Lukas Dhont Latest Celebrity News & Gossip

Refresh for latest…: The 75th Cannes Film Festival draws to a close tonight as the main awards, including the Palme d’Or, are soon to be handed out in the Palais. Scroll down for the list of winners which is being updated as prizes are announced.

After taking home the Un Certain Regard Fipresci prize in 2018 for the trans-female ballet dancer feature Girl, filmmaker Lukas Dhont returned to home to find himself staring at the blank page for his next project.

Leo (Eden Dambrine) and Remi (Gustav De Waele) are more than just friends and not at all lovers. At only 13 years of age, they’re too young for that – and what’s more, their bond transcends simple labels. First seen running through the lush meadows of rural Belgium, the duo share a complicity that is as natural and abundant as the late summer harvest.

Peter Debruge Chief Film CriticSPOILER ALERT: The penultimate paragraph of this review contains spoilers.Few of us are fortunate enough to have a friendship as intimate and effortless as the one shared by 13-year-old Belgian boys Leo (Eden Dambrine) and Remi (Gustav De Waele) in “Close.” That connection, and the responsibility that comes with it, is at the heart of Lukas Dhont’s sophomore feature, so subtle and sensitive in the first half, so devastatingly false from its tragic twist on. This beautifully evocative film, which hails from an openly queer director, offers as pure a portrait of innocent, innocuous same-sex affection as we’ve ever encountered on film.

CANNES – Lukas Dhont’s second feature, “Close,” starts off where most love stories end, and, in that respect, it begins with almost euphoric joy. Leo (Eden Dambrine) and Remi (Gustav De Waele) are the best of friends.

Belgium’s Lukas Dhont takes a deserved step up to the Cannes Film Festival competition with Close, only his second film — a minimalist melodrama that shows a definite growth in visual style but may be confronting to some with its deliberately unhurried, Eric Rohmer-esque aesthetic. The international success of Dhont’s well-intentioned debut Girl, about a young trans-female ballet dancer, was somewhat blunted in the U.S., where G.L.A.A.D. amplified complaints of misrepresentation on behalf of the trans lobby. Close is a much safer proposition, but may yet sail into choppy waters with its themes of youth suicide.

A24 has picked up North American rights to Lukas Dhont’s Close.

A24 has made another acquisition out of Cannes, acquiring the North American rights to “Close,” the next film from Lukas Dhont, which is set to debut tonight in the main competition at Cannes. Dhont is the director of 2018’s “Girl,” which won the Camera d’Or at Cannes, and the film stars Eden Dambrine and Gustav De Waele, and Émilie Dequenne, Léa Drucker, Kevin Janssens, Marc Weiss, Igor Van Dessel, and Léon Bataille.“Close” is described as a film about friendship and responsibility and follows two 13-year-old boys, Léo and Rémi, whose friendship suddenly gets disrupted.

Manori Ravindran International EditorGlobal streamer and distributor MUBI has struck again, this time snapping up select markets for Lukas Dhont’s keenly anticipated “Close.”MUBI has acquired the U.K., Ireland, Latin America, Turkey and India.The film stars Lea Drucker, Émilie Dequenne, Kevin Janssens and newcomers Eden Dambrine and Gustav De Waele. “Close” will receive its world premiere on Thursday at the festival, where it’s playing in competition.The film will be released theatrically followed by an exclusive MUBI streaming release.“Girl,” Dhont’s debut feature film, won the Camera d’Or at Cannes in 2018.

EXCLUSIVE: Mubi has acquired Lukas Dhont’s Cannes Competion entry Close for the UK, Ireland, Latin America, Turkey and India.

Gregg Goldstein Belgian director Lukas Dhont is in rare company. His 2018 Un Certain Regard debut, “Girl,” won the Caméra d’Or and three more Cannes prizes, besting the number of first-time feature wins from the likes of Steven Soderbergh and Steve McQueen. And while his rise has come with some controversy, he earned a place in competition with the May 26 Lumière gala premiere of his sophomore effort, “Close.” The story of two 13-year-old boys whose powerful friendship ends when their relationship comes under scrutiny “started from a very personal place,” says the out director, who penned the script with “Girl” co-writer Angelo Tijssens.

