Pietro Marcello on Why Directors’ Fortnight Opener ‘Scarlet’ is a Feminine Film

Iconic French actress Catherine Deneuve will be presented with the Golden Lion for Lifetime Achievement at the 79th Venice Film Festival which runs August 31–September 10 on the Lido.

Unlike most films and series set in Naples, “Nostalgia” really does show us the city like we’ve never seen it before: from the melancholy perspective of someone who left forty years ago. Italian director Mario Martone makes the astute and powerful decision not to make this immediately obvious, opening the film with a stunning sequence showing a man (Pierfrancesco Favino) silently arrive in and explore the city at night.

Sony Pictures Classics has acquired all rights in North America, Latin America, Scandinavia, the Middle East, Israel, India and Italy, and aboard airlines and ships worldwide, to the animated film The Magnificent Life of Marcel Pagnol, from writer-director Sylvain Chomet. The deal for Chomet’s English-language feature follows SPC’s distribution of his past films The Triplets of Belleville and The Illusionist.

Elsa Keslassy International CorrespondentSony Pictures Classics has acquired Sylvain Chomet’s “The Magnificent Life of Marcel Pagnol,” an animated feature about the life of the legendary author Marcel Pagnol. The deal covers all rights for North America, Latin America, Scandinavia, Middle East, Israel, India, Italy, and worldwide airlines and ships at sea in all languages.Two of Chomet’s previous films, “The Triplets of Belleville” and “The Illusionist” were also distributed by Sony Pictures Classics.

For decades, Italian filmmakers dominated Cannes.If the 1960s saw Federico Fellini, Michelangelo Antonioni and Luchino Visconti reign supreme, somehow the 1970s were even richer. Elio Petri and Francesco Rosi won shared top prizes in 1972, while for two consecutive years later that decade the Taviani brothers and then Ermanno Olmi hoisted Palmes across a border that sits just 40 miles away.This year’s lone competition title from an Italian director (the only other Italian language film, “The Eight Mountains,” comes courtesy of two Belgians), Mario Martone’s “Nostalgia” will probably not break that particular drought, but the Neapolitan director can take solace in another modest honor: Telling a story about mothers and sons, about gangsters and priests, and about a peculiar kind of longing for the past in a place where little has changed for hundreds of years, “Nostalgia” is a nigh perfect candidate to wave il Tricolore.Taking a thin amount of plot and stretching it as far and wide as it can go, the film itself is far from perfect, but it does benefit from “The Traitor” star Pierfrancesco Favino’s terrific lead performance as a man who learns the hard way that there’s no going home again.After forty years abroad, Felice (Favino, of course) returns to his native Naples a stranger in a familiar land.

The Square,” which won the Palme d’Or in 2017. This film marks his English-language debut.

1,400-square-foot, two-bedroom is at 53 Horatio St. Jost had bought it for $1.78 million in 2011. Back at the Wales, the penthouse opens to an entry gallery with a dedicated elevator and curved stairs to the roof terrace.

Måneskin stopped by the The Tonight Show With Jimmy Fallon yesterday (May 20) to deliver a performance of their new single ‘Supermodel’ – watch it below.The Italian Eurovision winners were without their usual bassist, Victoria De Angelis, due to illness, but instead of recruiting another musician to fill in, the band asked the show’s host Jimmy Fallon to strap up.Rocking a blonde wig, colourful eyeliner, and a red and black jacket, Fallon addressed the audience before the performance. “This is a true story,” he explained.

Anne Hathaway is channeling one of her most iconic characters. On Thursday, the 39-year-old actress stepped out for a screening of her new flick, , at the 2022 Cannes Film Festival, and gave off serious Mia Thermopolis vibes.Hathaway stunned on the red carpet in a custom, white Giorgio Armani Privé gown that included a train and oversized bow.

Leo Barraclough International Features EditorErotic love story “99 Moons,” which has its world premiere in Cannes’ ACID sidebar today, has kicked off international sales. Berlin-based M-Appeal is handling the rights to the film, which is directed by Jan Gassmann.Arthouse VOD platform Filmin has taken the rights in Spain, and arthouse distributor StraDa Films has taken the films for Greece. France and Latin America are in negotiation.

