'Pink Skies Ahead': Film Review | AFI 2020

In her 60-some years on Earth, Lorine Padilla has seen, done and endured enough to fill several lifetimes.

The kind of story at the heart of Baby God is sadly familiar from news reports. As text at the end of the documentary points out, "More than two dozen U.S.

Though he's adept enough at sleight-of-hand and other stage trickery to have earned the admiration of people like Ricky Jay, Penn & Teller and David Blaine, performer Derek DelGaudio bristles at the term "magician." Anyone inclined to think that makes him pretentious can look to Derek DelGaudio's In & Of Itself, in which Frank Oz documents the singular 2017 off-Broadway show (also directed by Oz) that embodies his ideal: Here, the patter employed by some ambitious illusionists becomes full-blown

Rebecca Danigelis was a 75-year-old housekeeping supervisor at a hotel when she was fired. She had $600 in savings and had cashed in her 401K to send her younger son, Sian-Pierre Regis, to college.

Black Friday 2020 sale event. The legendary department store is helping customers decide the best ways to shop on the big day - November 27 - given that things are set to be a little different this year.

In 1976 Clive Cussler published Raise the Titanic!, a novel in which a team of undersea adventurers attempted to bring the famous shipwreck to the surface and recover its treasures. But Cussler's hero Dirk Pitt was late to this game: For the previous six or seven years, the CIA had been secretly attempting something similar in the real world, with a much more dangerous treasure in mind.

When singer-guitarist Karen Dalton, whose ardent fans in the Greenwich Village folk scene included Bob Dylan, died in 1993 at 55, she had long been off the music-biz grid.

"TV movie" and "nuclear annihilation" aren't readily linked concepts, and they certainly weren't back in the movie-of-the-week heyday of 1983, when ABC took a gamble on the decidedly downbeat The Day After. The Kansas-set drama, an unflinching depiction of the aftermath of an atomic conflagration, aired Nov.

David Wojnarowicz, a key figure of the 1980s art movement that flowered in the pavement cracks of New York's pre-gentrified East Village, died of AIDS in 1992 at age 37. But Chris McKim's defiantly alive collage documentary, Wojnarowicz: F**k You F*ggot F**ker, is so charged with the words and images of the multimedia artist it could almost be considered self-portraiture, often recalling Jonathan Caouette's remarkable docu-narrative hybrid Tarnation.

A 30-year-old “salaryman” — the Japanese equivalent of an office employee — is getting bored with his two girlfriends at work when a dangerous, unpredictable femme fatale overturns his life. Originally produced by Japan’s Nagoya TV as a 10-part series, this comic book adaptation directed by acclaimed filmmaker Koji Fukada was edited down to a mere 233 minutes for its theatrical release in Japan in October.

Reza Dormishian is one of the most original directors in Iranian cinema, and No Choice (Majboorim) is another example of his ability to enthrall with hard-hitting social critique.

If you take a look at Forbes’ annual list of the highest paid athletes in the world, at least two or three of the top five spots are usually occupied by soccer players — and usually the same ones: Messi, Ronaldo and Neymar.

The same Romain Gary novel that became the Oscar-winning 1977 French drama, Madame Rosa, earning a César Award for Simone Signoret in the title role, gets relocated from Paris to a Southern Italian coastal town in The Life Ahead. This sensitive contemporary remake, set in one of the hubs of the Euro-Mediterranean migrant crisis, reshapes the work as a vehicle for director Edoardo Ponti's celebrated mother, Sophia Loren, back on the screen after a 10-year absence.

Only some of Italian footballer Francesco Totti’s 334 career goals (307 scored with Roma, the only team he ever played for outside the nationals) are shown in Alex Infascelli’s bio-doc My Name Is Francesco Totti (Mi chiamo Francesco Totti). Nor is there very much aboutthe icon’s private life; there are no attempts at intimate revelations or powerful insights.

Can a repentant law-breaker find forgiveness in the blind prejudice of provincial America? Although the slow-starting drama Home never really catches fire, it patiently draws the viewer into the story of a young ex-con struggling for normalcy and acceptance, thanks to emotionally convincing turns by leads Jake McLaughlin, Kathy Bates and Derek Richardson.

Two complete strangers trying to scrape by in the sprawling metropolis of Lagos are at the heart of Eyimofe (This is My Desire), a promising, quietly moving first feature from the directing duo of Arie and Chuko Esiri.

Thriller author Gillian Flynn didn't invent the "cool girl," but she did codify her.

Whether you call it classic or generic, the coming-of-age story of Sparkle, the fittingly named 17-year-old at the center of She Paradise, follows a familiar trajectory. She's a teen with drive, talent and an independent streak, defying parental disapproval and breaking away from childhood.

In The Boy Behind the Door, a gripping twist on the home-invasion thriller, first-time feature directors David Charbonier and Justin Powell plunge two tween boys into escalating peril, relentlessly intensifying a cascading series of lethal threats over the film’s excruciating runtime.

The blue-haired Winona (Jessica Barden), while driving, vents to an unseen man about living with her parents. She fumes, “I want to stick a fork into an electrical socket every minute that I’m there.” A recent-college dropout, the twenty-year-old Winona lives in arrested development with her parents in their Los Angeles suburban home.