Here’s our annual rundown of the 10 largest production awards given out by the British Film Institute’s Film Fund in 2022. Backed by National Lottery money, the grants are a key supporter of indie cinema in the UK.
09.12.2022 - 02:09 / deadline.com
EXCLUSIVE: Filmmaker William Brent Bell has signed with Range Media Partners for management in all areas.
Bell is a writer, director and producer who most recently helmed Paramount Players’ Orphan: First Kill, a follow-up to the fan-favorite horror-thriller Orphan, released worldwide by Warner Bros. in 2009. The film picks up with Esther (Isabelle Fuhrman) — the Estonian murderer with the appearance of a child — after she orchestrates a brilliant escape from a psychiatric facility, watching as she travels to America by impersonating the missing daughter of a wealthy family. Julia Stiles also stars.
Bell’s feature directorial credits also include the cult classic 2006 horror film Stay Alive; the box office smash The Devil Inside, which he also co-wrote; and the horror Wer, as well as The Boy and its sequel Brahms: The Boy II.
Bell is currently in post-production on his latest feature, Lord of Misrule — a contemporary folk horror starring Tuppence Middleton, Ralph Ineson and Matt Stokoe, which he’s directed and produced.
Range Media Partners is a management and production firm founded in September of 2020, with clientele spanning film, television, music, literary, tech and activism. The firm is led by Managing Partners Dave Bugliari, Mackenzie Condon Roussos, Rich Cook, Michael Cooper, Susie Fox, Matt Graham, Sandra Kang, Rachel Kropa, Natalie Bruss, Chelsea McKinnies, Peter Micelli, Mick Sullivan, Byron Wetzel and Jack Whigham, as well as Partners Jeff Barry, Tanya Cohen and Kai Gayoso.
Bell will continue to be represented by CAA, Jackoway Austen Tyerman, and Mortimer PR.
Here’s our annual rundown of the 10 largest production awards given out by the British Film Institute’s Film Fund in 2022. Backed by National Lottery money, the grants are a key supporter of indie cinema in the UK.
Thom Bell, who helped to create the soul songs style that became known in the 1960s and 1970s as “The Sound of Philadelphia,” died Thursday in Bellingham, Washington. He was 79 and no cause of death was given.
EXCLUSIVE: RuPaul’s Drag Race winner Bianca Del Rio is returning for a third movie in the Hurricane Bianca franchise and will star alongside Willam Belli (A Star Is Born), Rachel Dratch (Wine Country), Thora Birch (The Walking Dead), Drag Race contestant fan favorite Vanessa Vanjie Mateo, and Doug Plaut (Unbreakable Kimmy Schmidt).
Cecily Strong got an Elvis goodbye on Saturday when host Austin Butler — who was later joined by the rest of the SNL cast — ended the show with a performance of “Blue Christmas.”
EXCLUSIVE: Range Media Partners has signed director Julie Taymor, who has worked across multiple mediums including film, television, theater, and opera throughout her esteemed career. Best known for directing the 2002 film Frida starring Salma Hayek, which won two Academy Awards and was nominated for an additional four, including a nomination for Taymor for penning the lyrics to the film’s original song, Burn It Blue” She was also the first woman in theatrical history to win Best Direction of a Musical at The Tony Awards for her adaption of The Lion King in 1998.
Five-time Golden Globe winner and 16x nominee Ryan Murphy is receiving the Carol Burnett Award at the 2023 Golden Globes.
EXCLUSIVE: Annet Mahendru has signed with Buchwald for representation.
Melanie Martin is finally opening up about all things Aaron Carter, their son Prince, and her alleged feud with his estranged family.
Norma Rae, Places in the Heart, Mrs. Doubtfire, Forrest Gump, and Lincoln. But ask her how it feels to be an icon, and the 76-year-old gives a look and an answer that clearly thinks otherwise. “I find it kind of shocking," she says over Zoom.
It’s rare that a sequel competes in the International Oscar category, especially when the first part didn’t get selected. It’s a measure of Erik Matti’s latest film that, though it follows on from 2013’s Cannes Directors’ Fortnight title On the Job—or rather, starts in the aftermath—this second instalment stands alone. “The big difference between the two,” said Matti, “is that the first one was set in urban Manila, and the second one is set in the countryside of the Philippines, just to show two contrasts that exist within both worlds.”