Ruben Östlund Regular Partner Film i Väst Hikes Co-Pros with Noomi Rapace Starrer ‘Mother,’ Flags Five Films in Cannes (EXCLUSIVE)

Massive Attack have taken to the stage to play their first live show in five years, and brought out Elizabeth Fraser for ‘Song To The Siren’. Find footage of the show below.The gig took place last night (June 5) at the Gothenburg Film Studios in Sweden, when the band played their first live show since they had a two-night stand at NYC’s Radio City Music Hall back in 2019.It also marked their first return to the stage since the death of guitarist Angelo Bruschini to cancer last year.During the set, the band surprised fans by bringing out numerous surprise guests.

Patrick Frater Asia Bureau Chief “Memoir of a Snail,” directed by locally-born, Oscar-winning director Adam Elliot, has been set as the opening title of the Melbourne International Film Festival. The festival runs Aug.

Love Island is coming back to TV screens, and millions of viewers are set to fall for - or loathe - the new crop of would-be lovers. At the helm of the programme once more is Maya Jama.

Patrick Frater Asia Bureau Chief The Shanghai International Film Festival has unveiled a selection that is weighted heavily to world premieres and Chinese, local titles. That gives the festival showcase screenings for the newest works by established Chinese directors Gu Changwei (“Peacock, “Till Death Do Us Part”), Wei Shujun (“Only the River Flows,” “Striding Into the Wind”) and Guan Hu (“Old Fish”). Guan was rewarded in Cannes only last week for his Un Certain Regard-winning picture “Black Dog,” but will unveil his next effort “The Hedgehog in Shanghai’s main competition.

Nick Vivarelli International Correspondent Italian state broadcaster RAI’s new world sales arm is gaining traction in Cannes — following its soft launch in Berlin — with four new titles on its slate, including veteran auteur Roberto Andò’s historical drama “The Blunder” starring Toni Servillo (“The Great Beauty”). In “The Blunder,” which is currently shooting in Sicily, Servillo plays a Sicilian colonel at the head of a ragtag unit trying to outsmart the enemy during the 1860 battle led by Giuseppe Garibaldi that resulted in the unification of Italy (see first-look image, above).

By the time we meet them, Chatila and Reda already are down in the lower depths. Cousins from Palestine, they have spent much of their lives living as refugees on the run. Having made it as far as Athens, a kind of holding zone for people from the Middle East trying to slip into Europe, they are trying to scrape together money to get to Germany.

Rarely in recent decades has the festival circuit been as disrupted as it has in the past 12 months. A confluence of local and global issues — from war to inflation, political unrest to societal shifts — have created a perfect storm for many of these vital cultural platforms, leading to funding shortfalls, staff losses, major PR headaches and in some cases cancellation. Amid shifts in consumer and industry behavior, there are also broader existential questions being asked about the role and potency of festivals.

Leo Barraclough International Features Editor Swedish director Ruben Östlund, who won Cannes Film Festival‘s Palme d’Or for “The Square” and “Triangle of Sadness,” was among the guests at the German Films and Medienboard Reception on May 18 in the garden of the Mondrian Hotel in Cannes. Östlund, who is in the Riviera resort to promote his latest production, “The Entertainment System Is Down,” was accompanied by Philippe Bober of Coproduction Office, one of the film’s producers, and Erik Hemmendorf of Plattform Produktion, Östlund’s Swedish producer. (They are pictured above.) German Films, which is celebrating its 70th anniversary this year, was represented at the event by managing director Simone Baumann, and Medienboard, which is a film fund for the Berlin-Brandenburg region, was represented by its CEO Kirsten Niehuus.

Michaela Zee A24 is closing an eight-figure deal to acquire the U.S. rights to Ruben Östlund’s “The Entertainment System Is Down,” Variety has confirmed.

Imagine a film where Cate Blanchett plays a version of Angela Merkel. And Charles Dance is a Joe Biden parody in full British accent.

