variety Friday.The prolific actor often shared the screen with Frank Sinatra, playing a Communist agent who fought with the singer in ‘Candidate’ and one of the 11 crooks in the classic 1960 casino heist film.The Spanish Harlem native’s death was reportedly first announced by the daughter of Dean Martin, who appeared alongside him in the iconic Rat Pack caper.“Our hearts are broken at the loss of our dear friend Henry Silva, one of the nicest, kindest and most talented men I’ve had the pleasure of calling my friend,” Deana Martin tweeted Friday afternoon.“He was the last surviving star of the original Ocean’s 11 Movie. We love you Henry, you will be missed.”Silva got his start as a heavy in Westerns like “The Tall T” and “The Law and Jake Wade” before starring as the titular characters in 1963’s “Johnny Cool” and 1965’s “The Return of Mr.

Michaela Zee editor Netflix has released the official trailer of Ryan Murphy’s true crime series “Dahmer – Monster: The Jeffrey Dahmer Story,” starring “American Horror Story” alum Evan Peters in the titular role. The 10-episode limited series follows the story of real-life serial killer Jeffrey Dahmer, who murdered 17 men and boys between 1978 and 1991. Primarily told from the perspective of Dahmer’s victims, the series will reportedly take place from the 1960s to early 1990s. “Dahmer – Monster: The Jeffrey Dahmer Story” will also explore the incompetence of the Wisconsin police during the murder investigations, allowing Dahmer to continue his killing spree.

Hollyoaks's Ricky Whittle has left his Hollyoaks character Calvin Valentine far behind and headed for Hollywood to film new movie Land of the Bad which stars Liam and Luke Hemsworth. Ricky, 40, played Calvin in the Channel 4 soap but in a recent shot posted to his Instagram, he's dressed in army trousers and a green top standing along co-stars Luke Hemsworth, Liam Hemswoth and Milo Anthony Ventimiglia, who he's tagged in the image.The caption reads: "I’m not sayin' my squad is better than yours….

Marsha Hunt, one of the last surviving actors from Hollywood’s so-called Golden Age of the 1930s and 1940s who worked with performers ranging from Laurence Olivier to Andy Griffith in a career disrupted for a time by the McCarthy-era blacklist, has died. She was 104.

Alan K. Rode The death of actress-activist Marsha Hunt this week is a historical watershed and a personal loss. Marsha was one of the last living actors who began her movie career during the Great Depression in 1935. She became part of a now vanished Hollywood, initially at Paramount then at MGM, that bound contracted talent to studios with artists having little to no say over their choice of roles and careers. Nevertheless, she thrived in the studio system by becoming somewhat less than a genuine movie star and more of a consummate professional actress.   Marsha’s career was derailed by the Blacklist, a perfidious period of American history that has been endlessly chronicled and misunderstood. Never a Communist or radical, she was a forthright liberal who refused to accept her voice being marginalized by the endemic sexism and politics of the period. Marsha was the final survivor of the Committee of the First Amendment, an action group of film actors, directors and writers founded by screenwriter Philip Dunne, actress Myrna Loy, and directors John Huston and William Wyler. Members of the group flew to Washington D.C. on October 27, 1947 to protest the HUAC hearings investigating so-called subversive Communist influence in the motion picture industry. From a public relations perspective, the group’s involvement backfired and many people in the group subsequently had to seek political cover. After the pamphlet “Red Channels” was published in June 1950, naming Marsha and 150 other artists, journalists and writers by falsely portraying them as subversives who were manipulating the entertainment system, she had a great deal of trouble finding work in Hollywood.

confirmed the news to The Hollywood Reporter. A former model, Hunt was a standout in such films as John Wayne’s 1937 Western “Born to the West,” 1939’s “The Glamour Girls,” opposite Lana Turner; 1940’s “Pride and Prejudice” and 1948’s beloved noir “Raw Deal.” In 1945, she joined the board of the Screen Actors Guild.But her career unraveled after she and her second husband, screenwriter Robert Presnell Jr., joined a Hollywood group that questioned McCarthy’s efforts to root out Communists in American society, including in Hollywood.

