Lukas Dhont
Belgium
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Lukas Dhont
Belgium
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How Lukas Dhont Found ‘Close’ After His Cannes Winning ‘Girl’ - deadline.com - Belgium
deadline.com
27.05.2022 / 12:41

How Lukas Dhont Found ‘Close’ After His Cannes Winning ‘Girl’

After taking home the Un Certain Regard Fipresci prize in 2018 for the trans-female ballet dancer feature Girl, filmmaker Lukas Dhont returned to home to find himself staring at the blank page for his next project.

‘Close’ Film Review: Gentle Coming-of-Age Drama Packs an Emotional Punch - thewrap.com - Belgium
thewrap.com
27.05.2022 / 02:59

‘Close’ Film Review: Gentle Coming-of-Age Drama Packs an Emotional Punch

Leo (Eden Dambrine) and Remi (Gustav De Waele) are more than just friends and not at all lovers. At only 13 years of age, they’re too young for that – and what’s more, their bond transcends simple labels. First seen running through the lush meadows of rural Belgium, the duo share a complicity that is as natural and abundant as the late summer harvest.

‘Close’ Review: This Belgian Buddy Story Seems So Beautifully Understated, Until Suddenly It Isn’t - variety.com - Belgium - county Story
variety.com
27.05.2022 / 01:41

‘Close’ Review: This Belgian Buddy Story Seems So Beautifully Understated, Until Suddenly It Isn’t

Peter Debruge Chief Film CriticSPOILER ALERT: The penultimate paragraph of this review contains spoilers.Few of us are fortunate enough to have a friendship as intimate and effortless as the one shared by 13-year-old Belgian boys Leo (Eden Dambrine) and Remi (Gustav De Waele) in “Close.” That connection, and the responsibility that comes with it, is at the heart of Lukas Dhont’s sophomore feature, so subtle and sensitive in the first half, so devastatingly false from its tragic twist on. This beautifully evocative film, which hails from an openly queer director, offers as pure a portrait of innocent, innocuous same-sex affection as we’ve ever encountered on film.

Cannes Review: Lukas Dhont’s ‘Close’ - deadline.com - Belgium
deadline.com
27.05.2022 / 01:13

Cannes Review: Lukas Dhont’s ‘Close’

Belgium’s Lukas Dhont takes a deserved step up to the Cannes Film Festival competition with Close, only his second film — a minimalist melodrama that shows a definite growth in visual style but may be confronting to some with its deliberately unhurried, Eric Rohmer-esque aesthetic. The international success of Dhont’s well-intentioned debut Girl, about a young trans-female ballet dancer, was somewhat blunted in the U.S., where G.L.A.A.D. amplified complaints of misrepresentation on behalf of the trans lobby. Close is a much safer proposition, but may yet sail into choppy waters with its themes of youth suicide.

A24 Takes Domestic On Lukas Dhont’s ‘Close’ - deadline.com - Britain - USA - Turkey
deadline.com
26.05.2022 / 18:51

A24 Takes Domestic On Lukas Dhont’s ‘Close’

A24 has picked up North American rights to Lukas Dhont’s Close.

A24 Acquires Lukas Dhont’s ‘Close’ Ahead of Cannes Premiere - thewrap.com - USA - county Wells - Charlotte, county Wells
thewrap.com
26.05.2022 / 18:43

A24 Acquires Lukas Dhont’s ‘Close’ Ahead of Cannes Premiere

A24 has made another acquisition out of Cannes, acquiring the North American rights to “Close,” the next film from Lukas Dhont, which is set to debut tonight in the main competition at Cannes. Dhont is the director of 2018’s “Girl,” which won the Camera d’Or at Cannes, and the film stars Eden Dambrine and Gustav De Waele, and Émilie Dequenne, Léa Drucker, Kevin Janssens, Marc Weiss, Igor Van Dessel, and Léon Bataille.“Close” is described as a film about friendship and responsibility and follows two 13-year-old boys, Léo and Rémi, whose friendship suddenly gets disrupted.

MUBI Buys Lukas Dhont’s ‘Close’ for Select Markets Ahead of Cannes World Premiere - variety.com - Ireland - India - Turkey
variety.com
26.05.2022 / 12:13

MUBI Buys Lukas Dhont’s ‘Close’ for Select Markets Ahead of Cannes World Premiere

Manori Ravindran International EditorGlobal streamer and distributor MUBI has struck again, this time snapping up select markets for Lukas Dhont’s keenly anticipated “Close.”MUBI has acquired the U.K., Ireland, Latin America, Turkey and India.The film stars Lea Drucker, Émilie Dequenne, Kevin Janssens and newcomers Eden Dambrine and Gustav De Waele. “Close” will receive its world premiere on Thursday at the festival, where it’s playing in competition.The film will be released theatrically followed by an exclusive MUBI streaming release.“Girl,” Dhont’s debut feature film, won the Camera d’Or at Cannes in 2018.

