Paolo Sorrentino Latest Celebrity News & Gossip

Elsa Keslassy International CorrespondentThe Cannes Film Festival celebrated its 75th anniversary Tuesday evening with a group of no less than 120 stars and filmmakers from all over the world, including Jake Gyllenhaal, Paolo Sorrentino, Isabelle Huppert, Diane Kruger, Guillermo del Toro, Jacques Audiard, Melanie Laurent, Gael Garcia Bernal and Nicolas Winding Refn who made the trip for the event.Some of them, notably del Toro, took part in a symposium earlier Tuesday to discuss the new challenges that cinema is facing today. The roster of talents on the ground at the gala ceremony also included the bevy of stars and filmmakers presenting films at this year’s festival, including Kristen Stewart, Lea Seydoux, Viggo Mortensen and David Cronenberg (“Crimes of the Future”), among many others.

To celebrate its 75th anniversary, the Cannes Film Festival gathered dozens upon dozens of previous laureates and special guests at the Palais des Festival this evening. Inside the Lumière Theatre, the fest’s artistic chief and general delegate, Thierry Frémaux, and outgoing Cannes President, Pierre Lescure, did a roll call of star actors and directors who left their seats and made their way to the stage .

Two-time Oscar winner and former Un Certain Regard Jury President Guillermo del Toro kicked off a filmmaker symposium at Cannes today, discussing the future of cinema, particularly as it’s been rattled by the pandemic.

After breaking out internationally in 2012 with his Oscar-nominated drama The Broken Circle Breakdown, and making his Hollywood debut in 2018 with Beautiful Boy, Felix van Groeningen makes his Competition debut in Cannes with The Eight Mountains, perhaps the most understated film of his career so far.

Nick Vivarelli International CorrespondentFremantle and Webtoon Studios, which is the entertainment arm of user-generated fiction and comics entertainment outfits Wattpad and Webtoon, have announced a new partnership that will see them co-develop a slate of European film and TV projects.These will be adapted from successful Spanish, Italian, and English language stories with built-in global fandoms on Wattpad and Webtoon, they said in a statement.Under the deal Fremantle, the production and distribution powerhouse owned by Germany’s RTL Group, and Webtoon Studios will be co-producing the content for worldwide distribution.The non-exclusive partnership will give Fremantle access to Webtoon Studios IPs spanning a wide range of genres, and also to their data-backed insights into what fans love about them. The two companies said they will be working with the original Wattpad authors to develop local and regional hits with global appeal in Spanish, Italian, and English-speaking countries.Fremantle has a robust European drama slate comprising Luca Guadagnino’s coming of age drama series “We Are Who We Are” and Tobias Lindholm-directed “The Investigation” and Paolo Sorrentino’s Oscar-nominated film “The Hand of God,” to name a few.

Fremantle has struck a deal with Wattpad Webtoon Studios to develop a slate of European projects adapted from Spanish, Italian and English-language stories with existing global fandoms.

Nick Vivarelli International CorrespondentSince Cinecittà Studios was founded in 1937, the sprawling facilities have driven the golden age of Cinema Italiano.The famed city of cinema has also, albeit intermittently, been a magnet for international productions and endured wild fluctuations in the country’s political climate, before recently reemerging as a new frontier for the country’s film and TV industry.Located in the heart of the Mediterranean basin, a short ride from the center of Rome and its airports, Italy’s top production hub has to date, hosted more than 3,000 films that have earned 53 Oscars.During the period following World War II, the studios forged close ties to Hollywood, which helped the Italian industry gain its international standing. The myriad Italian pics made at the studios range from Federico Fellini’s “La Dolce Vita” (1960) and “8½” (1963) to Nanni Moretti’s “Sogni D’Oro” (1981), Sergio Leone’s epic “Once Upon a Time in America” (1984), Giuseppe Tornatore’s “The Legend of the Pianist on the Ocean” (1998) Paolo Sorrentino’s “Il Divo” (2008) and, more recently, his TV series “The New Pope” in 2019.

Nick Vivarelli International CorrespondentDisney, Amazon, Netflix and Showtime all have TV series of different types either recently shot or set to shoot in Sicily.As one of its first Italian originals, Disney+ has commissioned a still-untitled TV series about Sicily’s Florio family, who, during the 19th century, built an economic empire on the island and became known as the merchant princes of Europe.Casting is now underway for this high-end period epic, to be directed by Italy’s Paolo Genovese (“Perfect Strangers”) and produced by Rome-based Lotus Prods., a unit of Leone Film Group. The Sicilian skein, which is expected to start shooting in July, is based on local bestseller “The Lions of Sicily,” by Stefania Auci, that has been translated in several languages.

