Michael Schneider Latest Celebrity News & Gossip

Michael Schneider Variety Editor at Large In a previous column I made a strong case for moving the ceremony to November, when at least the Emmys wouldn’t feel too stale or crash into Oscars season. But since Fox is moving forward with January, the silver lining is that there’s a lot more time — five months, as a matter of fact — for producer Jesse Collins Entertainment, along with Fox and the TV Academy, to figure out how to make this major Emmy anniversary a show to remember. Much of that will come down to who hosts the telecast.

Michael Schneider Variety Editor at Large Keeping that in mind, there I was once again backstage last year in the press room when I realized that no one else was going to ask a similar question to the “Ted Lasso” cast and producers. Having won back-to-back Emmys for outstanding comedy, “Ted Lasso” was on a roll. And yet, there were already signals that “Ted Lasso” might wrap after a third and final season.

Michael Schneider Variety Editor at Large The Emmys officially have a new date: Fox and the Television Academy were set to announce this morning that the 75th Emmy Awards will shift to Monday, January 15, 2024, at 8 p.m. ET/ 5 p.m. PT.

Michael Schneider Variety Editor at Large In what may be one of the most powerful and stirring episodes of the entire run of FX’s “Reservation Dogs,” the series this week took on the horror of assimilation “Indian boarding schools” — and attempt by the government in the 19th and 20th centuries to erase Native culture from the country. It’s another dark chapter that is well known by most people with Indigenous heritage, but something that most non-Natives have either never heard about, or only have a passing knowledge of it. For “Reservation Dogs” co-creator Sterlin Harjo, there was a responsibility to tell the story right.

Michael Schneider Variety Editor at Large “The Conners” is making its way to off-net syndication, as Tom Werner’s Werner Entertainment has stuck a deal with both Lionsgate Worldwide Television Distribution Group and Debmar-Mercury to distribute the sitcom’s first five seasons (and future seasons as well). “The Conners” will be sold for a fall 2024 launch in domestic syndication.

Michael Schneider Variety Editor at Large HBO’s “Succession” was a critical darling, so it’s probably befitting that the show would end its run with two final lauds from the Television Critics Assn. The 39th Annual TCA Awards — which canceled its in-person event this year due to the WGA and SAG-AFTRA strikes — released its list of winners on Monday, with “Succession” grabbing the prizes for program of the year, as well as outstanding achievement in drama (an award it also won in 2022 and 2020). Other major winners included FX’s “The Bear,” which airs on Hulu.

Michael Schneider Variety Editor at Large Everyone seems to have a personal story about Paul Reubens, aka Pee-wee Herman. And those stories seem always to revolve around birthdays.

Michael Schneider Variety Editor at Large Granted, it doesn’t hurt that she’s part of TV’s two biggest shows — and now, the Emmy front-runners (again!) for drama and comedy. Normally I would reach out to talk with Walter about her unique place at last year and this year’s ceremonies (Which table does she sit at? Does being a double nominee make it doubly stressful?). But due to the SAG-AFTRA strike, Walter is unavailable to speak.

Michael Schneider Variety Editor at Large (Above, Karyn Kusama with Courtney Eaton and Samantha Hanratty of “Yellowjackets” at Variety’s TV Fest in June.) Somehow, Season 2 of Showtime’s hit drama “Yellowjackets” managed to keep its sense of humor, even as the series’ story got darker and, yes, it finally went full cannibal. It’s all about balancing the tone, which is something executive producer Karyn Kusama helped set last season as director of the show’s pilot.

Michael Schneider Variety Editor at Large “Miss Universe” is extending its relationship with The Roku Channel and Telemundo. The Miss Universe Organization, which has been undergoing an overhaul under new owners JKN Global Group PCL, has sealed a multi-year deal with Roku and Telemundo to continue as the U.S. streaming and broadcast homes for the pageant, in both English and Spanish, respectively.

Michael Schneider Variety Editor at Large Apparently “The Rumble” is coming to “The Masked Singer” this season. Fox is taking the wraps off of the latest edition of the hit reality competition series, teasing the landmark 10th season with a first promo tonight — as well as a look at the first round of costumes. Variety has an exclusive look, above, of the Donut and the Hawk.