Lukas Dhont’s Cannes Competition Drama ‘Close’ Sells To Mubi For UK/Ire, LatAm, Turkey & India - deadline.com - Britain - Ireland - India - Turkey - county Lea - county Person
deadline.com
26.05.2022 / 11:53

Lukas Dhont’s Cannes Competition Drama ‘Close’ Sells To Mubi For UK/Ire, LatAm, Turkey & India

EXCLUSIVE: Mubi has acquired Lukas Dhont’s Cannes Competion entry Close for the UK, Ireland, Latin America, Turkey and India.

‘Bel-Air’ Director Morgan Cooper’s Life Was Turned Around By A Three-And-A-Half Minute YouTube Video — Deadline Disruptors - deadline.com - Hollywood - California - state Missouri - city Burbank
deadline.com
25.05.2022 / 21:21

‘Bel-Air’ Director Morgan Cooper’s Life Was Turned Around By A Three-And-A-Half Minute YouTube Video — Deadline Disruptors

Inspiration can come from the most unanticipated places, like walking the dog in the park or buying a soft pretzel at the mall. For Morgan Cooper, it came in 2019 while driving down Route 71 in Kansas City, Missouri. Heading home after shooting a low-budget beauty commercial, Cooper concocted a plan to turn ’90s sitcom The Fresh Prince of Bel-Air into a gritty short film, with Will Smith’s iconic character reimagined as an unlucky Philly teen who gets caught with a gun during a playground brawl. Rather than face a certain future behind bars, his Uncle Phil works some attorney magic and arranges for Will to start over in the wealthy Southern California neighborhood where he would attend an elite private school.

Korean Multi-Hyphenate Lee Ji-eun Gets First Trip Down Cannes’ Red Carpet With ‘Broker’ — Deadline Disruptors - deadline.com - North Korea
deadline.com
25.05.2022 / 20:17

Korean Multi-Hyphenate Lee Ji-eun Gets First Trip Down Cannes’ Red Carpet With ‘Broker’ — Deadline Disruptors

When the Cannes Film Festival lineup was announced on April 14, Twitter positively exploded with excitement over the news that Lee Ji-eun would make her Riviera debut with Hirokazu Kore-eda’s Broker in Competition. The Korean actress, singer and songwriter—popularly known as IU—has a legion of fans, including 26 million followers on Instagram, and has been described as a national treasure at home. She may now be well poised for crossover success with her first commercial film.

Isabel May On Being The Catalyst For Taylor Sheridan’s Epic ‘1883’ — Deadline Disruptors - deadline.com - Texas - Taylor - Montana - city Kingstown
deadline.com
25.05.2022 / 19:25

Isabel May On Being The Catalyst For Taylor Sheridan’s Epic ‘1883’ — Deadline Disruptors

The emergence of Isabel May as the lead in Taylor Sheridan’s frontier epic series 1883 is such an unlikely discovery story that it still has the actress trying to come to grips with a star-making turn that should factor in the Emmy race.

Lukas Dhont Talks Boyhood Drama ‘Close’ in Cannes Competition - variety.com - Belgium
variety.com
25.05.2022 / 06:33

Lukas Dhont Talks Boyhood Drama ‘Close’ in Cannes Competition

Gregg Goldstein Belgian director Lukas Dhont is in rare company. His 2018 Un Certain Regard debut, “Girl,” won the Caméra d’Or and three more Cannes prizes, besting the number of first-time feature wins from the likes of Steven Soderbergh and Steve McQueen. And while his rise has come with some controversy, he earned a place in competition with the May 26 Lumière gala premiere of his sophomore effort, “Close.” The story of two 13-year-old boys whose powerful friendship ends when their relationship comes under scrutiny “started from a very personal place,” says the out director, who penned the script with “Girl” co-writer Angelo Tijssens.

Candle Media’s Kevin Mayer And Tom Staggs Believe “Killer Content” Will Sustain Streaming Business — Deadline Disruptors - deadline.com
deadline.com
24.05.2022 / 22:03

Candle Media’s Kevin Mayer And Tom Staggs Believe “Killer Content” Will Sustain Streaming Business — Deadline Disruptors

Kevin Mayer and Tom Staggs have been around the media business long enough to resist the temptation to overreact to Netflix’s latest travails. Even though their emerging investment firm, Candle Media, owns two key Netflix suppliers—CoComelon production company Moonbug Entertainment and Fauda producer Faraway Road—they don’t seem too concerned that Netflix may topple from its perch. (And at press time, the previously unthinkable scenario has become a lot more, well, thinkable.)