Nick Vivarelli International CorrespondentNetflix on Friday officially opened its Italian base in Rome, in a classy neoclassical building near the iconic Via Veneto, and announced a substantial slate of originals that stand as testament to what co-CEO Reed Hastings called the streaming giant’s “growing business in Italy.”“The breadth and variety of our Italian slate perfectly represents our ambitions,” said Hastings, who took the stage at the presentation’s conclusion. Hastings took the opportunity to note how pleased he is that Paolo Sorrentino’s “The Hand of God,” which Netflix produced, scooped top honors at Italy’s David di Donatello Awards, the country’s top film prizes, earlier this week.Netflix’s new Italian slate is headlined by a high-end English-language series adaptation of “The Leopard,” the classic Sicily-set novel by Giuseppe Tomasi di Lampedusa.

The David di Donatello Awards were held in Rome on Tuesday evening, the first time Italy’s equivalent to the Oscar has had a fully in-person ceremony in the pandemic era. Taking top honors was Paolo Sorrentino’s The Hand Of God which scooped Best Film and Director as well as Best Supporting Actress for Teresa Saponangelo and a tie for Best Cinematography. In the latter category, The Hand Of God shared the win with Freaks Out, a fantasy drama that likewise debuted in Venice.

Nick Vivarelli International CorrespondentPaolo Sorrentino’s Oscar-nominated autobiographical drama “The Hand of God” took top honors at Italy’s 67th David di Donatello Awards, winning best picture, director, supporting actress and tying for the best cinematography statuette.Sorrentino’s Naples-set film about the personal tragedy and other vicissitudes that drove him to become a top notch film director had been the frontrunner along with young helmer Gabriele Mainetti’s second feature, the elegant effects-laden historical fantasy “Freaks Out.”“Freaks Out” won six prizes, including for its producer, Andrea Occhipinti, as well as cinematographer, set design, and effects.The cinematography prize, which was a tie, was split between “Hand of God” DP Daria D’Antonio, marking the first time this David goes to a woman, and Michele Attanasio for “Freaks Out.” The Davids were held as a fully in-person ceremony at Rome’s Cinecittà studios just as the famed facilities undergo a radical renewal being implemented by former Sky and Warner Bros. executive Nicola Maccanico.Italian Culture Minister Enrico Franceschini took the stage at the start of the ceremony to reaffirm the Italian government’s support for the local film industry, shortly after announcing plans to widen the window between a movie’s theatrical release date and the time it can drop locally on a streaming platform.

Nick Vivarelli International CorrespondentPaolo Sorrentino’s “The Hand of God” and Gabriele Mainetti’s “Freaks Out” lead the pack at the David di Donatello Awards this year with 16 nominations each.Here’s the complete list of nominees:PICTURE “Ariaferma” (The Inner Cage), Leonardo Di Costanzo “The Hand of God,” Paolo Sorrentino “Ennio,” Giuseppe Tornatore “Freaks Out,” Gabriele Mainetti “Qui Rido Io” (The King of Laughter), Mario MartoneDIRECTOR “Ariaferma” (The Inner Cage), Leonardo Di Costanzo “The Hand of God,” Paolo Sorrentino “Ennio,” Giuseppe Tornatore “Freaks Out,” Gabriele Mainetti “Qui Rido Io” (The King of Laughter), Mario MartoneDEBUT DIRECTOR “The Bad Poet,” Gianluca Jodice “Maternal,” Maura Delpero “Small Body,” Laura Samani “Re Granchio” (The Legend of King Crab), Alessio Rigo De Righi, Matteo Zoppis “Una Femmina” (The Code of Silence), Francesco Constabile PRODUCER “A Chiara,” Jon Coplon, Paolo Carpignano, Ryan Zacarias, Jonas Carpignano (Stayblack Productions) — RAI Cinema “Ariaferma” (The Inner Cage), Carlo Cresto Dina (Tempesta), Michela Pini (Amka) RAI Cinema “The Hand of God,” Paolo Sorrentino, Lorenzo Mieli “Freaks Out,” Andrea Occhipinti, Stefano Massenzi, Mattia Guerra (Lucky Red) — Gabriele Mainetti (Goon Films) — RAI Cinema “Qui Rido Io” (The King of Laughter), Nicola Giuliano, Francesca Cima, Carlotta Calori (Indigo Film) RAI CinemaACTRESS Swami Rotolo, “A Chiara” Miriam Leone, “Diabolik” Aurora Giovinazzo, “Freaks Out” Rosa Palasciano, “Giulia” Maria Nazionale, “Qui Rido Io” (The King of Laughter)ACTOR Elio Germano, “America Latina” Silvio Orlando, “Ariaferma” (The Inner Cage) Filippo Scotti, “The Hand of God” Franz Rogowski, “Freaks Out” Toni Servillo, “The King of Laughter”SUPPORTING ACTRESS

