We like it. Don’t LOVE it.
05.01.2023 - 23:57 / perezhilton.com
As Quavo reflects on Takeoff’s tragic death in a new song, the late rapper’s alleged killer has officially been released from jail on a $1 million bond.
Patrick Xavier Clark, the man who allegedly shot and killed the Grammy-nominated artist back on November 1, was released from the Harris County jail Wednesday night after posting bail, according to court records. The 33-year-old apparently surrendered his passport to the judge, and agreed to wear a GPS monitor for the duration of his house arrest, according to TMZ. Additionally, his release was conditional on the terms that he could not possess any deadly weapons, and could not contact anyone related to the ongoing case — including Takeoff’s family, music executive J Prince, and his relatives. Clark is currently slated to appear in court March 9.
This all comes after the alleged shooter’s attorneys, Carl Moore and Letitia Quinones, argued that his initial bond amount of $2 million was excessively high, and therefore, unconstitutional. Texas law frames the use of bond not as a means to hold defendants, but to ensure their return to court.
We reported early last month that Clark had been arrested after Houston Police used physical evidence, shooting reconstruction, and ballistic evidence to determine he was the “lethal shooter in the case.” 22-year-old Cameron Joshua was also charged with the unlawful carrying of a weapon and arrested on November 22.
Related: Inside Takeoff’s Massive Memorial Following Tragic Death
Clark’s release on bond happened just as Takeoff’s Migos bandmate and uncle, Quavo, released a new track in remembrance of the 28-year-old. In the Wednesday release, titled Without You, Quavo raps:
The lyrics emotionally continue:
Listen to the full song —
We like it. Don’t LOVE it.
The word “romantic” doesn’t have much place in cinema these days, serving mostly as a modifier for “comedy”. The term “women’s picture” has also passed out of favor since its ’40s heyday, regardless of the fact that the films that exemplified it usually featured strong female characters and almost always pushed back at the pressures of male-run society. With her feature debut Past Lives, which screened to a double standing ovation this week in the Premieres strand at Sundance, playwright Celine Song has killed two birds with one stone, creating an elegant and unexpectedly mesmerizing character piece that speaks profoundly to the concept of love in the modern age while using an intelligent and ambitious, but still very relatable woman to do so.
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