Cannes Future of Cinema Panel: Lynne Ramsay, Agnes Jaoui, Abderrahmane Sissako Emphasize Diversity, Economic Injustice

the 12-minute standing ovation the Broker cast received at the 2022 Cannes Film Festival.The actress recently appeared on an episode of SBS Power FM’s Cine Town segment, where she spoke about what it was like to be part of the Broker cast at the annual film festival. “It felt so unreal,” Lee, who plays Detective Lee in the film, said of the experience, per SBS News.“I had a feeling that Song Kang-ho [who plays the character Sang-hyeon in Broker] would be named ‘Best Actor’ for his performance, so I kind of looked forward to that,” she added.

Asked this morning at the Cannes presser about how the fest sidelines female filmmakers, Stars at Noon director took the high road, and didn’t throw the event, which lauded her with the Directors’ Fortnight prize for 2017’s Let the Sunshine In, under the bus.

had some bleak words about the state of the movies in the first part of a Cannes symposium about the future of cinema. But in part two of that conversation, the “Nightmare Alley” filmmaker had a much more optimistic message and explained why today’s directors can’t be afraid of how the movies are changing.Speaking on a panel with other directors including Rebecca Zlotowski, Abderrahmane Sissako, Abel Ferrara, Lynne Ramsay, Laurent Cantet, Pawel Pawlikowski, Joachim Lafosse and even a surprise appearance from Nicolas Winding Refn, del Toro explained that as filmmakers, we “can’t be shy about the platforms,” referring to the algorithms and new methods that are dictating the way the movies are being made today.

In part deux today of the Cannes Film Festival symposium on cinema, three female filmmakers were represented in You Were Never Really Here‘s Lynne Ramsay and Grand Central‘s Rebecca Zlotowski and French actress/director/scribe Agnes Jaoui, unlike yesterday when it was all men. The festival on social media took a licking for being tone deaf in the wake of yesterday’s panel.

Manori Ravindran International EditorThe Cannes Film Festival invited eight male directors for an hours-long symposium on the future of cinema on Tuesday — a session that raised uneasy questions for those working with streaming services, and paid no attention to the lack of female filmmakers on the panel.Moderated by Cannes festival director Thierry Fremaux and Canal+ correspondent and festival associate Didier Allouch, guests included Guillermo del Toro, Claude Lelouch, Costa Gavras, Gaspard Noé, Paolo Sorrentino, Nadav Lapid, Mathieu Kassovitz and Robin Campillo. The directors were interviewed individually, with Del Toro present on stage throughout.The session — which ran for two and a half hours, with speakers remaining a mystery until the event was underway — is one of two forums about cinema organized by the festival.

Patrick Frater Asia Bureau ChiefTang Wei, the Chinese star of Korean film “Decision to Leave,” says she told director Park Chan-wook that he’d made her life complete after seeing the finished version of the film at its Cannes Film Festival gala premiere.The film played in competition this week in Cannes. She revealed her confession on Tuesday at a press event, accompanied by Park, cast member Park Hae-il and scriptwriter Chung Soo-kyung.Switching between Chinese and English, Tang Wei said: “This in not the first time I’ve worked with a Korean director.

Viola Davis brought guests at Kering’s annual Women in Motion dinner in Cannes to their feet on Sunday with a rousing speech acknowledging her roots and personal journey to Hollywood.“As much as I love Alexander McQueen — and I love Alexander McQueen — and the fabulous makeup,” said Davis, “I am always, always so moved when people tell me my work or my life meant something to them. But just know who I am at the end of the day is: I don’t want to leave something for people — I want to leave something in people.”Davis was speaking on stage at Kering’s annual dinner at the Cannes Film Festival, where she was the night’s honoree.

Christopher Vourlias Russia may have been cut off from much of the international film community, but here at Cannes, members of the country’s media business are quietly trying to line up deals.Nearly three months into the war in Ukraine, the leadership of the film festival has spent its opening week fielding questions about its stance on Russia. Festival chief Thierry Frémaux, for instance, was grilled over the inclusion of competition title “Tchaikovsky’s Wife,” a movie with financial ties to Russian oligarch Roman Abramovich.

The 2022 Cannes Film Festival opened amid concerns around journalistic independence. Now there are concerns regarding jury independence.

