Francis Ford Coppola Latest Celebrity News & Gossip

Oscar-winner Nicolas Cage might be finally transitioning away from strictly making smaller VOD features. Cage is playing himself in Lionsgate‘s meta-movie “The Unbearable Weight Of Massive Talent” and most recently was cast as Universal‘s newest incarnation of Count Dracula in the horror-comedy “Renfield” starring opposite Nicholas Hoult, which could mean he might continue that role in other Universal Monsters projects.

not to happen. Will they manage to work things out? That’s question posed by the trailer for the upcoming Paramount+ miniseries “The Offer,” which you can watch now.Of course, by now you know the movie in question was “The Godfather” and that this show is based on things that actually happened, so of course they managed to work it out.

We’ve discussed it before, but let’s quickly reiterate: Intellectual Property (IP) is where it’s at for Hollywood, but when you can’t really make a sequel about a classic drama that has a lot of vintage IP—like “The Godfather” which just turned 50 recently—another avenue is making a movie or series about the making of a classic film. Take Paramount+’s “The Offer,” their mini-series about making “The Godfather.” READ MORE: The American Dream Of ‘The Godfather’ At 50 And yes, director Francis Ford Coppola is a big part of that story, but the tale Paramount is really telling is the entire behind-the-scenes picture which in many ways centers more on the producers that helped bring it to the screen.

Gallery: These stars have something to MARVEL at! The celebrities who just LOVE comic books. . . (BANG Showbiz)She said: "In every email we’ve exchanged, you’ve always signed 'Love, Uncle Francis', so I love you so much Uncle Francis.

Legendary director Francis Ford Coppola is celebrating the 50th Anniversary of the beloved gangster family drama “The Godfather” and just finally earned a star on the Hollywood Walk of Fame this month. About time; that’s long overdue.

Nicolas Cage is an internet star but he’s mystified about it.

Nicolas Cage, 58, married his fifth wife, Riko Shibata, 27, in Feb. 2021, and he’s confident that this is going to be the marriage that lasts for him. “I am a romantic, and when I’m in love, I want to give that person everything I can,” Nick told GQ in a new interview. “It’s my expression of saying, ‘I love you. I want to spend the rest of my life with you.’ And this is it for me. I mean, this is not happening again. This is it. This is it.”

Elle Fanning makes Francis Ford Coppola laugh at a memory between them during his Hollywood Walk of Fame Star Ceremony on Monday (March 21) in Hollywood, Calif.

doomed Santino “Sonny” Corleone, the eldest son of Don Vito Corleone (Marlon Brando) and brother to Fredo (John Cazale), Connie (Talia Shire) and Michael (Al Pacino).Prior to his breakout, Oscar-nominated role in “The Godfather,” The Bronx-born Caan was best-known for roles on a slew of ’60s-era television series — including “The Untouchables,” “The Alfred Hitchcock Hour,” “Get Smart,” “Wagon Train,” “Naked City” and “Route 66” — and for playing cancer-stricken Chicago Bears running back Brian Piccolo opposite Billy Dee Williams (as Gale Sayers) in “Brian’s Song,” ABC’s tearjerking Movie of the Week which aired in November 1971.(He also appeared in several movies, including “The Rain People” in 1969, directed by Coppola — Caan’s classmate at Hofstra — and co-starring Robert Duvall, aka Corleone Family consigliere Tom Hagen.)Caan, who turns 82 on Saturday (March 26), spoke to The Post in a wide-ranging interview about his memories of filming “The Godfather,” which airs somewhere on television virtually every day — in all of its iterations — and will be re-released Tuesday (March 22) in a comprehensive 4K ultra-high-definition Blu-ray package.“One of the things that made ‘The Godfather’ successful, besides brilliant directing and writing and wonderful actors … was that everyone really enjoyed making it, and that comes off on the screen,” Caan said. “And I think the audience can tell that we were having a good time doing what we were doing up there.“Marlon was great,” Caan said of Brando.

The Academy Museum of Motion Pictures today announced the first round of exhibition rotations scheduled for the 2022–2023 season, which further its mission to advance the understanding, celebration, and preservation of cinema.

