Guy Maddin Latest Celebrity News & Gossip

The BFI London Film Festival will debut Canadian filmmaker Guy Maddin’s latest project as part of LFF Expanded, the festival’s Immersive Art and Extended Realities strand, which runs from October 5-16, 2022.

Patrick Frater Asia Bureau Chief The imminently upcoming Sydney Film Festival has added eight titles that premiered at Cannes to its lineup. They are: Guan Hu’s “Black Dog”; Mohammad Rasoulof’s “The Seed of the Sacred Fig”; Francis Ford Coppola’s passion project “Megalopolis”; Guy Maddin, Evan and Galen Johnson’s “Rumours,” starring Australia’s Cate Blanchett; documentary “Ernest Cole: Lost and Found,” Jia Zhangke’s “Caught by the Tides”; “The Girl with the Needle”; and revenge thriller “Ghost Trail.” Due to demand, the SFF organizers have also added additional screenings of “The Substance,” the Demi Moore-starring film already set as the festival’s closing night title. The festival runs June 5-16.

Imagine a film where Cate Blanchett plays a version of Angela Merkel. And Charles Dance is a Joe Biden parody in full British accent.

A glowing brain, world leaders lost in the woods, a U.S President with a glaring British accent, oh, and bog men — mummies whose manhood has been severed and wrapped around their necks. Such are the sundries of Guy Maddin, Evan and Galen Johnson’s political comedy Rumours here at Cannes.

Guy Lodge Film Critic Depending on who you talk to, the world is either in crisis, on fire, at war and/or simply lurching toward a frankly deserved final judgment. So what can be done to save it? Why, a carefully worded provisional statement, of course, from the global leaders currently in possession of both the gas canister and the lit match, but not a surfeit of great ideas for the future.

Ellise Shafer Cate Blanchett‘s new film “Rumours” took its name from the iconic Fleetwood Mac album, it was revealed on Sunday at a Cannes Film Festival press conference. The dark comedy, directed by Guy Maddin, Evan Johnson and Galen Johnson, follows a group of world leaders who meet at the G7 — a political and economic meeting of the minds between Canada, France, Germany, Italy, Japan, the United Kingdom and the United States — but get lost in the woods while trying to compose a joint statement.

Cate Blanchett blew kisses to the Cannes Film Festival audience as her new film, “Rumours,” earned a four-minute standing ovation at Cannes Film Festival on Saturday night. The crowd welcomed the film’s dark humor, laughing throughout the entirety of the late-night screening. While some of the auditorium emptied out while the credits rolled, the majority of filmgoers waited patiently to pay their respects to the film’s stars.

Cate Blanchett helped make it starry red carpet Saturday evening at the Cannes Film Festival world premiere of Guy Maddin, Evan Johnson and Galen Johnson’s Rumours. The comedy, which is playing out of competition at the Cannes Film Festival, received a nearly six-minute standing ovation after it ended at the Palais.

Cate Blanchett is looking stunning on the red carpet at the 2024 Cannes Film Festival!

Cannes parallel section Acid, run by France’s Association for the Diffusion of Independent Cinema (ACID), has unveiled its 2024 line-up. (scroll down for full list)

“Rumours” is on the way. In celebration of its 10th anniversary, Bleecker Street, the indie film studio, has released a new highlight sizzle reel emphasizing their greatest hits film accomplishments and a tease of what’s to come with never-before-seen footage.

“Rumours” is on the way. In celebration of its 10th anniversary, Bleecker Street, the indie film studio, has released a new highlight sizzle reel emphasizing their greatest hits film accomplishments and a tease of what’s to come with never-before-seen footage.

Dennis Harvey Film Critic Those dismayed by the cancellation of the big-budget “Coyote vs. Acme” — a high-profile casualty of the recent Hollywood trend towards pulling the plug on near-completed projects — may find consolation and then some in “Hundreds of Beavers.” That is, if they become aware of it, of course.

Alicia Vikander has landed on her next role, and it’s a comedy starring Cate Blanchett!

In October, news broke that Cate Blanchett would team up with Canadian avant-garde auteur Guy Maddin for his next feature, “Rumors.” That was already a super-intriguing combo, but Deadline reports another premier actress has joined the film’s cast: Alicia Vikander. What was once intriguing now becomes what will likely be one of 2024’s must-see movies.

EXCLUSIVE: Alicia Vikander (Ex Machina) has been set to star opposite Cate Blanchett in Rumours, a comedy from writer-directors Guy Maddin, Evan Johnson and Galen Johnson (The Green Fog), which Bleecker Street has snapped up for release in U.S. theaters this year.

Sometimes when you have a terrific film but it doesn’t quite have the hook for mainstream audiences, you sometimes need a catchy ace in the hole. And that’s exactly what the Australian film “Shayda” has in its executive producers, in this case, a little actor you may know named Cate Blanchett, plus her husband and producing partner Andrew Upton and Coco Francini.

Here’s a juicy bit of movie news: THR reports that Cate Blanchett will star in Canadian auteur Guy Maddin‘s upcoming drama “Rumors,” with shooting to start next week on October 9. Maddin’s latest film signed an interim agreement with SAG-AFTRA to allow the actress to film her scenes without breaching guild strike restrictions.

Naman Ramachandran The BFI London Film Festival has revealed the line-up for LFF Expanded, its immersive art and extended realities strand (Oct. 5-16). Programmed by Ulrich Schrauth, the BFI’s immersive art and XR curator, this year’s program features interactive virtual reality, screen-based installations, augmented reality, mixed reality, immersive audio experience and live performance. The program will be at multiple venues on London’s South Bank. The highlight of the program is the world premiere, commissioned by the festival, of Guy Maddin’s “Haunted Hotel: A Melodrama in Augmented Reality,” which promises to transport the audience into a surreal paper world, created from a selection of clippings drawn from Maddin’s own personal archive, set to a soundscape by composer Magnus Fiennes.

After 25 years, Toronto International Film Festival Senior Programmer Steve Gravestock has decided to retire at the end of 2022.

Mark Jenkin’s 2019 film Bait had the rare distinction of being a genuine out-of-the-blue discovery, featuring heavily on UK critics’ year-best lists after a modest arthouse release by the BFI. The black-and-white film’s experimental style was emphasized in all its press coverage, nodding to avant-garde auteurs like Stan Brakhage, Derek Jarman and Guy Maddin — all directors who are interested in the literal grain of film and video (indeed, Jenkin reportedly developed the negative with coffee and washing soda then distressed the image by hand). Throw in post-synch sound, and you have a film more likely to screen to two people and a dog at a smoky underground 1960s cine-club than win a BAFTA. 

Dispatches from the Sundance Film Festival are usually accompanied by descriptions of the looming mountains, snowy premieres and frantic bus shuttles. This year's Sundance, which played out entirely virtually due to the COVID-19 surge driven by the omicron variant, meant less evocative screening circumstances: Laptops, digital links and Zooms.But even in reduced form, the films were often hypnotic, thrilling and urgent.

Legendary German actor Udo Kier is an international, hell, global treasure. He’s worked with auteurs like Gus van Sant, Werner Herzog, Lars von Trier, Dario Argento, Guy Maddin, Paul Morrissey, and lately, up-and-coming would-be auteurs like Brazilian filmmaker Kleber Mendonça Filho have been tapping his exotic skills (also have you ever looked up how many acting film credits Kier has? Cause holy sh*t).