Pietro Marcello Latest Celebrity News & Gossip

Italian actor Luca Marinelli, who was seen recently in Cannes Jury Prize winner The Eight Mountains, will play Benito Mussolini in Joe Wright’s upcoming series M. Son Of The Century.

“No one believes in magic anymore:” In the devastating aftermath of World War I, veteran Raphaël (Raphaël Thiéry) returns home and discovers that not only has he been widowed, but he is the father to an infant girl, Juliette (Juliette Jouan). In the years that follow, Juliette is raised by her father in rural Normandy, growing into a lonely young girl who seeks refuge in her passion for singing.

Coming-of-age films are a dime a dozen. We see them all of the time.

Leo Barraclough International Features Editor Cologne-based sales company The Match Factory has expanded and restructured its acquisition and development team. Former head of sales, Thania Dimitrakopoulou, has been promoted to vice president of acquisitions and sales. Claudia Solano comes on board as senior manager of acquisitions, and Cécile Tollu-Polonowski, a long-time partner with the company, has been appointed as head of development. Dimitrakopoulou, who joined The Match Factory in 2007, will now be heading up all acquisitions activities and manage the sales team, reporting to Michael Weber, managing director.

Christopher Vourlias Producer Ilya Stewart has launched an independent studio based in Europe that will operate on a global scale, working with international talent and focusing on English-language feature films and television series, Variety can exclusively reveal. Hype Studios is the new venture from Stewart, the formerly Moscow-based producer who in recent years has been a fixture at the Cannes Film Festival, where his collaborations with Russian auteur Kirill Serebrennikov, including “Petrov’s Flu” and “Tchaikovsky’s Wife,” have premiered in competition. Among the co-productions with American and European partners currently on Hype Studios’ slate is Zach Wigon’s “Sanctuary,” starring Margaret Qualley and Christopher Abbott, which premieres as a Special Presentation next month at the Toronto International Film Festival and was produced with Rumble Films and Mosaic Films, along with Charades. Also on the slate is Pietro Marcello’s French-language “Scarlet,” produced in partnership with CG Cinéma’s Charles Gillibert, which opened this year’s Directors’ Fortnight in Cannes and will receive its North American premiere at the New York Film Festival.

Elsa Keslassy International CorrespondentKino Lorber has acquired North American distribution rights to Pietro Marcello’s sprawling post-WWI film “Scarlet,” which opened Cannes’ Directors Fortnight.Represented in international markets by Orange Studio, “Scarlet” will have its North American premiere at the New York Film Festival, before a theatrical release in 2023.A loose adaptation of Alexander Grin’s novel, “Scarlet” marks Kino’s second collaboration with Marcello. It follows “Martin Eden,” which competed at Venice, won best actor for Luca Marinelli and went on to play at Toronto.Marcello, who rose to prominence as a documentarian with his film “The Mouth of the Wolf,” penned the script for “Scarlet” with his regular screenwriting partner Maurizio Braucci (“Martin Eden”) and Maud Ameline, with the participation of novelist Geneviève Brisac.

Rebecca Rubin Film and Media ReporterNew movies from directors Claire Denis, Park Chan-wook, Ruben Östlund, Kelly Reichardt and Paul Schrader will play at the 60th New York Film Festival, which is running from Sept. 30 through Oct.

The 60th New York Film Festival unveiled its main slate from established and upcoming directors with Cannes’ Palme d’Or-winner Triangle of Sadness by Ruben Östlund, Claire Denis’s Stars at Noon (tied for Cannes Grand Prize), Park Chan-wook’s Decision to Leave (Cannes Best Director), and Charlotte Wells’ debut feature Aftersun (Cannes’ French Touch Jury Prize).

Naman Ramachandran Universal’s keenly anticipated animation “Minions: The Rise Of Gru” debuted atop the U.K. and Ireland box office with £10.4 million ($12.5 million), according to numbers released by Comscore.

The film was acclaimed for its rich visual style of sensual cinematography that never feels vulgar or exploitative of the couple in question. It can be seen plainly in the trailer, which shows Hermes and Betta passionately kissing inside a pink bathroom filled with balloons, a parade of bodies in lingerie on a runway and one man even trying on a black g-string.

Elsa Keslassy International Correspondent“CODA” producer Philippe Rousselet’s next movie “Maestro” has been sold to major territories by Orange Studio which hosted a market screening at Cannes. “Maestro” is adapted from Joseph Cesar’s Oscar-nominated, Cannes-prizewinning Israeli film “Footnote.” The movie is directed by Bruno Chiche and stars Yvan Attal, Pierre Arditi, Miou-Miou and Pascale Arbillot.