Lukas Dhont’s Cannes debut was also his debut feature, Girl, which ran in Un Certain Regard in 2018. A stunning start for the young Belgian, the movie brought him the Caméra d’Or and myriad other prizes down the line. Now, four years later, Dhont is returning to Cannes with his follow-up, Close, which has landed him in the main competition.

EXCLUSIVE: On the eve of the Cannes Film Festival, Competition title Close has sold to Lucky Red for Italy, Vertigo Films for Spain and Lev Cinemas for Israel.

Katherine Tulich The Sydney Film Festival has completed the selection for its first full in-person edition in three years with a strong Australian lineup and a smattering of Cannes titles. The 2022 edition runs June 8 – 19, 2022.After COVID disruptions saw the 2021 edition delayed from June until November, it has been a quick six-month turnaround to return the 2022 festival to its regular winter slot.

Main Competition“Holy Spider,” Ali Abbasi“The Almond Tree,” Valeria Bruni Tedeschi“Crimes of the Future,” David Cronenberg“Tori and Lokita,” Jean-Pierre Dardenne and Luc Dardenne“Stars at Noon,” Claire Denis“Brother and Sister,” Arnaud Desplechin“Close,” Lukas Dhont“Armageddon Time,” James Gray“Broker,” Hirokazu Kore-eda“Nostalgia,” Mario Martone“RMN,” Cristian Mungiu“Triangle of Sadness,” Ruben Ostlund“Decision to Leave,” Park Chan-wook“Showing Up,” Kelly Reichardt“Leila’s Brothers,” Saeed Roustaee“Boy From Heaven,” Tarik Saleh“Tchaikovsky’s Wife,” Kirill Serebrennikov“Hi-Han,” Jerzy SkolimowskiUn Certain Regard“Les Pires,” Lise Akoka and Romane Gueret“Burning Days,” Emin Alper“Metronom,” Alexandru Belc“All the People I’ll Never Be,” Davy Chou“Sick of Myself,” Kristoffer Borgli“Domingo and the Midst,” Ariel Escalante Meza“Plan 75,” Hayakawa Chie“Beast,” Riley Keough and Gina Gammell“Corsage,” Marie Kreutzer“Butterfly Vision,” Maksim Nakonechnyi“Godland,” Hlynur Palmason“Rodeo,” Lola Quivoron“Joyland,” Saim Sadiq“The Stranger,” Thomas M. Wright“The Silent Twins,” Agnieszka SmocynskaOut of Competition “Elvis,” Baz Luhrmann“Top Gun: Maverick,” Joseph Kosinski“Three Thousand Years of Longing,” George Miller“Masquerade,” Nicholas Bedos“November,” Cedric Jiminez“Z,” Michel Hazanavicius (opening film) Special Screenings“All That Breathes,” Shaunak Sen“The Natural History of Destruction,” Sergei Loznitsa“Jerry Lee Lewis: Trouble in Mind,” Ethan CoenMidnight Screenings“Hunt,” Lee Jung-jae“Moonage Daydream,” Brett Morgen“Fumer Fait Tousser,” Quentin DupieuxCannes Premiere“Non Frangins,” Rachid Bouchareb“Dodo,” Panos H.

Elsa Keslassy International CorrespondentLes Arcs Film Festival has unveiled the 15-title lineup of its Work-in-Progress session, the popular industry sidebar whose alumni roster include Vladimar Jóhannsson’s “Lamb,” Lukas Dhont’s “Girl” and Nora Fingscheidt’s “System Crasher.”The section, curated by Frederic Boyer, the artistic director of Tribeca and Les Arcs Film Festival, will include “Opponent,” a drama by Swedish up-and-comer Milad Alami (“The Charmer”) and produced by Sweden’s Tangy and

Elsa Keslassy International CorrespondentJuliette Schrameck, the well-respected former managing director of MK2 Films who joined Paris-based collective banner Agat Films in September 2020 as partner and producer, has already assembled a strong roster of international projects, including the next film by Lukas Dhont, the helmer of Cannes’ Golden Camera winning “Girl,” and Jenny Suen’s “Peaches.”Other projects on Schrameck’s development slate include “Eat the Night,” a genre film by Caroline