Michael Schneider Variety Editor at Large Sterlin Harjo is surprised that you’re surprised “Reservation Dogs” is ending. The critically acclaimed FX series, which returns to Hulu on Wednesday with its third and final season, is a dramatic comedy about a group of Indigenous teens finding their place among family and friends as they grow up in Oklahoma. But the thing about coming-of-age tales, Harjo notes, is that eventually the characters come of age.

Michael Schneider Variety Editor at Large In the final scene of “Better Call Saul,” Kim Wexler (Rhea Seehorn) is leaving ADX Montrose prison, where she has just visited Jimmy McGil/Saul Goodman/Gene Takovic (Bob Odenkirk) for the first time since he was sentenced to 82 years behind bars. As he watches her leave from the prison grounds, he makes his signature finger guns, and she looks back with a bit of a melancholy glance.

Michael Schneider Variety Editor at Large CNN leads this year’s News & Documentary Emmy nominations, with 45 overall — including seven for “Anderson Cooper 360.” Meanwhile, “Vice News Tonight,” which was canceled this spring, landed 28 nominations — helping Vice News score a total of 30, good enough for second place among outlets. Among broadcasters, ABC and PBS were tops at 26 nominations each.

Michael Schneider Variety Editor at Large “Entertainment Tonight” is undergoing layoffs with the entertainment news show cutting less than 10% of its staff, Variety has learned. A staff-wide Zoom was held on Wednesday afternoon where employees learned of a “small restructuring of staff,” sources close to the show tell Variety.

Michael Schneider Variety Editor at Large As this year’s broadcast partner, Fox ultimately must decide when the 75th Primetime Emmys will actually air. And the feeling inside the network is that it should be January. As we’ve previously reported, the TV Academy would prefer an earlier date, like November, and I have to agree there.

Michael Schneider Variety Editor at Large Telepictures exec VP of programming and development David McGuire, one of the architects behind the success of “The Ellen DeGeneres Show,” is exiting the Warner Bros. TV Group division after more than 30 years with the company. McGuire’s exit comes following the departure of Warner Bros. Unscripted TV president Mike Darnell, and a restructuring inside the company. As part of the changes, Telepictures current programming senior VP Lauren Blincoe will now solely oversee the division and report directly to Warner Bros. TV Group chairman and CEO Channing Dungey. McGuire most recently was in charge of the launch of “The Jennifer Hudson Show.” His oversight included all aspects of creative affairs for first-run syndicated series, unscripted series and digital content developed and produced at Telepictures, as well as working with advertisers on partnerships through its integration business. Annually, Telepictures handles more than 1,000 hours of TV across multiple genres.

Michael Schneider Variety Editor at Large Here’s some news that might even cheer up Oscar the Grouch: The National Academy of Television Arts and Sciences has created two new Emmy categories for puppetry performance and puppet design/styling. Both awards will be handed out at this year’s second-ever Children’s & Family Emmys. “Historically, puppetry performers would enter in the live action performer categories,” said NATAS CEO Adam Sharp, in announcing the new competition. “So, if you were the handler of a puppet, then you would go up against a lead actor or lead actress, and that created for some odd pairings. But managing a puppet is a very different kind of performance than a regular live action performance.”

Michael Schneider Variety Editor at Large KVEA is clearly doing something right. The Telemundo-owned Los Angeles station, part of a duopoly with sister NBC outlet KNBC, swept this year’s key newscast categories at the 75th Los Angeles Area Emmy Awards. The Spanish language station dominated the evening, winning the Emmys for evening (7 p.m. to 12 a.m.), daytime (11 a.m. to 7 p.m.) and morning (4 a.m. to 11 a.m.) newscasts. KVEA had won the daytime newscast Emmy last year as well (while KTLA won evening, and KNBC won morning, in 2022). Overall, KVEA earned eight L.A. Area Emmy awards this year, tied with local public broadcaster KCET. (That was also up from KCET’s haul of six last year.) Given the tie with KVEA, that still preserves KCET’s streak of this being the seventh year in a row that KCET won the most.