Special Purpose Acquisition Companies Poised To Shake Up The Media Space — Deadline Disruptors - deadline.com - India
deadline.com
24.05.2022 / 21:09

Special Purpose Acquisition Companies Poised To Shake Up The Media Space — Deadline Disruptors

Special purpose acquisition companies—known as SPACs—have been all the rage in the world of investment for the last two years, and they’ve made a mark in the media space, but is the trend slowing down?

The Insult That Awoke A Ferocious Writer’s Voice In ‘Yellowstone’s Taylor Sheridan — Deadline Disruptors - deadline.com
deadline.com
24.05.2022 / 18:13

The Insult That Awoke A Ferocious Writer’s Voice In ‘Yellowstone’s Taylor Sheridan — Deadline Disruptors

Long before he became a premier storyteller for Paramount+, Taylor Sheridan was a journeyman actor who struggled to support his family. The older he got, the more he found himself descending on the call sheet. What should have been a welcome burst of momentum — playing Deputy Chief David Hale on Sons of Anarchy — turned out to be the final dose of humiliation that led him to change horses. An ask for a decent raise was the thing that compelled Sheridan to begin writing scripts. Sheridan was several seasons into playing what he believed to be a pivotal role in the SAMCRO universe, but the studio suits didn’t seem to share his assessment.

Roeg Sutherland & Benjamin Kramer Taking Cannes Market By Storm: ‘The Rewards Are Great For Filmmakers Willing To Work Outside The Studio System’ — Deadline Disruptors - deadline.com
deadline.com
24.05.2022 / 10:09

Roeg Sutherland & Benjamin Kramer Taking Cannes Market By Storm: ‘The Rewards Are Great For Filmmakers Willing To Work Outside The Studio System’ — Deadline Disruptors

The rise of streamer content has created anxiety for talent and their reps, because of models that require ownership of a project in perpetuity. Because product starts on a streaming site and then never leaves, there is no chance of backend windfalls. Just look at the creators and cast of Squid Game to see what that can mean: a billion-dollar property for Netflix, embarrassingly tiny paydays for the artists who made it, and little hope of making up the shortfall in subsequent seasons.

Two Years After Top Dealmakers Took The Leap, Range Media Partners Assesses Progress — Deadline Disruptors - deadline.com - Santa Monica
deadline.com
23.05.2022 / 22:05

Two Years After Top Dealmakers Took The Leap, Range Media Partners Assesses Progress — Deadline Disruptors

It has been nearly two years since a group of the best and brightest young agents and partners told their bosses they were stepping away from their million-dollar salaries to follow former eOne strategy officer and CAA television veteran Peter Micelli and be the founding partners of a new management company, Range Media Partners.

How Screenwriters Are Flexing Their Muscles To Find A New Way To Control The Script — Deadline Disruptors - deadline.com
deadline.com
23.05.2022 / 21:37

How Screenwriters Are Flexing Their Muscles To Find A New Way To Control The Script — Deadline Disruptors

With the motion picture business shifting almost exclusively to franchises over the past decades, screenwriters are increasingly put through the wringer as they find themselves replaced and replaced again throughout protracted development processes. It’s a punishing road that can be demoralizing for writers who have often spent months pitching for an open writing assignment. But as more and more streamers look to add content to their film slates, screenwriters are finding new opportunities to flip the script.

Abigail Disney Fearlessly Challenges Fellow One-Percenters On Distribution of Wealth — Deadline Disruptors - deadline.com
deadline.com
23.05.2022 / 21:11

Abigail Disney Fearlessly Challenges Fellow One-Percenters On Distribution of Wealth — Deadline Disruptors

If Abigail Disney had listened to her financial advisers growing up, the heiress would have concentrated on one thing above all else: getting even richer.

After 2020 César Awards, Five Women Are Making A Stand To Force Change In The French Industry — Deadline Disruptors - deadline.com - France
deadline.com
22.05.2022 / 13:19

After 2020 César Awards, Five Women Are Making A Stand To Force Change In The French Industry — Deadline Disruptors

In 2021, the Cannes film festival programmed movies from an unprecedented number of women and people of color, more than in any other year. Director Julia Ducournau won the Palme d’Or for her film Titane, becoming only the second woman to do so. This win gave people hope that maybe change was coming from the white, male-dominated festival.

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