Park Chan-Wook Latest Celebrity News & Gossip

Korean auteur Park Chan-wook (“Old Boy”) is moving along at a nice clip. On the way is his HBO period spy series “The Sympathizer,” which comes out later this month, and potentially next is his long-gestating remake of the dark comedy “The Ax.” And while that’s undoubtedly an abundance of great projects in the works, there are even more on the horizon.

Following his first foray into television with 2018’s “The Little Drummer Girl,” Korean filmmaker Park Chan-Wook returns to Western television this month with the espionage thriller series “The Sympathizer” on HBO (read our review). And the director is already quickly putting together another project for the small screen, a series adaptation of his 2003 revenge masterpiece “Oldboy.” Variety reports that Chan-Wook is partnering with Lionsgate Television on the adaptation of the English-language series based on his film of the same name.

There is so much going on in Viet Thanh Nguyen’s Pulitzer Prize-winning 2015 novel “The Sympathizer” that it would take a team of true craftsmen even to attempt to unpack it in episodic form. HBO is lucky they hired one of the best in Park Chan-Wook, a supremely and undeniably talented director.

Later this month, acclaimed South Korean filmmaker Park Chan-wook (“Decision To Leave”) returns to the world of genre with the Max series “The Sympathizer,” which focuses on a Vietnamese double agent operating on U.S. soil.

It’s already been a banner 2024 for HBO and Max, with “True Detective: Night Country,” “Tokyo Vice” Season 2, and “The Regime” all scoring high with critics and audiences.

HBO has several highly anticipated titles premiering on its network and Max in 2024, with “True Detective: Night Country” and “Tokyo Vice” Season 2 already bowing. Kate Winslet in “The Regime” is the next big title to drop next month, but after that comes “The Sympathizer,” Park Chan-wook‘s latest foray into TV.

With “Oldboy,” Park Chan-wook offers a revenge tale at its most unhinged. And for the 20th anniversary of the film’s release, NEON has a remastered print of the modern masterpiece ready to hit theaters this summer.

With “Oldboy,” Park Chan-wook offers a revenge tale at its most unhinged. And for the 20th anniversary of the film’s release, NEON has a remastered print of the modern masterpiece ready to hit theaters this summer.

South Korean auteur Park Chan-wook returned to theaters last year with “Decision To Leave.” And by all accounts, it’s another masterwork from him, and one of the best films of 2022. Now Park returns to TV for the first time since 2018’s “The Little Drummer Girl” with “The Sympathizer,” set for an exclusive release on Max in 2024.

It seems to always be the case that Hollywood will seek out the biggest international hits and remake them for English-speaking audiences. Sometimes, such as in the case of “The Departed,” the remake is pretty great.

Park Chan-wook is one of the most acclaimed filmmakers of the past 20 years. He’s also one of the rare South Korean filmmakers who has broken through the foreign-language barrier to become a recognizable name throughout the world.

With a formalist’s eye for visual symmetry, an architect’s sense of structure, and a poet’s ability to stoke the passions raging inside his precisely balanced frames, Park Chan-wook makes ferociously controlled films about ferocious, uncontrollable impulses. Ever since his international breakthrough with 2003’s “Oldboy,” remembered most for the oft-imitated hallway sequence in which a hammer-wielding Choi Min-sik lays waste to enemy waves in a righteous bid for freedom, the South Korean filmmaker has been widely associated with operatic bursts of sexuality and extreme violence, the kind often considered a signature of the New Korean Cinema.  Park has hardly shied from this notoriety, even binding “Oldboy” together with “Sympathy for Mr.

It’s been six long years since Park Chan-wook‘s last outing, “The Handmaiden.” But now, the South Korean master director is back with his latest, “Decision To Leave.” And if his Best Director win for the film at the Cannes Film Festival this year is any indication, Park hasn’t lost a step. Park’s latest stars Park Hae-il as a detective sent to investigate a suspected murder.

punishing fight scene through a narrow corridor in which the protagonist fights off a crowded room full of thugs with a hammer and with a knife in his back, not to mention its shocking twist ending. Neon has yet to disclose any specific release plans for “Oldboy,” but the film has been restored and remastered in 4K HDR as supervised by Chan-wook.

