Riley Keough reveals Daisy Jones & The Six band were set for live shows before writer’s strike

Patrick Frater Asia Bureau Chief “Chime,” a mid-length movie by leading Japanese director Kurosawa Kiyoshi, is among three late additions to the Berlin Film Festival’s Berlinale Special section. The two others are “August My Heaven,” another mid-length picture form Japan, directed by Kudo Riho, and “The Strangers’ Case,” a full-length feature directed by Brandt Andersen which will play as a Berlinale Special Gala presentation. In “Chime” Tashiro, a student at a culinary school, hears voices in his head.

Robert Pattinson is staying safe while stepping out for the day.

Berlin Film Festival is unveiling its full competition lineup. Berlin’s previously announced opener is Ireland-set drama “Small Things Like These” starring “Oppenheimer’s” Cillian Murphy and directed by Tim Mielants (“Peaky Blinders”).

There’s commitment to the bit, and then there’s David and Nathan Zellner. The brothers’ latest film “Sasquatch Sunset,” billed to Sundance audiences as only “a year in the life of a singular family,” makes good on the filmmaking duo’s long desire to make a film about the legend of Bigfoot.

Peter Debruge Chief Film Critic Austin-based indie directors David and Nathan Zellner have spent more time thinking about Sasquatch than most filmmakers do musing about human beings. In 2011, they brought “Sasquatch Birth Journal 2” to the Sundance Film Festival, a four-minute faux nature documentary in which a hirsute creature can be seen giving birth to an equally furry infant.

Rebecca Rubin Film and Media Reporter “Sasquatch Sunset” is the kind of movie you need to see to believe. Jesse Eisenberg and Riley Keough star in the absurdist comedy, which premiered on Friday at the Sundance Film Festival and follows a family of Yetis over the course of a year. The film, with zero dialogue or narration but plenty of grunts, captures an immersive, “true” depiction of the daily life of the Sasquatch.

Anyone with more than a passing interest in the weird and wonderful will have seen, if not heard of, the Patterson-Gimlin footage, the cryptoozological equivalent of the Zapruder film. Shot in 1967 in the forests of Northern Carolina, it purports to show a large, ape-like creature with an elongated forehead striding purposefully into the trees. Unlike an ape, the creature walks upright, and, unlike the furtive behavior of any other forest creature, it has the casual air of the average human being popping over to the 7-11 to pick up a gallon of milk. Most people who see the footage wonder what the hell this damn thing is, but the sibling directors of Sasquatch Sunset have a couple more questions that they’d like answered. Like, where is it going? And what does it do all day?

Rebecca Rubin Film and Media Reporter It took a lot of time — and hair — to transform Jesse Eisenberg and Riley Keough into Bigfoot. They spent several hours in the makeup chair to don the elaborate prosthetics needed to play two of the eponymous creatures in “Sasquatch Sunset,” a surreal comedic drama that premieres on Friday at the Sundance Film Festival.

Robert Pattinson is getting in some exercise.

EXCLUSIVE. When the alternative book of film trivia is written, a page will be dedicated to the influence of Leonard Nimoy’s paranormal-themed late-’70s TV show In Search of… on director siblings. It was here that Albert and Allen Hughes first heard about Britain’s most notorious serial killer, Jack the Ripper, beginning an obsession with Victorian London that resulted in their 2001 horror-drama From Hell. And for David and Nathan Zellner, the cultural impact was very similar. “We loved that show,” recalls David. “As kids, there wasn’t much out there, that we were exposed to, that covered those sorts of things. They’d cover the Loch Ness monster, everything. I remember one about plants, wondering if they were able to think and what kind of music they’d like to listen to. They got really obscure with some of the subjects, but we loved that show. We loved the vibe of it. And that’s where we first learned about Bigfoot…”

Emily Longeretta Following its sweep at the Golden Globes, Netflix’s “Beef” took home the Emmy Award for Outstanding Limited or Anthology Series. Creator Lee Sung Jin accepted the honor with a heartfelt and funny speech. “Wow, thank you.

Jaden Thompson Ali Wong has won the Emmy for outstanding lead actress in a limited or anthology series or movie for her role in the Netflix series “Beef.” Wong stars as a business owner who gets into a road rage incident with a stranger, played by fellow Emmy winner Steven Yeun. Wong beat out fellow nominees Lizzy Caplan (“Fleishman is in Trouble”), Jessica Chastain (“George and Tammy”), Dominique Fishback (“Swarm”), Kathryn Hahn (“Tiny Beautiful Things”) and Riley Keough (“Daisy Jones and the Six”). “I wouldnt’ be standing here without my parents, my amazing parents, my mother and my father who I so wish was alive to share this moment with me,” Wong said while accepting her award.

, (which ) in a custom Valentino gown that had to be literally reconstructed around it.Waterhouse's look definitely didn't skimp on drama. The scarlet ballgown featured a high, scooped neckline and an extremely open back with a tie detail, an ultra-low waist, voluminous skirt, and an oversized decorative bow at the front, right under the baby bump. There were also pockets, which all the best dresses do.

LOVES IT!!!

Emmys 2024 red carpet after a tense legal battleover Lisa Marie Presley’s estate. Keough, 34, donned ablack Chanel gown while Priscilla, 78, also dressed in black with her signature red hair and red lip. Their public reunion comes days after the first anniversary of Lisa Marie’s death on Jan.

Suki Waterhouse is giving fans a glimpse at her bare baby bump!

Riley Keough is getting so much support on the red carpet!

Chris Evans and his wife Alba Baptista hold hands as they exit Funke restaurant on Saturday night (January 13) in Beverly Hills, Calif.

It was a busy day for Robert Pattinson and Suki Waterhouse!

Priscilla Presley and Riley Keough are paying tribute to Lisa Marie Presley on the first anniversary of her death.