Lynne Ramsay Latest Celebrity News & Gossip

Despite being one of the most acclaimed filmmakers working today, no one has ever accused Lynne Ramsay of rushing to complete a project. Almost as if it’s some sort of unwritten rule that’s a by-product of the deal she made with a higher power to give her the ability to tell amazing stories in films, Ramsay has always taken her time between films.

Alissa Simon Film Critic Scottish auteur Lynne Ramsay and former Icelandic Film Center (IFC) chief Laufey Guðjónsdóttir received honors from the 10th anniversary edition of Reykjavik’s Stockfish Film & Industry Festival (April 4 – 14, 2024). The awards, presented during a reception on April 11th, celebrate outstanding contributions to the film industry both internationally and domestically.

The Cinema for Gaza auction has added a Joker poster signed by Joaquin Phoenix and a Crown script signed by Emma Corrin, as it passes more than $200,000 donations.

Alex Ritman With just a day to go until it closes, the Cinema for Gaza auction has received several new celebrity donations from the entertainment world, with its fundraising efforts now surpassing $200,000. Among the new lots are a “Joker” poster signed by Joaquin Phoenix.

Actor Samantha Morton is set for special recognition at the Baftas on Sunday (February 18) as the Academy has awarded her a Fellowship. Samantha, who is widely regarded as one of the standout actors of her generation, said “As a proud BAFTA member I am honoured, profoundly humbled and grateful to BAFTA for giving me this award".

Rafa Sales Ross Guest Contributor Norwegian director Thea Hvistendahl’s zombie movie “Handling the Undead,” premiering at Sundance and to be released in the U.S. by Neon, sees the reunion of Renate Reinsve and Anders Danielsen Lie, the stars of Oscar-nominated “The Worst Person in the World,” in a poetic, visually-charged chronicling of a hot summer’s day in Oslo when the dead mysteriously come back to life.

The recent passing of Terence Davies and the tributes that followed — tales of a steel will, impassioned budgetary battles and a host of dream projects that never materialized — give this highly personal tribute to Scottish filmmaker Bill Douglas an extra and very poignant relevance as a similar story, now depressingly familiar to the British film industry, of an uncompromising talent who left us with a tantalizing promise of what might have been. Now largely unknown to the wider world, but very dear to the heart of Scotland (despite the fact that he left his homeland at the earliest opportunity), Douglas is the closest thing to a Rosetta Stone in recent British independent and social-realist cinema. From his early home movies through to his last three-hour masterwork Comrades (1986), the director left an indelible imprint that still seems shockingly modern today, leaving traces in everything from Derek Jarman’s early Super-8 works to Lynne Ramsay’s Ratcatcher and beyond.

You’ll recall in 2013, one of the most anticipated movies of what would have been the next year suddenly fell apart, much to the chagrin of cinephiles everywhere. The movie was the Western “Jane Got A Gun” that was supposed to be directed by the great Lynne Ramsay (“You Were Never Really Here,” “Morvern Callar”), and it was supposed to star Natalie Portman, Michael Fassbender, Joel Edgerton, and Jude Law.

Just recently, we shared the news that Lynne Ramsay, who hasn’t released feature film since 2017’s “You Were Never Really Here,” has wrapped up production on a new film, “Polaris,” with star Joaquin Phoenix. That’s enough to get excited, as we rarely get new Ramsay films.

Christopher Vourlias Receiving a lifetime achievement award this week at the Sarajevo Film Festival, Scottish director Lynne Ramsay teased a slew of projects currently in the pipeline, heralding her much-anticipated return to the director’s chair since wowing Cannes in 2017 with the Joaquin Phoenix-starring thriller “You Were Never Really Here.” Among them are a second collaboration with Phoenix, who earned best actor honors on the Croisette for that performance, as well as “Stone Mattress,” a revenge thriller set aboard a luxury Arctic cruise that stars Julianne Moore and Sandra Oh. There’s also “Die, My Love,” starring Jennifer Lawrence, which is based on the novel by Argentinian writer Ariana Harwicz about a woman living in isolation in rural France who loses her mind amid marriage and motherhood.

Toby Jones & David Morrissey Board ITV Yorkshire Ripper Drama

“Why’s the world so tough? It’s like walking through meat in high heels.” This line comes from Alan Clarke’s 1987 TV movie Road, an adaptation of Jim Cartwright’s stage play, and it goes some way towards explaining the visceral and sensory experience that is Molly Manning Walker’s quite exceptional debut How to Have Sex.