The rules of survival in Hollywood have always fascinated me. “Consistency is the key – always present yourself to studios as a total bitch,” Bette Davis once confided. “Never delude yourself into thinking that a star can become a loyal personal friend,” advised Billy Wilder. “Since studios always lie, a producer’s mandate is to come up with bigger lies,” said David O. Selznick.

Netflix has greenlit a Japanese drama series about the last ninjas to remain in modern times.

Jennifer Lawrence has voiced her frustration with the gender pay gap in Hollywood, stating she’ll always be paid less “because of my vagina”.Speaking to Vogue for their October cover story, the Oscar-winning star acknowledged that actors of her level of fame are “often” overpaid but that she still finds the difference “bothersome”.“It doesn’t matter how much I do. I’m still not going to get paid as much as that guy, because of my vagina?” she said.Her comments come following reports that she earned $5million (£4.4million) less than Leonardo DiCaprio for the Netflix movie Don’t Look Up. The pair starred together in the 2021 Adam McKay comedy about two scientists who warn the world of an approaching comet with the potential to wipe out all human life.But despite being the first name on the call sheet for production, Lawrence reportedly earned $25m (£21.6m) for the film, compared to DiCaprio’s $30m (£26m).Elsewhere in her interview with Vogue, Lawrence expressed her anger at the US Supreme Court’s decision to overturn Roe v.

John Wayne classics such as The Searchers and Stagecoach saw his health deteriorating terribly in the early 1970s. After breaking a hip, Ford had to get used to a wheelchair and was moved from his Bel Air home to Palm Desert to be treated for cancer. In October 1972, the Screen Directors Guild paid tribute to him and in March the following year, the American Film Institute honoured the director with a Lifetime Achievement Award.

Leo Barraclough International Features Editor In “The March on Rome,” which world premieres in the Venice Days sidebar of Venice Film Festival Wednesday, Northern Irish-Scottish filmmaker Mark Cousins tracks the ascent of fascism in Italy in the 1920s, and its fall-out across 1930s Europe. He also draws a dotted line from those events to the storming of the Capitol in Washington, D.C., in January 2021. The documentary, illustrated with archive footage and Cousins’ characteristic cinematic analysis, starts with Donald Trump defending his decision to retweet a quote from Italian dictator Benito Mussolini: “It is better to live one day as a lion than 100 years as a sheep.” Later in the film, Cousins inserts footage of Trump supporters attacking the Capitol, hoping to overturn Joe Biden’s electoral victory.

EXCLUSIVE: Clea DuVall (The First Lady), Shane Paul McGhie (American Skin), Angel Desai (NCIS: New Orleans), newcomer Jasmine Aiyana Garvin and Leslie Silva (Women of the Movement) have joined the cast of Peacock’s Poker Face, a mystery drama series starring Natasha Lyonne, from Rian Johnson, his T-Street banner and MRC Television.

Nick Vivarelli International Correspondent Production has just started at Rome’s Cinecittà Studios on “Finalmente L’alba” the new film by “My Brilliant Friend” director Saverio Costanzo. It is set during the 1950s when the famed filmmaking facilities were known as Hollywood on the Tiber.  This high-end costume drama – the title of which translates as “Finally, Dawn Has Come” – features a stellar cast comprising Lily James (“Pam & Tommy”), Joe Keery (“Stranger Things”), Rachel Sennott (“Shiva Baby”), Willem Dafoe, and Italian newcomer Rebecca Antonaci. “Finalmente” is the journey over the course of a long and intense night of an aspiring young Italian actress, played by Antonaci. In the Cinecittà studios of the 1950s, she experiences some memorable hours that will mark her transition to full blown womanhood.