Patrick Frater Asia Bureau ChiefThe question arising at every Cannes Film Festival lineup announcement about why the festival has not selected films from a particular country tends to irk chief selector Thierry Frémaux. But this year, with films from China notable by their absence, Frémaux may be asking himself if he messed up, or whether bigger forces are at play?Last year, Cannes was at pains to conceal its selection of Hong Kong pro-democracy film “Revolution of Our Times” until as late as possible, in order not to alert mainland Chinese authorities or disrupt the other Chinese indies showing in the festival.China experts differ as to how much Cannes’ defiance last year was a factor in this year’s de facto boycott.

A new film by Scottish director Lynne Ramsay is always a cause for celebration. And now, her first movie since 2017’s “You Were Never Really Here” hits the market at Cannes, with Julianne Moore and Sandra Oh set to star.

The International Film Festival Rotterdam has appointed its new team line up and structure as the festival revamps.

Tom Cruise mania descended Wednesday in Cannes where the actor made a whirlwind appearance at the film festival, walking the red carpet, receiving a surprise Palme d’Or and watching a squadron of French fighter jets fly over the European premiere of “Top Gun: Maverick.”

cast landed on the red carpet in style at the 75th Annual Cannes Film Festival on Wednesday. The spectacle began with the celebrated arrival of superstar Tom Cruise, who greeted cheering fans at the Palais before walking down the red carpet with co-star Jennifer Connelly. Cruise and Connelly were also joined by fellow co-stars Jon Hamm, Miles Teller, Glen Powell and Jay Ellis. The cast's arrival was made even more memorable when an eight-jet flyover released smoke in the colors of the French flag over the event.

CANNES, France -- Tom Cruise mania descended Wednesday in Cannes where the actor made a whirlwind appearance at the French film festival to screen “Top Gun: Maverick," exalt the big screen and sit for a rare interview.Cruise brought a palpable buzz to the Croisette, where throngs gathered around the Palais des Festivals to get a glimpse of the 59-year-old star. Cruise hadn't been to the festival in three decades.

A new film by Scottish director Lynne Ramsay is always a cause for celebration. And now, her first movie since 2017’s “You Were Never Really Here” hits the market at Cannes, with Julianne Moore and Sandra Oh set to star.

seven — soon to be eight — revealed to E! News’ Daily Pop he got a consultation to go under the knife for a vasectomy recently.“I don’t know if I would’ve designed it this way, but it’s one of those things when you’re blessed with the gifts of children — and as we all know, I’ve been through so much, I find solace, I find peace in my children and I find purpose,” the “Wild “N Out” host explained. “So, I’m not out here looking.”He continued, “I already went and got my vasectomy consultation. I ain’t looking to populate the Earth completely, but I’m definitely looking forward to taking care and loving all the children that I currently have.”Cannon is currently expecting his eighth baby with girlfriend Brie Tiesi.

EXCLUSIVE: Oscar winner Julianne Moore (Still Alice) and Killing Eve star Sandra Oh are set to star in hot Cannes market package Stone Mattress, which Lynne Ramsay (You Were Never Really Here) will direct from the acclaimed New Yorker short story by The Handmaid’s Tale scribe Margaret Atwood.

Ramin Setoodeh Executive EditorA visit from the dead? How chic.The Cannes Film Festival sprung back into action on Tuesday night, as this year’s opening night movie, “Final Cut (Coupez!)” received a 5-minute standing ovation. The gory zombie line, which straddled a tone somewhere between “The Blair Witch Project” and “Call My Agent,” kicked off a festival where few patrons were wearing masks in these COVID times.To commemorate the 75th edition of Cannes, festival director Thierry Fremaux selected a French movie — not to mention a French jury president, “Titane” actor Vincent Lindon — to keep things local at the start of the celebration of movies in the French Riviera.

Z began to be used as a symbol of support for the Russian invasion of Ukraine. The film is now called “Coupez!” in France.A remake of the 2017 Japanese horror-comedy “One Cut of the Dead,” “Final Cut” is silly and excessive and completely over-the-top, but it also brings out the lightness and deftness of Hazanavicus’ touch with comedy; the director somehow manages to fling body parts and bodily excretions at the audience for almost two hours, and yet you leave feeling as if you’ve seen a feel-good movie.Like the original Japanese film, “Final Cut” takes place in three parts.