Michael Schneider Variety Editor at Large Don’t cancel those Emmy campaign plans: As expected, the Television Academy has decided to keep its Phase 2 calendar intact, news confirmed on Thursday night during the org’s board meeting. That means final-round voting for the 75th Primetime Emmys will still take place between August 17 and August 28 (ending at 10 p.m. PT) as previously planned. But that also means that Phase 2 campaigning will have to continue without the presence of any of the nominated actors or writers, as the WGA and SAG-AFTRA strikes are ongoing. The strikes had led some awards pundits to wonder whether the TV Academy might push the Phase 2 window, given the inability of stars to campaign per SAG-AFTRA’s strike rules.

Michael Schneider Variety Editor at Large Melissa Grego, a former Variety reporter who brought new energy to the Hollywood Radio and Television Society as CEO and helped expand its membership base to the largest in its 76 year history, has extended her contract with the organization to 2025. The news comes as the HRTS, which provides programming, fellowship and other support for executives, aspiring industry leaders and others across the business, has announced a newly elected group of board members and advisory council members. The news was announced on Wednesday by HRTS president Odetta Watkins — whose day job is serving as head of drama series at Amazon Studios — and Grego. Grego, whose previous work as a journalist also included overseeing the TV trade Broadcasting & Cable as its editor, joined HRTS in 2017 and immediately began collaborating with its board (which also includes HRTS chairperson Dan Erlij, the senior partner and co-head of TV literary at UTA) to grow the org’s various programs and create some new ones.

Michael Schneider Variety Editor at Large Variety’s Awards Circuit Podcast hosts Michael Schneider, Clayton Davis, Emily Longeretta and Jazz Tangcay gathered on Wednesday, just hours after the Television Academy announced this year’s Emmy nominations, to dissect the news — from the big winners like “Succession,” to the shocking omissions (no Harrison Ford or Elizabeth Olsen), and then the nice surprises (wow, “Jury Duty”!). The nominations were telling on a number of fronts — including the current assessment that we may very well see a beat “Succession”/”Ted Lasso” dominance. Did the voting procedural changes help bring in a wider group of nominees? No. And will voters pick straight tickets of “Succession” and “Ted Lasso” nominees? Quite possible. Who will win the “SNL”/”Last Week Tonight with John Oliver” smackdown? What are our favorite faceoffs this year? (How can one pick between birthday celebrations for Norman Lear and Carol Burnett, for example?)

Michael Schneider Variety Editor at Large Remember AMC’s “The Walking Dead”? You know, the biggest series on TV at one time. Most-watched basic cable show in history, and I can guarantee that will never be topped. But yet, an Emmy dud. The series (which will live on via a frenzy of spin-offs) ended its run last November after 11 seasons… and it’s still ignored by TV Academy voters, failing to pick up a single nomination on Wednesday. And yet… this may have been the most successful year at the Emmys ever for “The Walking Dead.” That’s because two of the franchise’s most beloved actors, Steven Yeun and Jon Bernthal, picked up their first-ever Emmy nominations. Granted, it’s not for “The Walking Dead” — Yeun is nominated in lead limited/anthology actor for “Beef” and Bernthal is a comedy guest actor nominee for “The Bear” (which is about… Chicago’s “Beef” restaurant) — but at least it’s a belated victory for two actors that made a name for themselves by fighting zombies.

Michael Schneider Variety Editor at Large The dark prince of the unscripted world is plotting his next chapter: Mike Darnell is exiting Warner Bros. Television Group after a decade with the studio, a move he decided to make after a restructuring would have altered his role at the company. Darnell, who had served as president of unscripted television for Warner Bros., and Warner Bros. Television Group chairman/CEO Channing Dungey were set to announce the change on Thursday. As part of the new structure, Darnell won’t be replaced; instead, the alternative and unscripted divisions that reported to Darnell will now report directly to Dungey. Darnell had a year left in his current contract with the studio.

