‘Pinocchio’ Trailer: Disney Brings Another Classic Animated Film To Live-Action In September

“Elvis” is one-of-a-kind, and now you have a chance to get the inside scoop on how Baz Luhrmann’s electric biopic was made with the film’s home video release.TheWrap is giving away five copies of “Elvis” on 4K Blu-ray to five lucky fans ahead of the film’s 4K Blu-ray, Blu-ray and DVD release on Sept. 13.All you have to do is sign up to enter our giveaway right here.The film – which is also available to own on Digital – stars Austin Butler as The King himself, as the director behind “Moulin Rogue!,” “Romeo + Juliet” and “The Great Gatsby” takes a unique approach to telling his life’s story from the point of view of his conniving (and controlling) manager Colonel Tom Parker, played by Tom Hanks.This is a cradle-to-grave biopic the likes of which you’ve never seen before, as Luhrmann infuses the film with an electricity that relays to modern audiences just how shocking (and striking) Elvis was in his prime.The 4K Blu-ray includes the film on 4K UHD as well as a bounty of bonus features that include the following:“Elvis” is also available to purchase on Digital and streaming on HBO Max right now.

The cast of Pinocchio stepped out to celebrate the film’s premiere just hours before it debuted on Disney+!

“Pinocchio” comes from director Robert Zemeckis. The Academy Award-winning director guides his live-action retelling of a wooden puppet who wishes to become a real boy. The original tale was written by Carlo Collodi in the late 19th century and was, of course, famously adapted by Disney in animated form in 1940.Guillermo del Toro also has an animated version of “Pinocchio” coming to Netflix at the end of this year, with Ewan McGregor voicing Jiminy Cricket.Fans of Zemeckis or the story may be wondering how to watch Disney’s new live-action remake of “Pinocchio.” We have the details below.The 2022 reimagined story from Zemeckis arrives Sept.

Here’s one hell of a way to remember just how strange “Pinocchio” (1940) was: watch Robert Zemeckis’ hallucinatory live-action remake of it, now playing on Disney+. Some of the kooky parts here are not from the script by Simon Farnaby and Chris Weitz—to their credit, they didn’t invent the hedonistic sugary kid-hell of Pleasure Island, or the concept of an innocent boy whose wooden appendage grows, or a lonely man’s fixation on having a manic pixie dream son (Italian author Carlo Collodi did).

Andrew Barker Senior Features Writer At this point, complaining about Disney’s deathless drive to cannibalize its entire library of animated classics into live-action remakes can feel as futile as complaining about capitalism itself. The studio has immense IP resources to exploit, a hungry well of content to fill, and a commercial imperative to introduce new generations of kids to the characters they’ll soon be expected to recognize on merch and in theme parks. And in truth, the studio could be doing a lot worse with these trawls through the archives. Once in a while genuine inspiration strikes (as it did with the gothy, revisionist “Maleficent,” or Jon Favreau’s visually inventive “The Jungle Book”), and even the least-fortunate of these remakes have mostly just been forgettable.

Tom Hanks could not let the role of Geppetto pass him by. ET's Denny Directo spoke to Hanks at the premiere of Disney's live-action film, , Wednesday night, where he shared why he asked to play the part of the woodcarver and creator of Pinocchio.«Oh, this is like being on the '27 Yankees, you know, it goes back so far in the American cultural zeitgeist, and I know way too much about because I played Walt Disney in, so, I already did a prime study on it — I was ready to hit it,» Hanks revealed.«As soon I as I heard that Bob was doing it -- Bob Zemeckis, I called him up cold and I said, 'Pinocchio,' literally one word.