Leo Barraclough International Features Editor U.S. actor John C. Reilly will serve as president of the jury of the Un Certain Regard section at Cannes Film Festival. “Salem,” directed by Jean-Bernard Marlin, has been added to the lineup. The other members of the jury will be French director and screenwriter Alice Winocour, German actor Paula Beer, French-Cambodian director and producer Davy Chou, and Belgian actor Émilie Dequenne. The Un Certain Regard section showcases art and discovery films by young auteurs. In a statement, Reilly said: “I have had so many life changing moments at the Festival de Cannes (from my miraculous first trip with Paul Thomas Anderson to celebrating my 50th birthday from the Palais stage!) so to be chosen as the president of Un Certain Regard jury is truly such an incredible honor.”

Although he is rightly judged as being in the vanguard of British independent cinema, Mark Jenkin nonetheless seems out of place in such company. Unlike his contemporaries—Peter Strickland, Lynne Ramsay, Andrea Arnold, Clio Barnard, and Jonathan Glazer, among others—he is a strict formalist, creating expressions through the rhythms and combinations of images and sounds rather than through conventional narratives or theatrical gestures.

UK director Lynne Ramsay enjoyed international recognition early on in her career after short films Small Deaths and Gasman were invited to the Cannes and won the Jury Prize in its short film competition in 1996 and 1998 respectively.

Scottish filmmaker Lynne Ramsay hasn’t delivered us a feature film since 2017’s fantastic thriller “You Were Never Really Here,” starring Oscar-winner Joaquin Phoenix as a moody/violent veteran tasked to track down a lost girl. So, we’re quite curious to learn what is going on with the various films Ramsay has been developing over the last couple of years, and thankfully she is giving us some fresh updates on where everything stands.

UK director Lynne Ramsay has given updates on a raft of projects she has on the boil, including a fresh collaboration with Joaquin Phoenix, on the fringes of the Doha Film Institute’s Qumra talent incubator this weekend.

Three months ago, Doha’s new Downtown Msheireb district was the throbbing heart of the FIFA World Cup in Qatar as one of its main fan zones.

Playwright and screenwriter Christopher Hampton, producer David Parfitt, Dune costume designer Jacqueline West and directors Lynne Ramsay and Michael Winterbottom are to set attend the Qatari Doha Film Institute’s ninth talent incubator event Qumra in March.

Nick Vivarelli International Correspondent The Doha Film Institute has recruited an impressive mix of film directors and talents comprising Christopher Hampton, David Parfitt, Jacqueline West, Lynne Ramsay, and Michael Winterbottom who will hold master classes and act as mentors during its upcoming Qumra Arab industry incubator. The event, which is back in person after a two-year hiatus, will run physically March 10-15 in the Qatari capital of Doha, followed by an online program March 19-21. Qumra, which means “camera” in Arabic, blends together a creative workshop, co-production market, and festival elements. The event, now at its ninth edition, was established by the Doha Film Institute (DFI) to help foster first and second works, mostly by Arab directors and to create curated networking opportunities between the Arab and international film communities.

Sundance has announced its 2023 lineup of episodic projects and 64 shorts, the latter culled from the fest’s highest number of submissions at 10,981.

Jennifer Lawrence is back. After stepping away for a while and seemingly taking a breath as her career went supernova, the actress has now returned with a renewed sense of purpose and intention.

After years of being one of the most in-demand actresses on the planet, Academy Award winner Jennifer Lawrence got married, had a child, and took a long break from acting that lasted nearly two years. While she already appeared in Adam McKay’s “Don’t Look Back,” last year, that was a supporting role that she didn’t do a full-court press for.

Cannes Directors’ Fortnight has unveiled the new team of programmers and consultants who will work with incoming delegate general Julien Rejl on his inaugural selection for May 2023.

EXCLUSIVE: Lynne Ramsay has inked with WME for representation.