Lise Pedersen Paris-based international sales company The Party Film Sales has nabbed the rights for Antongiulio Panizzi’s hybrid documentary “The Girl in the Fountain,” a double portrait of icons Anita Ekberg and Monica Bellucci, which opened at the Torino Film Festival last November.The story of an actress devoured by her own icon, the film alternates between archive footage of Ekberg and reenacted scenes by Bellucci, who retraces Ekberg’s weaknesses and choices, inviting the viewer to reflect on what it is like to be an icon, providing a fresh look at femininity, fame and media exposure.The famous scene in Federico Fellini’s “La Dolce Vita,” in which Marcello Mastroianni and Anita Ekberg take a midnight dip in the Trevi Fountain, hides a much more chaotic life – that of an actress consumed by her own iconic image, says Panizzi. Speaking to Variety ahead of the Torino premiere, Panizzi said that the iconic scene turned out to be a burden for the actress, who got to experience what Rita Hayworth meant when she said that “they go to bed with Gilda; they wake up with me.”It was the director’s wish to have Bellucci tell the Swedish icon’s story, as he believed she would be the perfect match.

first hit the market for $15 million last March. It’s in contract for a few million less, sources say, of the off-market deal.Delevingne, a Knicks fan who attended a game with Selena Gomez, was in the news for taking photos with and even photobombing shots with Megan Thee Stallion before the Billboard Music Awards’ red-carpet ceremony last Sunday.

cast landed on the red carpet in style at the 75th Annual Cannes Film Festival on Wednesday. The spectacle began with the celebrated arrival of superstar Tom Cruise, who greeted cheering fans at the Palais before walking down the red carpet with co-star Jennifer Connelly. Cruise and Connelly were also joined by fellow co-stars Jon Hamm, Miles Teller, Glen Powell and Jay Ellis. The cast's arrival was made even more memorable when an eight-jet flyover released smoke in the colors of the French flag over the event.

wildly entertaining rock ‘n’ roll fantasia “Leto.”The two films both show that Serebrennikov has strong ideas about how to use music, but otherwise they’re worlds apart. “Tchaikovsky’s Wife” begins with Miliukova (Alyona Mikhaylova) dressed in widow’s black and trying to choose the right words for her funeral wreath; but when she arrives in the room where her husband’s corpse is laid out, Tchaikovsky (Odin Biron, full of quiet Peter Sarsgaard smarm) rouses himself, stands up and asks, “Why is the wife here? Who invited her?”The scene is enough to tell you that this will be Miliukova’s story, and that it won’t be a straight period piece, even though it re-creates 1893 St.

Not quite a musical, sort of a folktale, and almost but not entirely a hardscrabble hunk of post-war realism before all of a sudden changing gears, “Scarlet” – which opened the 2022 Cannes Film Festival’s Directors’ Fortnight sidebar on Wednesday – is a tricky project to pin down. Of course, director Pietro Marcello wouldn’t have it any other way.Shooting in French for the first time, the Italian filmmaker made his name with documentaries before working found and historical footage into the world of make-believe with 2019’s “Martin Eden.” With this more ambitious (if more uneven) follow-up, Marcello continues at a similar pace, folding fact into fiction as he explores both the landscapes of rural Normandy in the aftermath of the First World War and the plight of the working poor, all through the crags of his leading man’s brow.That brow (and those crags) belongs to Raphael (Raphaël Thiéry), who we discover limping home from the front interspersed with historical footage of fellow soldiers doing the same.

Two years in France inspired Italian director Pietro Marcello to create “Scarlet,” his French-language feature debut and the opening film of this year’s Directors’ Fortnight at the Cannes Film Festival. Freely inspired by Aleksandr Grin’s tale “The Scarlet Sails,” the film examines the quiet tenderness that permeates the relationship between a father comfortable in skepticism and a daughter driven by unshakeable belief.

Italian director Pietro Marcello (Martin Eden) shifts his focus to France in Scarlet (L’Envol), a period drama in Directors’ Fortnight. Set in the rural north after the First World War, it’s a decade-spanning story of family, small town politics and — ultimately — romance.