Elsa Keslassy International Correspondent MK2 Films has scored key territory deals on Japanese director Koji Fukada’s “Love Life,” which makes its world premiere in competition at the Venice Film Festival. Set in contemporary Japan, “Love Life” is a character-driven film revolving around Taeko and her husband, Jiro, who are living a peaceful existence with her young son, Keita. When a tragic accident brings the boy’s long-lost father, Park, back into her life, Taeko throws herself into helping this deaf and homeless man to cope with the pain and guilt. Popular Japanese actress Fumino Kimura (“The Fable: The Killer Who Doesn’t Kill”) headlines the film. MK2 Films has now sold the movie to Teodora (Italy), Imagine (Benelux), Leopardo (Portugal), Demiurg (Ex Yugoslavia), New Cinema (Israel), Swallow Wings (Taiwan), Edko (Hong Kong), Impact Films (India) and Encore Inflight (Airlines).

What to watch: 7 movies & shows to stream this week - Aug 19What to watch: 7 movies & shows to stream this week - August 25thThe stakes are high for “Rings of Power,” a show that has the daunting task of adapting one of the world’s most beloved properties. Amazon spared no expense in its production, spending $715 million on its first season. According to early reviews, the money appears to have been well spent, delivering a show that’s grand and in line with the beloved Peter Jackson films.

Patrick Frater Asia Bureau Chief The titles of Fukada Koji’s films almost drip with bitter irony. “Sayonara” seemed to be a farewell to human actors. Instead of being harmonious, Cannes Un Certain Regard jury prize-winner “Harmonium” was pitch black and steeped in quiet violence. Fukada’s latest, Venice Film Festival competition title carries the moniker “Love Life.” But its subject matter is loneliness. The story starts out on familiar lines, involving a married couple where suddenly the ex-husband of the wife appears, potentially setting up the melodrama of a triangular relationship. But in Fukada’s hands things are colder and more painful. The newcomer is burdensome, deaf and homeless. His arrival triggers, not love, but fragmentation, individualism and loneliness.

Brent Lang Executive Editor of Film and Media After Warner Bros. executives signed off on the risky decision to bankroll their $90 million look at the life of Elvis Presley with a little-known actor portraying the hip-swinging rocker, producer Gail Berman reached for her phone. She wanted to immortalize the moment for Austin Butler, the man who reportedly beat out the likes of Ansel Elgort and Miles Teller to land the kind of role that can make a career. “I needed to take a photo of all these people sitting around after they made a decision that was going to mark a major change in Austin’s life,” says Berman. “It was wonderful that they saw from his screen test just how good he was, and that they were ready to support him on this journey.”

is back and now being told in a live-action adaptation starring Tom Hanks, Benjamin Evan Ainsworth, Cynthia Erivo, Joseph Gordon-Levitt, Keegan-Michael Key, Lorraine Bracco and Luke Evans. With just 10 days to go until Disney+ Day, ET has an exclusive featurette, with the cast teasing an all-new magical movie experience to come. “The idea of taking on a treasured classic, as Disney’s, it’s an incredibly rich opportunity to revisit and go deeper into this great masterpiece,” says Hanks, who plays Geppetto, the woodcarver and toymaker responsible for creating the titular wooden puppet, who dreams of becoming a real boy.“It’s a really special story that encourages people to wish and to dream,” says Erivo, who appears as the Blue Fairy, who first brings Geppetto’s creation to life. In this film, Pinocchio is voiced by Ainsworth while Gordon-Levitt lends his vocal talents to Jiminy Cricket, the insect who acts as the toy’s conscience.

Apple TV+ today announced its fall slate for kids and families, featuring original series, new imaginings of properties, as well as returning series.

 on Wednesday, previewing a land of magical toys and animals headed by Tom Hanks and Cynthia Erivo. Hanks fully transforms for his role as Geppetto, the wood keeper who crafts the puppet and treats him as his own son after Erivo's blue fairy brings him to life. In the trailer, the fairy's magical shimmer floats across the wooden toy’s rigid body before he begins to move and speak.

The brand new trailer for Walt Disney’s upcoming Pinocchio is here!

Begun, the “Pinocchio” wars have.This fall there are two high-profile adaptations of Carlo Collodi’s immortal story (originally published in serialized form, starting in 1881) coming to streaming services. Before Guillermo del Toro’s stop-motion version is due closer to Christmas, we are treated to Robert Zemeckis’ lavish re-imagining, which is scheduled to debut on Disney+ Day, Sept.