‘Red Rocket’ Director Sean Baker: “I Understand I’m Going To Get Some Hate Mail” – Cannes

Whelm, the Great Depression-era indie written and directed by Skyler Lawson and shot on Kodak 16mm, is setting its rollout that will include a 35mm roadshow screenings that begins next month in Beverly Hills.

Super Ltd has acquired North American rights to All My Friends Hate Me, the UK comedy horror thriller directed by Andrew Gaynord that world premiered at this year’s Tribeca Film Festival.

UPDATED with full trailer, 8:30 AM: “If you’d rather I left you out of this going forward, I get it — no hard feelings.”

EXCLUSIVE: Oscilloscope Laboratories has picked up North American rights to Alessio Rigo de Righi and Matteo Zoppis’s first fiction feature film The Tale Of King Crab.

Tatiana Huezo’s eye for lyrical truth has materialized in documentaries like “Tempestad” or “The Tinniest Place,” works that penetrate some of the most tenebrous corners in recent Latin American history with shimmering compassion. Her stance as an acute observer of the people that survive and persevere through tumultuous sociopolitical and economically disadvantaged contexts produces thought-provoking filmic meditations.

Gigi Hadid has replaced Chrissy Teigen, who was to take on the role of the character's inner voice for season 2 of the Netflix hit.

Check out TheWrap’s digital Cannes magazine issue here. You can find all of TheWrap’s Cannes coverage here.Sean Baker’s “Red Rocket” proved to be another highlight in this year’s Cannes Film Festival, but the person earning real raves is the film’s star, Simon Rex.

It’s safe to say that director Sean Baker‘s latest film, “Red Rocket,” is one of the most anticipated of this year’s Cannes Film Festival. “The Florida Project,” Baker’s last film, premiered during the Director’s Fortnight at Cannes 2017 and quickly became one of the most talked-about films at the festival.

The New Pornographers will tour with founding member Dan Bejar for the first time in seven years this coming November.The tour, announced on Tuesday (July 13), celebrates two unique anniversaries for the band: The “21st birthday” of their debut album ‘Mass Romantic’, and the “sweet 16th” of their 2005 album ‘Twin Cinema’.

Sean Baker must have a thing for donut shops, the distinctly American small businesses have now been a centerpiece of two of his more celebrated films.

Ramin Setoodeh Executive EditorSean Baker’s “Red Rocket” premiered at the Cannes Film Festival on Wednesday afternoon to another standing ovation, as one of the stronger U.S.

What do we really know about children? Until the Renaissance, artists were still painting them as freakish shriveled adults. Only in the last century-ish did American society decide they probably should go to school instead of laboring all day in sweatshops.

Bella Hadid has turned heads in a dramatic couture gown at the 74th annual Cannes Film Festival. The US model wore an avant-garde creation from the Schiaparelli Haute Couture Fall/Winter 2021/22 collection, designed by Daniel Roseberry, to the premiere of Three Floors (Tres Piani).

Just a few days on the heels of “Stillwater,” another American entry in the Cannes Film Festival main competition section explores the complicated relationship between a father and daughter rooted in down-home Americana and close brushes with the law. “Flag Day” marks Sean Penn’s latest directorial return to Cannes since the critically-lambasted “The Last Face” from 2016.

Video: Excitement as Cannes Film Festival reopens after pandemic hiatus (France 24)Biden sets August 31 Afghan exit deadline as Taliban surround cityFacing Covid, One year later: Luz, precarious cleaning lady, still depends on food aidNile dam deal between Egypt, Ethiopia and Sudan is possible, UN saysAfrican American spelling bee champ makes history with flairIn Avignon, a company of actors with mental disabilities wants to "move the lines"'Stay home, stay safe:' Haitian Americans fret for

Video: Glamour, politics and a geeky movie as Cannes film fest returns (France 24)Biden sets August 31 Afghan exit deadline as Taliban surround cityFacing Covid, One year later: Luz, precarious cleaning lady, still depends on food aidNile dam deal between Egypt, Ethiopia and Sudan is possible, UN saysAfrican American spelling bee champ makes history with flairIn Avignon, a company of actors with mental disabilities wants to "move the lines"'Stay home, stay safe:' Haitian Americans fret for

It’s been a rocky four-plus years in American foreign policy, and nowhere is this more apparent than in “Stillwater,” the new thriller-slash-family drama from “Spotlight” director Tom McCarthy, which premiered out-of-competition at Cannes.

Peter Debruge Chief Film CriticAmericans are used to watching Americans save the day in movies.