Nick Vivarelli International CorrespondentAs they celebrate being held as a physical event, Italy’s upcoming 67th David di Donatello Awards epitomize the ongoing shift in generations and genres that is underway in Cinema Italiano. Leading the pack this year are seasoned auteur Paolo Sorrentino’s most personal film “The Hand of God” and young helmer Gabriele Mainetti’s second feature, the elegant effects-laden historical fantasy “Freaks Out,” which is set in 1943 Rome and involves four “freaks” working in a circus when the Eternal City is bombed by Allied Forces.

Ben Stiller’s former production partner Nicholas Weinstock has struck a first-look deal with Fremantle.

Nick Vivarelli International CorrespondentItalian TV host Alessandro Cattelan will be among the three MCs of the upcoming Eurovision Song Contest, along with Italy’s Grammy-wining singer Laura Pausini and Lebanese/British pop star Mika. In addition to preparing for the biggest night for music in Europe, he recently made his debut on Netflix with one-man show “One Simple Question.” In the show, Cattelan embarks on a road trip in pursuit of a seemingly simple answer to a question from his daughter, Nina: “Daddy, how do you find happiness?” The quirky six-episode series, which dropped in 190 countries on March 18, sees the showman display his trademark deadpan humor as he searches for happiness through interviews and set-pieces with celebrity guests ranging from retired Italian soccer star Roberto Baggio, who is a practicing Buddhist, and Oscar-nominated director Paolo Sorrentino (“The Hand of God”), to a couple who are amateur porn stars and former Google X exec Mo Gawdat, author of a book titled “Solve for Happy.” Cattelan, who cut his teeth working for MTV and subsequently hosted the talent show “The X Factor” on Sky in Italy, talked to Variety about making the leap into the global streaming arena ahead of his gig for Eurovision, for which his main aspiration is “to make people laugh.” A dozen years ago I had an idea for a show where I would go on a road trip around the U.S.

Nick Vivarelli International CorrespondentIn a move that will transform Italy’s relationship with Netflix, the Italian government has set a firm three-month time window between a movie’s theatrical release and when it can drop on a streaming platform.The announcement was made by Italian Culture Minister Dario Franceschini during a Rome confab on the state of the country’s film industry held by the country’s motion picture association ANICA.The minister said he has signed a law that will extend the existing 90-day theatrical window for Italian films that had benefitted from government subsidies to now include all films, regardless of where they are produced or how they are financed.Due to its having a more flexible windowing policy than France, Italy in recent years has been an interesting testing ground for the theatrical releases of Netflix titles, largely because the Venice Film Festival is a frequent launching pad for the platform’s original films.

Nick Vivarelli International CorrespondentThe Rome Film Festival is under new management following a political shake-up that has led to the appointment of RAI Cinema executive Paola Malanga as the fest’s artistic director and Gian Luca Farinelli, who heads the Bologna film archives, as president.Malanga, who was appointed late on Tuesday, replaces Antonio Monda, the New York based journalist and film academic who during his seven-year stint at the helm of the event secured a steady stream of high-caliber guests such as Quentin Tarantino, Tim Burton and Angelina Jolie, to mention a few names on the Rome red carpet at last year’s edition.Farinelli –– who has been appointed president of the Cinema Per Roma foundation that oversees the Rome fest –– takes the reins from Laura Delli Colli, a prominent film journo and critic who remains on the foundation’s board. The new Rome fest regime was prompted by the election last October of new Rome mayor Roberto Gualtieri.The Eternal City extravaganza, which is the brainchild of former Rome mayor Walter Veltroni, has been undergoing management shake-ups due to Italy’s political spoils system ever since its launch in 2006 with Nicole Kidman on the red carpet and ambitions to rival Venice.While Delli Colli exited gracefully, Monda’s departure has been a bit more acrimonious.

Wilson Chapman editorThe Academy Awards’ starry red carpet is often the first place  to see which attendees are using their outfits to make a statement.At this year’s red carpet, many celebrities showed up sporting blue ribbons provided by the United Nations Refugee Agency. These blue ribbons sport the hashtag #withrefugees, referring to the refugee crisis caused by the ongoing Russian invasion of Ukraine, and in solidarity with all people forced to flee oppression.See more: Oscars Red Carpet ArrivalsIndividuals who showed up to the red carpet sporting the pins included Jamie Lee Curtis, Samuel L.