Michael Schneider Variety Editor at Large As expected, it was a good day for Casey Bloys. The chairman and CEO of HBO and Max content was celebrating his outlet(s)’ 127 Emmy nominations — not a record for the company, but nonetheless marking a dominant year. Whereas the HBO vs. Netflix horse race has been a headline in past Emmy years, it wasn’t much of a contest this year, as Bloys’ team outplayed the competition by 24 nods (with Netflix picking up a still-impressive 103). According to HBO, it was the 21st time that HBO had led the Emmy nomination tally. That haul included 27 nominations for outgoing drama “Succession,” which landed three nominations in the lead drama actor category (a first). And in picking up four drama nominations (which also included “The Last of Us,” “The White Lotus” and “House of the Dragon”), HBO pulled off something that had only been done twice before, by CBS in 1973 and NBC in 1992.

Michael Schneider Variety Editor at Large Filmmaker Clay Tweel (“Gleason,” “Finder’s Keepers”) has signed on to direct a new documentary based on the life of comedian Andy Kaufman. Produced by Ross Dinerstein’s Campfire Studios, Dwayne Johnson and Dany Garcia’s Seven Bucks Productions, David Letterman’s Worldwide Pants Incorporated and Fifth Season, the film reps the first doc authorized by the Kaufman estate. Fifth Season (“Being Mary Tyler Moore”) is fully financing the project, which will be overseen by Mary Lisio, executive vice president of non-scripted and documentary, and produced in partnership with the Andy Kaufman estate. “I’ve always loved Andy because he was able to elicit such emotional reactions to his performances by using both the poignant and the absurd to keep his audience off balance. I hope we can honor his legacy in that way with our film,” Tweel said. 

Michael Schneider Variety Editor at Large November or January? The Television Academy and Fox have been locked in a debate over when to air this year’s 75th annual Emmy Awards in the likely event that they’ll have to postpone the ceremony. The Academy would like to shift the show to November (something it also did in 2001), while Fox appears set on a January airdate. When the Television Academy announces this year’s Emmy Awards nominations on Wednesday, they’ll downplay — but still reference — show’s September 18 airdate. Nonetheless, almost everyone involved inside both the network and org know that it’s extremely unlikely that date will hold much longer.

Michael Schneider Variety Editor at Large Emmy-winning writer/producer/director Manny Coto, whose credits include “24” and its sequels “24: Live Another Day” and “24: Legacy,” as well as “American Horror Story,” “Star Trek: Enterprise” and “Dexter,” died Sunday in Pasadena. He was 62. News of Coto’s death was confirmed by a family representative. Coto died after a 13-month battle with pancreatic cancer, and passed away at his home, surrounded by family. Born in Havana, Cuba, Manuel Hector Coto was one of primetime’s most prominent Latino writers and showrunners. He shared the outstanding drama series Emmy in 2005 for Season 5 of “24,” and co-created “24: Legacy.” Coto also spend four seasons as exec producer of “American Horror Story,” and also exec produced two seasons of “American Horror Stories,” directing the 2021 episode “Feral.”

Michael Schneider Variety Editor at Large “A Transparent Musical” is heading to New York and Broadway. The show, the first stage play from Amazon Studios, premiered in Los Angeles at the Mark Taper Forum in May — becoming the last show at the Taper for now, as Center Theater Group has canceled all shows at the stage following the close of “A Transparent Musical” on June 25. But whereas the Mark Taper is on hold, “A Transparent Musical” has big things in store. According to Amazon, the show’s producers “intend to bring the show to Broadway sometime in 2024.” The musical, or course, is based on Amazon Prime Video’s Emmy-winning series “Transparent,” created by Joey Soloway, who also wrote the book to the stage musical with MJ Kaufman. Faith Soloway wrote the music and lyrics to “A Transparent Musical.”

