Peter Gonzales Falcon Dies: Star of Fellini’s ‘Roma’ Was 75

The Equaliser 3, but it was scaled back after audiences reacted badly to it in preview screenings.The film, Washington’s final appearance as McCall, sees the retired intelligence officer living in a small Italian town where the friendly residents are being terrorised by local Mafioso. One of the residents is waitress Aminah, played by Gaia Scodellaro.

Peter Cook and Alba Jancou said “I do” four years after getting engaged.

Peter Sarsgaard and Cailee Spaeny were among the winners at the 2023 Venice Film Festival!

With three competition titles across the last four editions, no contemporary filmmaker has been more present on the Venice Lido than director Michel Franco. 

It’s hard to encapsulate the cinema of a particular filmmaker in just one word, but if one were to try their hand at it with Mexican maverick Michel Franco, a word that’d come to mind is violence. The filmmaker’s work is built upon the looming expectation of violent transgression, society standing flimsy atop the fragile idea of cordiality.

EXCLUSIVE: Radu Jude’s Do Not Expect Too Much From The End Of The World, which has just been submitted as Romania’s official entry into the International Oscar race, has been picked up by Mubi for multiple key territories. 

EXCLUSIVE: It’s not a given that talent will attend premieres if their movie gets an interim agreement but we can confirm that Oscar winner Jessica Chastain and Emmy nominee Peter Sarsgaard will be on hand to spice up the premieres of new movie Memory both tomorrow in Venice and next week in Toronto.

Crystal Rovél Torres has firmly established herself as a force to be reckoned with. Hailing from the vibrant city of Philadelphia, Pennsylvania, with ancestral roots tracing back to Puerto Rico and Italy, Torres is a multifaceted musician who has captured the hearts and admiration of fans worldwide.

Naman Ramachandran Mexican auteur Michel Franco’s latest film, “Memory,” starring Jessica Chastain and Peter Sarsgaard, world premieres in competition at the Venice Film Festival. The film is his third successive bow on the Lido after “New Order” (2020), which won the grand jury prize, and “Sundown” (2021). “Memory” follows Sylvia (Chastain), a social worker who leads a simple and structured life revolving around her daughter, her job and her AA meetings.

One of the mysteries from Succession is finally getting resolved by series creator Jesse Armstrong. The fourth and final season of the HBO drama had a moment that was up for debate among the die-hard fans of the show.

Though Labor Day is upon us domestically — and its somewhat equivalents in many overseas markets to mark the end of summer — the hits keep coming as holds this session were strong on the season’s leaders while a new entry surprised. To wit, and starting with the latter: Sony/Escape Artists’ The Equalizer 3 blazed to a $60.6M global start this weekend, to clock the franchise’s best opening ever. Of that, the $26.1M debut in 49 international box office markets was also a new record bow for the Denzel Washington-led series.

Nick Vivarelli International Correspondent Whoopi Goldberg and Jeremy Irvine are set to star in Italian comedy “Leopardi & Co.,” directed by Federica Biondi and produced by Franco-Tunisian film and TV entrepreneur Tarak Ben Ammar’s Eagle Pictures. Shooting on the film is currently underway in the town of Recanati, which is known to many Italians as the birthplace of one the country’s greatest poets, Giacomo Leopardi. Goldberg plays the agent of a U.S.

The stars are stepping out in style!

A source is speaking out about Lindsay Hubbard after her recent split from Carl Radke.

Peter Debruge Chief Film Critic Mousy and diminutive, to the point that she practically disappears beneath a frizzy bramble of brown hair, Mimosa (Rebecca Antonaci) adores movies. In “Finally Dawn,” she stumbles into one, drafted into being a featured extra on a swords-and-sandals epic shooting at Cinecittà. Doing so makes Mimosa a potential target in a meandering true-crime-adjacent period piece inspired by the death of Wilma Montesi, which plays like an Italian spin on the Black Dahlia case.

Rebecca Rubin Film and Media Reporter Denzel Washington’s assassin thriller “The Equalizer 3” is gunning for the top spot on box office charts over Labor Day weekend. The R-rated film is projected to earn $28 million to $30 million between Friday and Sunday and $33 million to $40 million through the four-day holiday frame. As this weekend’s only new nationwide release, “Equalizer 3” shouldn’t have any trouble in knocking down the prior box office champion, Sony’s racing drama “Gran Turismo,” which opened to $17.4 million and looks to add $7 million to $9 million in its sophomore outing.

A two-year-girl has died after being hit by a car at a holiday park in Cambridgeshire.

Dolly Parton couldn’t squeeze tea with the Princess of Wales into her recent trip to the UK. During an appearance on Claudia Winkleman’s BBC radio show, the country music star, 77, revealed that the Prince of Wales’ wife invited her to tea, but had to turn down the invitation.

Returning for the third installment in the gritty action saga, The Equalizer 3 aims to deepen the mysterious world of Robert McCall. With Denzel Washington’s undeniable charm at its helm and Antione Fuqua’s seasoned direction, the film promises a continuation of its intense street-justice narrative. Yet, does it deliver the high-octane thrills we’ve come to expect, or does it falter under the weight of its own legacy? In addition to Washington, the film also stars Dakota Fanning, Eugenio Mastrandrea, Andrea Scarduzio, and Remo Girone. Richard Wenk returns as screenwriter.

Peter Debruge Chief Film Critic Just who is the Equalizer? Despite a hit TV show in the 1980s and another with Queen Latifah still running, that title has become synonymous with Denzel Washington, who returns as government-assassin-turned-vigilante Robert McCall. Billed as the final chapter in a trilogy, “The Equalizer 3” sees McCall finding community in a picturesque part of Italy and being forced to protect its people from the mafia. The film also reteams Washington with director Antoine Fuqua for the fifth time (following “Training Day,” “The Magnificent Seven” and the two previous installments), and their comfort with one another ensures a seamless action movie that might not attract new fans, but should play well to those already fond of this franchise.