Adam B. Vary Senior Entertainment WriterThe Academy Award telecast will acknowledge “the people of Ukraine,” producer Will Packer told Variety on the Oscars red carpet on Sunday.Packer was answering a question about whether Ukrainian president Volodymyr Zelenskyy will appear on the show, something co-host Amy Schumer said she’d advocated to happen.

My Brilliant Friend is coming to an end at HBO. But not quite yet.

In “The Hand of God,” the Italian director Paolo Sorrentino conjures memories of his formative years in picturesque Naples. Capturing both the sun-dappled summer days he passed in the company of his larger-than-life family and the profound tragedy that set him on a path toward filmmaking, this partly autobiographical drama focuses on Fabio Schisa (Filippo Scotti), a teenager growing up in southern Italy during the 1980s.

Fremantle Boosts Revenue By 25% For RTL Group

Nick Vivarelli International CorrespondentThe upcoming Los Angeles-Italia Film Fashion and Art Festival will be honoring Italian directors Paolo Sorrentino (“The Hand of God”) and Enrico Casarosa (“Luca”) as well as costume-designer Massimo Cantini Parrini (“Cyrano”) all of whom have scored nominations for the upcoming Academy Awards. The 17th edition of the pre-Oscars event will be held March 20-26 at Hollywood’s TCL Chinese Theatre and also online.This year’s opening ceremony will be hosted by veteran Italian-American actor Robert Davi, who is also this year’s president of the event. Sofia Milos (“CSI: Miami”) and Hollywood acting coach Bernard Hiller will co-host.Consul General of Italy Silvia Chiave and Italian Institute of Culture chief Emanuele Amendola will also be introducing honorees both at the Chinese Theatre and during a separate March 25 event being held at the Italian Institute of Culture.

Bob Verini Of the five 2021 Academy Award nominees for best international film, Italy’s entry, “The Hand of God,” most directly combines two of cinema’s most treasured themes: intensely personal autobiography that is able to speak to a wider audience, and the art of filmmaking itself.Writer-director Paolo Sorrentino uses the character of 16-year-old Fabietto Schisa — played by newcomer Filippo Scotti — to examine the real-life experiences that led to his own growth as a man as well as his eventual birth as a filmmaker.Watching audiences connect so deeply with a character that is drawn so closely from his own experiences has hit Sorrentino deeply. “Now that it’s more than one year that I shot the movie, I have to say that it’s strange, because now I am sharing my pain with a big audience,” he shares.

Read more: Man gives Belfast one star review after not realising it's in black and white Accepting the award, writer and director Kenneth Branagh said: "Thank you to British cinema audiences for watching in tonnage a UK and Irish cinema film at UK and Ireland cinemas. "All hail the streaming revolution, but all hail the big screen too. It's alive, and long may they live together.

The full list of winners for the 2022 BAFTAs has been announced!

Deadline has launched the streaming site for Contenders Film: The Nominees, this past weekend’s showcase of 24 Oscar-nominated films and their stars, creatives and craftspeople talking about their roads to the Academy Awards.

Paolo Sorrentino won the Foreign Language Oscar, as it was known then, in 2014 with his film The Great Beauty. He returns to the frame this year with The Hand of God, perhaps his most personal picture, which is nominated for Best International Feature. This lightly fictionalized tale of Sorrentino’s own youth in Naples, as he grappled with family tragedy, celebrated Diego Maradona’s arrival at his local football team, and took his first steps into his love of cinema, stars newcomer Filippo Scotti as Fabi Schisa, a teenager struggling to find his place in the world.

Nick Vivarelli International CorrespondentFremantle has acquired a 70% stake in Italy’s Lux Vide, the prominent TV production company that has been steadily raising its standing in the international arena, most recently with the high-end TV series “Medici,” “Devils” and “Leonardo.”The long-gestating Lux Vide deal, which closed on Thursday, marks the latest acquisition by the expanding RTL-owned production and distribution giant. Fremantle, which has been on a buying spree, now owns or controls a panoply of independently operated production shingles across Europe, as well as in Israel, Australia and the U.S.Their stated goal is to invest and grow in the global scripted arena where, by their count, Fremantle delivered 81 scripted shows in 2021, including BBC One hit “The Responder,” HBO Max series “Lust,” from Sweden’s Miso Film, and Italian dystopian drama “Anna.” Previous Fremantle investments include acquiring the 12 former Nent Studios production labels in Norway, Sweden, Finland and Denmark (now rebranded This is Nice Group); Australian-American television production company Eureka Productions; U.K.-based Naked Entertainment; French label Kwai; and Israel’s Abot Hameiri, among others.The Lux purchase also marks Fremantle’s third acquisition of a production company in Italy, where the company already owns Wildside and The Apartment, the outfit behind Paolo Sorrentino’s Oscar-nominated “The Hand of God.” Fremantle also recently inked a pact with Italy’s Cinecittà involving the long-term rental of six sound stages at the iconic Rome studios.Founded in 1992 by Ettore Bernabei, who was a long-time former chief of Italian pubcaster RAI, Lux Vide has since been headed by his progeny, Matilde and Luca Bernabei.