Grand Prix: (TIE) “Close,” Lukas Dhont; and “Stars at Noon,” Claire DenisJury Prize: (TIE) “The Eight Mountains,” Felix van Groeningen and Charlotte Vandermeersch; and “Eo,” Jerzy SkolimowskiBest Director: Park Chan-Wook, “Decision to Leave”Best Screenplay: “Boy From Heaven,” Tarik SalehBest Actor: Song Kang Ho, “Broker”Best Actress: Zar Amir Ebrahami, “Holy Spider”75th anniversary special award: Jean-Pierre and Luc Dardenne, “Tori and Lokita”Camera d’Or (best first film): “War Pony,” Riley Keough and Gina GammellCamera d’Or, special mention: “Plan 75,” Hayakawa ChiePalme d’Or, Short Film: “The Water Murmurs,” Jianying ChenShort film special mention: “Lori,” Abinash Bikram Shah

The jury announces its winners at the Cannes Film Festival tomorrow, and speculation abounds over who will walk away with the Palme d’Or this year. And one of the frontrunners to win the top prize is South Korean filmmaker Park Chan-Wook for his romantic cop drama “Decision To Leave.” director is no stranger to Cannes.

The jury announces its winners at the Cannes Film Festival tomorrow, and speculation abounds over who will walk away with the Palme d’Or this year. And one of the frontrunners to win the top prize is South Korean filmmaker Park Chan-Wook for his romantic cop drama “Decision To Leave.” director is no stranger to Cannes.

“Decision To Leave” deals in illusions. Is Song Seo-rae’s dress blue or green? Is she really the innocent wife she claims to be? In her living room, she sits surrounded by sapphire wallpaper, its lines suggesting the mountains near her Busan home that she so loathes — but they could easily be seen as waves, too.

South Korean director Park Chan-wook is set to premiere his new film, “Decision to Leave,” at the 2022 Cannes Film Festival. A detective murder mystery with a romantic twist, the film is widely regarded as one of the most anticipated premieres of the festival.

It’s been 6 years since Park Chan-wook’s last feature-length film, “The Handmaiden,” swept critics’ groups and became an instant classic among erotic thriller fans. In that time he’s made several successful forays into TV, directing the 2018 BBC drama series “Little Drummer Girl”—a John Le Carré adaptation starring Michael Shannon, Alexander Skarsgård, and Florence Pugh—and producing 20 episodes of TNT’s “Snowpiercer.” He was also recently announced as the director for the upcoming A24 TV adaptation of Viet Thanh Nguyen’s 2016 Pulitzer Prize winner “The Sympathizer” starring Robert Downey Jr.

If you’re tuning in from CinemaCon news, you’re hearing studios say theatrical distribution is the “cornerstone” of their business, an about face to all the conventional wisdom in the last few years that says streaming is the industry’s future. Such are the whims of saying whatever’s convenient at the moment, but in a sure sign that streaming is still as important as ever, MUBI, the global arthouse streamer, has announced a huge acquisition today in Park Chan-Wook’s much-anticipated thriller “Decision To Leave,” which is making its world premiere at the Cannes Film Festival next month.

Jon Spaihts is a very busy man. Not only is he currently writing “Dune: Part Two” with Denis Villeneuve, but he’s exploring other aspects of Frank Herbert’s universe beyond his one-time association with a television spin-off, “Dune: The Sisterhood.” Throw in “Exodus,” an original screenplay for “I Am Mother” director Grant Sputore and a – breaking news – adaptation for acclaimed director Park Chan-wook and it’s clear the pandemic hasn’t slowed him down.

Apple would really like you to think the new iPhone 13 Pro can be used as a cinema camera. Sure, we’ve seen filmmakers such as Steven Soderbergh and Sean Baker use older iPhones to create feature films, but for the most part, there’s no way a big-budget feature would actually use a smartphone as a camera.

When you think of South Korean cinema, you probably think of a couple of names immediately. The first is likely Bong Joon Ho, the Oscar-winning filmmaker behind the recent feature, “Parasite.” The other name that a lot of folks will immediately think about is Park Chan-Wook, the filmmaker behind features such as “Sympathy for Mr.

Before “Oldboy,” before “The Handmaiden,” visionary South Korean filmmaker Park Chan-wook helmed, “Joint Security Area,” a gripping tale of deceit, misunderstanding, and the senselessness of war. READ MORE: The Best & The Rest: The Films Of Park Chan-Wook Ranked Released in 2000, “Joint Security Area,” occurs after a shooting incident at the North/South Korean border/DMZ leaves 2 North Korean soldiers dead.

After his brief foray into American TV, it appears that acclaimed Korean filmmaker, Park Chan-wook is heading back to the big screen with his next feature, “Decision to Leave.” According to Variety, production is expected to begin later this month on “Decision to Leave,” the upcoming drama from “Oldboy” filmmaker Park Chan-wook. The filmmaker has cast Tang Wei (“Lust, Caution”) and Park Hye-il (“Memories of Murder”) to star in the feature.