Denis Villeneuve is that most uncommon of contemporary filmmakers, to the degree where he’s pretty much a unicorn in Hollywood terms. Put more plainly, Villeneuve is one of a handful of noteworthy studio directors capable of re-imagining venerated properties in ways that shouldn’t work – like say, for instance, a sequel to Ridley Scott’s beloved “Blade Runner” or an epic take on Frank Herbert’s long-thought-to-be-unfilmable “Dune” – and making them sing onscreen.