Michael Schneider Variety Editor at Large CBS’ “Tough As Nails” was a late addition to the Eye network’s summer schedule, as broadcasters continue to adjust their primetime schedules in light of the WGA writers strike. This time out, the competitive series — hosted and executive produced by Phil Keoghan (“The Amazing Race”) takes place north of the border for the first time. Variety has a first look at Season 5 of “Tough as Nails,” which premieres with a two-hour opener on Sunday, July 2 at 8 p.m. ET. The series will then continue to air twice a week, at 8 p.m. ET on Fridays and Sundays, on CBS and Paramount+. “To be completely honest, we didn’t see the launch of ‘Tough as Nails’ 5 happening so quickly but even with a short notice we are doing everything we can to make the most of this awesome opportunity,” Keoghan told Variety. “‘Tough As Nails’ appeals to people of all ages and a lot of our audience are early to bed early to rise so the early time slot is a chance to grab people like we did when we launched in the summer of 2020 as CBS’s highest rated new reality format in the last five years. We know there’s an audience in the summer who love our show and we are extremely excited to know we have something really special to share with them this season.”

Michael Schneider Variety Editor at Large MANILA — Anyone who lived in Hawai’i in the early 1990s remember the story of the pint-sized Elvis impersonator in a Waikiki revue named Bruno Hernandez. He wasn’t even in grade school yet when he appeared on the cover of the local Midweek newspaper (which we all still remember), dressed fully as the King, and it soon landed him a role as an Elvis impersonator in the film “Honeymoon in Vegas.” In Hawaii, local fame is a big deal. And before he even hit 10, Bruno was a bit of local celebrity. The cute kid already had the kind of style, performing chops and showmanship that some spend a lifetime trying to attain. Definitely not the kind of thing that even crossed my mind when I was in elementary school, living in the Philippines. Coincidentally, that’s where I was on Sunday night, watching Bruno Mars perform so effortlessly on stage at the Philippine Arena (in Santa Maria, Bulacan, about 30 km north of Manila, and about 75 km away where I once lived).

Michael Schneider Variety Editor at Large If this year’s Emmy ballots are any indication, the era of Peak TV may truly be over — which FX boss John Landgraf has of course been predicting for some time. There are 163 dramas, 95 comedies and 51 limited/anthology series that have been submitted — down from 171 dramas, 118 comedies and 61 limited/anthology series last year. That’s still a lot of TV, but with fewer contenders comes the possibility of more dark horses getting noticed.

William Earl Variety won 13 first-place awards Sunday night at the Los Angeles Press Club’s 65th annual SoCal Journalism Awards, more than twice as many as any other entertainment publication. The lucky 13 awards represented a historic high for Variety at the SoCal Journalism Awards, topping the previous best of 12 first-place prizes the magazine earned in 2018. Variety came into Sunday’s ceremony with a record 96 nominations, representing work published online and in print during the 2022 calendar year. The awards were handed out during a gala dinner attended by hundreds in the historic Crystal Ballroom at the Millennium Biltmore Hotel in downtown Los Angeles.

Michael Schneider Variety Editor at Large Up until now, game shows that aired before 8 p.m. competed in a dedicated category at the Daytime Emmys (where “Jeopardy” has won six times over the past decade). Meanwhile, the Primetime Emmys lumped game shows that ran after 8 p.m. in with competition reality series like “Survivor” and “Top Chef.”

Michael Schneider Variety Editor at Large The decision to realign “variety talk” and “variety sketch” this year into “talk” and “scripted variety” didn’t do much to change that. If anything, it further narrowed the field, as perennial variety talk winner “Last Week Tonight with John Oliver” has now been kicked over to scripted variety. As a result, my colleague Clayton Davis counts only 14 series eligible for the outstanding talk nomination. And it’s not much better in scripted variety, where just 10 shows appear to be eligible.

Michael Schneider Variety Editor at Large “Law & Order” fans, you have Rob Lowe to thank for the entire franchise. As does Dick Wolf’s bank account. At least, Lowe says with his tongue a bit in cheek (but also with some accuracy). As the star of Fox’s “9-1-1: Lone Star” and Netflix’s “Unstable” recently told Variety’s Awards Circuit Podcast, Lowe starred in Wolf’s 1988 feature flop “Masquerade.” It was just the kind of movie disappointment that would have sent Wolf back to TV — and two years later, “Law & Order” premiered. “I remember him saying to me how frustrated he was in the movie business, that he was going to write a pilot,” Lowe said. “And he wrote ‘Law and Order.’ And the rest is history. You’re welcome. Yeah, I’m happy to provide the bomb that powers your rise to dominance.”