Nick Vivarelli International CorrespondentGiancarlo Giannini, who was the late great Lina Wertmüller’s muse, helmer Gabriele Muccino (“The Pursuit of Happyness”), and Teresa Saponangelo, star of Paolo Sorrentino’s “The Hand of God,” are among top honorees of the seventh edition of Filming Italy — Los Angeles, the bridge between Italy and Hollywood set to run as a hybrid event Feb. 28-March 3.The celebration of Italy’s top film and TV titles is headed by longtime Italian industry promoter Tiziana Rocca, a former chief of the Taormina Film Festival.

Drive My Car,” a three-hour Japanese film; “Lunana: A Yak in the Classroom,” only the second Oscar submission (and first nom) from Bhutan; Paolo Sorrentino’s “Hand of God,” the Italian helmer’s second visit to the Academy Awards; Denmark’s “Flee,” an animated tale of an Afghan refugee; and Norway’s “The Worst Person in the World.”Three of the films even broke out of the international film race, with “Drive My Car” drawing noms for best pic, adapted screenplay and director; “Flee” also earned nominations for animation and doc, while “The Worst Person in the World” nabbed a nom in original screenplay.Joachim Trier, who directed “Worst Person in the World” says of the noms: “The Academy wants a broader spectrum of people from across the world looking at films and voting. It’s a more international community.

Elsa Keslassy International CorrespondentWhile Netflix has been praised for being the first and only global streamer so far to have signed a windowing deal with French film orgs, a comeback at the Cannes Film Festival — in or out of competition — just isn’t in the cards for 2022.A Netflix rep confirmed to Variety that the streamer isn’t planning to world premiere its films at the festival’s 75th edition, meaning movies such as Andrew Dominik’s “Blonde,” a Marilyn Monroe biopic starring Ana de Armas, will likely be skipping the French Riviera.Dominik recently told journalists at the Berlinale that he hoped his film would play on the Croisette, but it appears that discussions with Netflix have stalled due to Cannes’ rule, which dictates that every competing movie must have a theatrical release in France. Netflix, meanwhile, has certainly been open to having select festival movies open in European theaters.

Nick Vivarelli International CorrespondentIn spite of a disastrous box office situation, the Italian film industry is staying buoyant thanks to increased exports, a friendly rapport with streaming giants and support from the government of Prime Minister Mario Draghi that is pumping money into a revamp of Rome’s Cinecittà Studios.“Production never stopped and ailing movie theaters have been able to get subsidies,” says Francesco Rutelli, the former Rome mayor who heads Italy’s motion picture association, Anica. The org recently broadened its member base to include executives from Amazon Prime Video, Disney and ViacomCBS, after Netflix had joined.This move — which is unique in Europe — indicates the level of friendly dialogue between film producers and streaming platforms in Italy, best encapsulated by Paolo Sorrentino’s “The Hand of God,” Italy’s international Oscar nominee.

Nick Vivarelli International CorrespondentIn a new series, Variety catches up with the directors of the films shortlisted for the International Feature Oscar to discuss their road to the awards, what they’ve learned so far, and what’s taken them off guard.Paolo Sorrentino, who won an international Oscar for “The Great Beauty” in 2014, is back in contention with autobiographical film “The Hand of God,” which marks the director’s return to filmmaking in his native Naples 20 years after his debut, “One Man Up.”This Netflix Italian original film is the story of a goofy kid named Fabietto who starts harboring a passion for filmmaking in the tumultuous Naples of the late 1980s. As Sorrentino has put it, “it’s a tale of destiny and family, of sport and cinema, love and loss.” It’s a great honor and a great responsibility to represent my country once again. Being a candidate for the second time fills me with joy because it means that the first time wasn’t just a fluke.

The full list of nominees for the 2022 BAFTAs have finally been revealed!

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