Naman Ramachandran A wealth of film and TV titles are available at launch on streamer Studiocanal Presents, which is now available as an Amazon Prime Video channel in the U.K.Some 300 films and series from Studiocanal’s catalogue are available at launch, including Francis Ford Coppola’s “Apocalypse Now: Final Cut” in 4K; Brian Helgeland’s “Legend”; Joel and Ethan Coen’s “Inside Llewyn Davis”; a digitally restored version of Carol Reed’s “The Third Man”; Lynne Ramsay’s “You Were Never Really Here,” zombie horror “Train to Busan” and Céline Sciamma’s “Girlhood.”Also available are Nicolas Roeg’s “The Man Who Fell To Earth” and Sidney Lumet’s “Murder on the Orient Express,” award-winners “Manchester by the Sea” and “Room,” seminal titles like Luis Buñuel’s “Belle de Jour” and Jean-Luc Godard’s “Breathless” and modern British classics “Submarine” and “Four Lions.” Other recent additions include Sharon Stone classic “Basic Instinct” and John Carpenter’s “Escape From New York.” Studiocanal Presents also offers TV series showcasing the best of Studiocanal and Canal+’s own TV productions, including “Hannibal,” “Spiral” and “All the Way Up,” which broke streaming records upon its launch on Canal+ in France.A variety of new titles will launch on the channel every month, many of which can’t be streamed anywhere else in the U.K. New titles arriving include “Possessions,” “Animal Kingdom” and “The Guard.” After a seven-day free trial the service costs £4.99 ($6) a month.

Elsa Keslassy International CorrespondentStudiocanal has signed a film output deal with Scanbox Entertainment, one of the Nordics’ leading all-rights distribution banner. The pact will see Studiocanal’s current slate of films released in the Nordics, including Cédric Klapisch’s “Rise” (pictured), Claude Zidi Jr.’s comedy “Tenor,” Eric Lartigau’s coming-of-age story “This One Summer” based on the New York Times bestseller graphic novel of the same name, and Isaki Lacuesta’s “One Year, One Night” which was produced by Studiocanal’s Bambú Producciones and world premiered at Berlin.

Lionsgate Chairman Kevin Beggs has said the studio is “working on a variety of projects” with 42, ramping up international productions and has put recent successes down to there being “a little more room at the broadcasters.” Beggs also defended Netflix following a period of lower-than-expected growth for the streamer but said it may need to be “more judicious and disciplined” going forwards.

EXCLUSIVE: In an eye-catching acquisition, 42 has bought respected UK talent and literary agency Dalzell and Beresford, we can reveal.

Asked this morning at the Cannes presser about how the fest sidelines female filmmakers, Stars at Noon director took the high road, and didn’t throw the event, which lauded her with the Directors’ Fortnight prize for 2017’s Let the Sunshine In, under the bus.

had some bleak words about the state of the movies in the first part of a Cannes symposium about the future of cinema. But in part two of that conversation, the “Nightmare Alley” filmmaker had a much more optimistic message and explained why today’s directors can’t be afraid of how the movies are changing.Speaking on a panel with other directors including Rebecca Zlotowski, Abderrahmane Sissako, Abel Ferrara, Lynne Ramsay, Laurent Cantet, Pawel Pawlikowski, Joachim Lafosse and even a surprise appearance from Nicolas Winding Refn, del Toro explained that as filmmakers, we “can’t be shy about the platforms,” referring to the algorithms and new methods that are dictating the way the movies are being made today.

Patrick Frater Asia Bureau ChiefGuillermo del Toro and Thierry Fremaux on Wednesday resumed their colloquium on the future of cinema with leading filmmakers. The discussion shifted from anxiety about technology and streaming to the need for diversity and creativity.After the complete absence of women on Tuesday, the Wednesday session rectified that with the inclusion of France’s Rebecca Zlotowski and the U.K.’s Lynne Ramsay.Zlotowski quickly got into impact of the economics on film making. “You need a lot of money to represent your ideas [through cinema].

In part deux today of the Cannes Film Festival symposium on cinema, three female filmmakers were represented in You Were Never Really Here‘s Lynne Ramsay and Grand Central‘s Rebecca Zlotowski and French actress/director/scribe Agnes Jaoui, unlike yesterday when it was all men. The festival on social media took a licking for being tone deaf in the wake of yesterday’s panel.

A new film by Scottish director Lynne Ramsay is always a cause for celebration. And now, her first movie since 2017’s “You Were Never Really Here” hits the market at Cannes, with Julianne Moore and Sandra Oh set to star.

A new film by Scottish director Lynne Ramsay is always a cause for celebration. And now, her first movie since 2017’s “You Were Never Really Here” hits the market at Cannes, with Julianne Moore and Sandra Oh set to star.

EXCLUSIVE: Oscar winner Julianne Moore (Still Alice) and Killing Eve star Sandra Oh are set to star in hot Cannes market package Stone Mattress, which Lynne Ramsay (You Were Never Really Here) will direct from the acclaimed New Yorker short story by The Handmaid’s Tale scribe Margaret Atwood.