Elsa Keslassy International CorrespondentMK2 Films is shooting “Curiosity Room,” a remake of Wim Wenders’s cult 1982 documentary “Room 666,” during the Cannes Film Festival. Produced by MK Prods.

Nick Vivarelli International CorrespondentNeapolitan director Pietro Marcello, who made the transition from high-profile docs to fiction with his Naples-set 2019 adaptation of Jack London’s Martin Eden – that made a splash on the international art-house scene – has now tackled a France-set tale inspired by a Russian novel in his new film “Scarlet” (see review) that mixes fable, musical, historical and magical realism elements.The pic’s central character is Juliette, played by promising newcomer Juliette Jouan, an orphan girl raised by a community of women and by her father Raphaël, a burly soldier who returned from the First World War to find that his adored wife after giving birth had passed away. Marcello spoke to Variety about what he calls his first ‘feminine’ film. Excerpts.I’ve always made films that are quite masculine.

Not quite a musical, sort of a folktale, and almost but not entirely a hardscrabble hunk of post-war realism before all of a sudden changing gears, “Scarlet” – which opened the 2022 Cannes Film Festival’s Directors’ Fortnight sidebar on Wednesday – is a tricky project to pin down. Of course, director Pietro Marcello wouldn’t have it any other way.Shooting in French for the first time, the Italian filmmaker made his name with documentaries before working found and historical footage into the world of make-believe with 2019’s “Martin Eden.” With this more ambitious (if more uneven) follow-up, Marcello continues at a similar pace, folding fact into fiction as he explores both the landscapes of rural Normandy in the aftermath of the First World War and the plight of the working poor, all through the crags of his leading man’s brow.That brow (and those crags) belongs to Raphael (Raphaël Thiéry), who we discover limping home from the front interspersed with historical footage of fellow soldiers doing the same.

Two years in France inspired Italian director Pietro Marcello to create “Scarlet,” his French-language feature debut and the opening film of this year’s Directors’ Fortnight at the Cannes Film Festival. Freely inspired by Aleksandr Grin’s tale “The Scarlet Sails,” the film examines the quiet tenderness that permeates the relationship between a father comfortable in skepticism and a daughter driven by unshakeable belief.

Italian director Pietro Marcello (Martin Eden) shifts his focus to France in Scarlet (L’Envol), a period drama in Directors’ Fortnight. Set in the rural north after the First World War, it’s a decade-spanning story of family, small town politics and — ultimately — romance.

Peter Debruge Chief Film CriticA slight but satisfying choice to open Director’s Fortnight at the Cannes Film Festival, Pietro Marcello’s “Scarlet” isn’t quite a fairy tale, although it certainly feels like one at times. For example, roughly midway through the movie, a woman who might be a witch meets the film’s fanciful young heroine, Juliette (Juliette Jouan), in the woods and predicts her fortune, explaining that one day this girl — who’s destined for greater things than the provincial Normandy farm where she’s dutifully passed her adolescence — will be whisked away by a ship flying scarlet sails.Set in the years just after the Great War, this charming French-language fable — which hails from the celebrated Italian doc maker whose epic narrative debut, “Martin Eden,” was a critical success on the festival circuit just pre-COVID — is smaller, sweeter and more sensitive than Marcello’s earlier work.

Elsa Keslassy International CorrespondentOrange Studio has unveiled a first still of Nicolas Pariser’s adventure thriller “The Green Perfume” which will close Directors’ Fortnight, the strand running alongside the Cannes Film Festival. Starring Sandrine Kiberlain (“Nine-Month Stretch”) and Vincent Lacoste (“Lost Illusions”), “The Green Perfume” takes place following the death of a poisoned actor in the middle of a performance at la Comédie Française.

The line-up for the 54th Directors’ Fortnight selection was announced this morning by General Delegate Paolo Moretti and his selection committee. On top of the previously announced opening night film, Pietro Marcello‘s “Scarlet,” he being the director of the well-regarded “Martin Eden” festival film, highlights from the films announced include Alex Garland‘s much-anticipated psychological horror “Men,” starring Jessie Buckley, a woman who retreats to the English countryside following the death of her husband.

Cannes Directors’ Fortnight has unveiled its line-up for 2022. Scroll down to see the full list.

Pietro Marcello’s Scarlet will be the opening film at the 54th Directors’ Fortnight at this year’s Cannes Film Festival.

Elsa Keslassy International CorrespondentPietro Marcello’s French-language period drama “Scarlet” is set to open the 54th edition of Cannes’ Directors Fortnight on May 18. Weaving musical and fantasy elements, the film is set in Northern Normandy, between the two world wars, a time of great inventions, and follows the journey of a young woman who was raised by her father, a widowed war veteran, and strives to find her own path in life.

