‘Puss In Boots: The Last Wish’ Claws Way To No. 8 In Deadline’s 2022 Most Valuable Blockbuster Tournament

James Cameron climbs the ladder to cut the net for winning Deadline’s 2022 Most Valuable Blockbuster Movie Tournament after cleared over a half-billion dollars in profit after all ancillaries.

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.

Benicio del Toro will be recognized with the Platino Honorary Award. The award celebrates Ibero-American filmmaking, being one of the few recognitions that considers Latin American and Spanish talent.

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.

Jennifer Garner had a special guest with her when she attended the premiere for The Last Thing He Told Me earlier this week.

Jennifer Garner has a complaint about Hannah’s husband in new Apple TV+ limited series, The Last Thing He Told Me.

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.

Jennifer Garner is back on TV! The actress stars in Apple TV+'s limited series, The Last Thing He Told Me, which is based on Laura Dave's book of the same name.In the limited series, Garner plays Hannah, a woman who works to find out her husband, Owen's (Nikolaj Coster-Waldau), secrets after he mysteriously disappears. Along the way she has the help of her teenage stepdaughter, Bailey (Angourie Rice) and her journalist pal, Jules (Aisha Tyler), as well as a U.S.

Still going strong — and showing his support! Jennifer Garner’s partner, John Miller, attended the premiere of her new show, The Last Thing He Told Me, in Los Angeles on Thursday, April 13.

Jennifer Garner and Reese Witherspoon are celebrating the premiere of their new Apple TV+ series!

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.

Apple TV+ thriller “The Last Thing He Told Me.” Premiering April 14, the miniseries (executive-produced by Garner and Reese Witherspoon) is based on a bestselling novel by Laura Dave (and is co-written by Dave and her husband, Oscar-winning “Spotlight” screenwriter Josh Singer).The storyline follows Hannah (Garner), an artist and a newlywed who, for just over a year, has had what appears to be a great relationship with a widower, Owen (Nikolaj Coster-Waldau, “Game of Thrones”) — even though his churlish teenage daughter, Bailey (Angourie Rice), hasn’t warmed up to her new stepmother. When Owen mysteriously vanishes after a fraud investigation at his tech startup — “It’s like what they did at Enron,” Hannah’s friend Jules (Aisha Tyler) helpfully contextualizes — Hannah’s life gets turned upside down. She’s blindsided, since Owen never seemed like the white-collar criminal type.

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.

A new trailer for “Indiana Jones and the Dial of Destiny” was unveiled at Star Wars Celebration Europe, currently underway in London.

Harrison Ford's Indiana Jones is goin out with a bang — and a whip! On Thursday, during the Star Wars Celebration in London, Disney premiered the official trailer for the final installment of the franchise, .The trailer begins with Jones in the present day, getting ready to celebrate his retirement, when he is met by his goddaughter, played by Phoebe Waller-Bridge, who pulls the archeologist back into action. After he is betrayed by his goddaughter, Jones sets out on a quest to finish the one mission he has had his sights on during his entire career — retrieving he dial of destiny.In the extended trailer, fans are treated to a horse chase through a New York City subway, a helicopter scene that sees Jones trying to rescue his goddaughter before she falls completely out. And Jones cracking his whip across a table full of bad guys.The official trailer also gives fans a look at the digitized effects, that make Jones look decades younger for flashback scenes.  is directed by James Mangold. Joining the cast for the final round is Antonio Banderas, John Rhys-Davies, Shaunette Renée Wilson, Thomas Kretschmann, Toby Jones, Boyd Holbrook, Olivier Richters and Ethann Isidore.

“Indiana Jones and the Dial of Destiny” during the Lucasfilm Studio Showcase at the Star Wars Celebration convention in London on Friday.Described as the final film in the franchise, “Indiana Jones 5” finds Harrison Ford reprising his iconic role as the legendary hero archaeologist grapples with a new era (1969) and new characters (Phoebe Waller-Bridge plays his goddaughter Helena Shaw). The globe-trotting trek will take Indy to Morocco and Sicily.

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream monies they can bring. Not to mention their power in launching IPs around the world with big global marketing campaigns. When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses, and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end of the equation, Deadline is repeating our Most Valuable Blockbuster tournament for 2022, using data culled by seasoned and trusted sources.