‘Polite Society’ Trailer: ‘We Are Lady Parts’ Creator’s Sundance Film Is A Martial Arts Comedy

It’s crazy to think that boyish-looking Jonathan Tucker, known for roles in “The Virgin Suicides” (1999), “Hostage” (2005), “In the Valley of Elah” (2007), and “The Ruins” (2008), is now 40 years old. And beyond roles like “Charlie’s Angels” (2019), the perennially youthful-looking actor generally plays nice guys, introverts, and the like.

The Sundance Film Festival returned to Park City after a two-year virtual hiatus and that means the in-person awards ceremony returned as well. Well, sorta.

Ira Sachs’ latest film centers on a three-way relationship between two men and a woman as they navigate their way through love, lust and heartbreak. Passages begins on a film set. Tomas (Franz Rogowski), a German man in Paris, is directing a period piece. On set, he’s a hardass, always yelling, screaming and nitpicking about small things. After shooting, he goes to the film wrap party with his husband Martin (Ben Whishaw), but he is less than enthusiastic about the event, so he leaves the forlorn Tomas alone to dance with Agathe (Adèle Exarchopoulos). The two head to another party, and without any indication that they even like each other, they have sex. Maybe it’s the first time he’s had sex with a woman, and he tells his husband about it as if he is supposed to be happy for him? Of course, this starts an argument between the two, which leads to Martin walking out. 

Angus MacLachlan wrote 2005’s terrific indie Junebug, which put Amy Adams on the big-time map and earned her a Supporting Actress Oscar nomination in a heartbreaking performance. It also put MacLachlan on the map with his first screenplay, and it was an auspicious start. Since then he has added directing to his credits including Goodbye to All and Abundant Acreage Available but tonight returned to the Sundance Film Festival with his latest, A Little Prayer, shot and set in his hometown of Winston-Salem, NC.

Winter runway! Dakota Johnson, Anne Hathaway and more stars took over Sundance Film Festival 2023 — and made the event all about their stylish ensembles.

Ria Khan (Priya Kansara, sparkling in her feature debut) likes to believe that she’s no ordinary British-Pakistani teenager. Her dreams, for instance, always seem outsized — she doesn’t just want to learn martial arts but rather perfect it so well that she can become a world-class professional stunt woman.

There is so much to appreciate about A.V. Rockwell’s A Thousand and One. The film chronicles the lives of native New Yorkers from 1994-2005, which was a period of transition in NYC. The atmosphere began to change, as stop and frisk was over-utilized, gentrification was displacing the people of Harlem at rapid speed, and the culture of the city gave way to sterilization. Now there are even fewer resources available, the wage gap is beyond repair and it’s unaffordable. Rockwell drew inspiration from this and created a coming-of-age story about finding an identity and chosen family.

Theater Camp is a hilarious film by first time directors Molly Gordon (Booksmart), and Nick Lieberman. This was a collaborative effort between friends as it’s written by Molly Gordon, Ben Platt, Nick Lieberman, and Noah Galvin. You can tell this is a labor of love because while it’s kooky, it’s full of vulnerability and earnestness. 

The Persian Version, directed and written by Maryam Keshvarz stars Layla Mohammadi, and Niousha Noor as a mother and daughter at odds with one another.

Eileen, directed by William Oldroyd, and written by Ottessa Moshfegh, and Luke Goebel, which is based on Moshfegh’s book of the same name. The film stars Thomasin Mackenzie, Anne Hathaway, and Shea Whigham.

PARK CITY – One of the best accomplishments a documentary can pull off is making its audience uncomfortable. Maybe even squirm in their seats a little.

EXCLUSIVE: Nielsen, the audience measurement, data and analytics organization unveiled today the findings of their case studies on Native content at a panel discussion in the Indigenous House at Sundance Film Festival, presented by , the Native woman-led social justice organization dedicated to building visibility and representation for Native peoples.