Leo Barraclough International Features Editor Berlin-based sales agency Films Boutique has closed the first international sales for Iranian director Mohammad Rasoulof’s “The Seed of the Sacred Fig,” ahead of its world premiere on Friday in the Competition section of the Cannes Film Festival. The film has been acquired in Italy by BiM Distribuzione and Lucky Red, Benelux by September Film Distribution, Spain by Bteam Pictures, Greece by Ama Films, Hungary by Cirko Film, Norway by Selmer Media, Portugal by Leopardo Filmes, Taiwan by Hooray Films and Turkey by Bir Film.

Annika Pham Back in Cannes a year after presiding over the main Cannes jury, the two-time Palme d’or winner Ruben Öslund unveiled more details about his next mega-project, English-language “The Entertainment is Down,” which he said should be ready for Cannes 2026. The press conference, attended by the hottest talent and producers from the Nordic region and beyond, was hosted by Film i Väst, one of Europe’s largest regional film funds.

Three years ago, Cannes audiences fell in love with Renata Reinsve, the titular star of Norwegian competition entry The Worst Person in the World. Chances are, they won’t be quite as well disposed to her character in this austere drama from fellow countryman Halfdan Ullmann Tøndel, grandson of Norwegian actress Liv Ullman and Swedish auteur Ingmar Bergman. Tøndel’s lineage should give you a fair idea of what’s in store here, but, surprisingly, Armand doesn’t dig especially deep into the human psyche, finally falling into a strange no man’s land between intense character drama and jet-black comedy.

“It’s f–ing hard to make a good airplane movie,” Swedish filmmaker Ruben Östlund emphasized multiple times this morning in Cannes as he spoke to international press about his plans for The Entertainment System Is Down, the latest feature he has set to direct starring a buzzy cast led by Kirsten Dunst and Daniel Brühl. 

John Hopewell Chief International Correspondent Movistar Plus+, Spain’s most-viewed pay TV operator, is partnering on “Los domingos,” a new film from “Lullaby” director Alauda Ruíz de Azua and the producers of that critically acclaimed film. “Los Domingos” is set in and will shoot in Ruíz de Azúa’s native Basque country, said Nahikari Ipiña at Sayaka Producciones (“Colossal”). Now in development, “Los Domingos” is produced by Movistar Plus+ and Sayaka and Marisa Fernández Armenteros’ Buenapinta Media (“The Mole Agent”), Sandra Hermida at Think Studio and Colosé Producciones (“Society of the Snow”) and Manu Calvo (“Wounded”).

Elsa Keslassy International Correspondent “Succession” star Nicholas Braun is in talks to star in Ruben Östlund’s “The Entertainment System Is Down.” Keanu Reeves, Kirsten Dunst and Daniel Brühl are already on board the buzzy satire. “The Entertainment System Is Down” is one of the sexiest packages being shopped at the Cannes Film Market, where the Coproduction Office has launched international sales.

Magnus von Horn’s sophomore feature Sweat earned its director a spot in Cannes’ Official Selection in 2020, after his debut, The Here After, played in Directors’ Fortnight in 2015. But the festival of 2020 was canceled in the wake of the Covid pandemic, so von Horn’s place in this year’s Competition, with his third feature The Girl With the Needle, must surely mark the Swedish director’s coming-of-age. The film, starring Vic Carmen Sonne and Trine Dyrholm, riffs on one of Denmark’s most notorious murder cases to weave a poetic and dark fairytale about the people living on the margins in the aftermath of the First World War. 

In 2020, Magnus von Horn was excited to find that his film Sweat had been accepted into the Official Selection at Cannes, a big step up from his debut, The Here After, which made Directors’ Fortnight in 2015. The pandemic put an end to that, but his disappointment was short-lived; this year, his dark atmospheric follow-up, The Girl With the Needle, sees him joining the big league. “This is huge to me,” he beams. “The main competition!”

Keanu Reeves (John Wick) is now confirmed for Ruben Östlund’s anticipated upcoming film The Entertainment System Is Down and we can reveal that he’ll be joined in the cast by Kirsten Dunst (Civil War) and Daniel Brühl (Rush).

German-French international sales veteran Tanja Meissner has been appointed as the new director of the Berlinale Pro, the department overseeing all of the Berlin Film Festival’s professional activities, in a role that encompasses director of the European Film Market (EFM).