Resembling more of a personal tribute than exhaustive biography, Pietro Marcello‘s Lucio Dalla documentary, “For Lucio,” takes its title as an invitation. A rambling eulogy that is just as often confusing as it is profound, Marcello’s wisp of a film (running less than 80 minutes) may be missing key context for those not already versed in the life and music of the politically-oriented Italian singer-songwriter.

Elsa Keslassy International Correspondent“Call My Agent!” producer Mother Production and Charles Gillibert’s CG Cinéma (“Annette”) are joining forces to create TV production label Les Saisons. The outfit will kick off with the series adaptation of Leïla Slimani’s critically acclaimed novel “Le Pays des autres.”Slimani’s novel, which was published in more than 30 countries and sold 670,000 units in France, is part of a trilogy charting the tumultuous love story between a young French woman and a Moroccan soldier.

Martin Dale ContributorHiventy-Monal, one of France’s leading post-production companies, is seeing rising demand across its range of services, including film processing, dubbing and subtitling, post-production, film restoration and BluRay mastering. It has operations in France, Poland, Singapore, Vietnam, Kenya and Nigeria.Hiventy has one of the few film lab services in Europe.

Elsa Keslassy International CorrespondentAfter canceling its last edition due to the pandemic, Directors’ Fortnight, a section running alongside the Cannes Film Festival, will be back with a stylish and eclectic international lineup, including Joanna Hogg’s highly anticipated “The Souvenir Part II,” Saul Williams and Anisia Uzeyman’s Rwanda-set sci-fi film “Neptune Frost,” and Alice Rohrwacher, Pietro Marcello and Francesco Munzi’s “Futura.” The world premiere of “The Souvenir Part II” will

Nick Vivarelli International CorrespondentItalian directors Alice Rohrwacher (“Happy as Lazzaro”), Pietro Marcello (“Martin Eden”) and Francesco Munzi (“Black Souls”) have teamed up on high-profile doc “Futura,” a portrait of how Italy’s adolescents look at the future.“Futura,” which is being co-produced by pubcaster RAI’s RAI Cinema film unit with Marcello’s own Avventurosa shingle, is billed as a “collective investigation” by the three auteurs “on the different expectations and prospects for

In terms of French cinema, you can’t get much better than filmmaker Arnaud Desplechin. The man behind features such as “The Sentinel,” “My Golden Days,” and “Ismael’s Ghosts” consistently brings something new to each film, often switching genres between films.

Leo Barraclough International Features EditorLeading arthouse sales and production house The Match Factory and Italian film director Pietro Marcello have teamed up for the third time following the company’s acquisition of his documentary “Per Lucio,” which world premieres in the Berlinale Special Gala section of the Berlin Film Festival.They previously worked together on fantasy drama “Lost and Beautiful,” which played in competition at Locarno in 2015, and period drama “Martin Eden,” which

Every Tuesday, discriminating viewers are confronted with a flurry of choices: new releases on disc and on-demand, vintage and original movies on any number of streaming platforms, catalog titles making a splash on Blu-ray or 4K. This biweekly column sifts through all of those choices to pluck out the movies most worth your time, no matter how you’re watching.

Thomas Vinterberg's Danish crowd-pleaser Another Round, Burhan Qurbani's German epic Berlin Alexanderplatz and Jan Komasa's Oscar-nominated Polish drama Corpus Christi are among the nominees for best European film at the 2020 European Film Awards.

Leo Barraclough Senior International CorrespondentThomas Vinterberg’s “Another Round,” starring Mads Mikkelsen, leads the race for the 33rd European Film Awards, alongside Jan Komasa’s Oscar nominated “Corpus Christi” and Pietro Marcello’s “Martin Eden.” Each film has four nominations.“Another Round” took nominations for best film, director, actor for Mikkelsen, and screenwriter for Vinterberg and Tobias Lindholm.

With everything that has happened in 2020, it’s hard to think back to what last fall felt like. Back when the summer was filled with blockbusters at the multiplex and film festivals were showcasing amazing features in the fall.

Quentin Tarantino's Once Upon a Time in Hollywood, Todd Phillips' Joker, Peter Farrelly's Green Book, Bong Joon Ho's Parasite and Roman Polanski's J'accuseare the nominees in the best foreign film category of Italy's David di Donatello Awards.The nominees in the best Italian film category are Matteo Garrone for Pinocchio, Pietro Marcello for Martin Eden, Claudio Giovannesi for La Paranza dei Bambini(Piranhas), Marco Bellocchio for Il Traditore(The Traitor) and Matteo Rovere for Il Primo Re (The