Sasha Urban editorThe Academy Museum of Motion Pictures revealed the first round of exhibits for its 2022-2023 season on Monday, including a tribute to Francis Ford Coppola’s 1972 film “The Godfather” and its first permanent exhibit, “Hollywoodland,” dedicated to the founders of Hollywood.Other newly announced additions to the museum include “Regeneration: Black Cinema 1898-1971,” a tribute to French filmmaker Agnès Varda and spaces dedicated to “Boyz n the Hood” (1991), “Casablanca” (1942) and the collaborations of production designer Sarah Greenwood and set decorator Katie Spencer.“The history of film is endlessly rich and varied, which is why we envisioned the exhibitions of the Academy Museum as a continually evolving set of installations and virtual content,” said Bill Kramer, director and president of the Academy Museum. “We are delighted to present a new round of stories, explorations, moving images, props, and other objects that explore the many facets of moviemaking – from the founding of Hollywood to present day.” When the Academy Museum opened in September, it included exhibitions on Spike Lee, Hayao Miyazaki and Pedro Almodóvar, but the museum faced criticism from donors and Academy members for neglecting to include explicit mention of the Jewish founders of the Hollywood studio system.“The Jewish contributions to the film industry, from its founding to today, should be highlighted,” Haim Saban, who donated $50 million to the Academy museum alongside his wife, Cheryl, told Rolling Stone in January.

These days, it’s become de rigueur for iconic, heavyweight filmmakers to either weigh in on the Marvel Cinematic Universe and its cultural hegemony or to be asked about it. One of those recent dissenting voices has been Francis Ford Coppola (“The Godfather” trilogy), and while he’s criticized the genre in the past, he seems to like at least one modern superhero film.

Steven Gaydos Executive VP of ContentDecades ago, in his landmark “Biographical Dictionary of Film,” critic David Thomson said of filmmaking legend Francis Coppola: “No one retains so many jubilant traits of the kid moviemaker.” As Coppola approaches production on “Megalopolis,” his biggest, most creatively ambitious project of the 21st century, that description seems more apt than ever.And a quick glance at the Variety archives vividly illustrates Coppola’s explosive emergence as a veritable force of nature while still enrolled as a film student at UCLA.The wunderkind announced his arrival with his name blasted in a Variety page one headline as the winner of a student screenwriting competition.

David Heuring When the ASC launched its awards in 1986, a single statue was given for feature film cinematography, presented by Gregory Peck to Jordan Cronenweth for his work on Francis Ford Coppola’s “Peggy Sue Got Married.” Now, 36 years later, the American Society of Cinematographers Awards is returning to the smaller scale of yore even as it promises to celebrate a wide range of image-makers. The ceremony will take place on March 20th at the ASC Clubhouse, the org’s modest, if stylish, headquarters in Hollywood, rather than in a cavernous ballroom.

The first character seen in Francis Ford Coppola’s “The Godfather” is neither the title character, Don Vito Corleone (played to Oscar-winning perfection by Marlon Brando), his son and eventual successor Michael (Al Pacino, in his breakthrough role), nor, indeed, anyone from the brood at the story’s center. Instead, it is a decidedly secondary character, the undertaker Bonasera (Salvatore Corsitto), who also speaks the first line of dialogue, one of the most definitive opening thesis statements in the history of American cinema: “I believe in America.” This is not where the story of “The Godfather” – first told by Mario Puzo in his novel, then adapted to the screen by Puzo and Coppola – begins.

Al Pacino is opening up about his breakthrough role in "The Godfather" 50 years since its release. Pacino, now 81, rocketed to stardom after his Oscar-nominated performance in the 1972 mafia film, a role he landed after having participated in just one movie prior, 1971's "The Panic in Needle Park." He was, however, a rising star in New York theater at the time and a recipient of a Tony award. Although he will always be known as the legend who played Michael Corleone, Pacino said when director Francis Ford Coppola approached him about taking on for the role, he didn't take it seriously.

MGM’s Michael De Luca and Pamela Abdy will receive the ICG Publicists’ Motion Picture Showpersons Award at the group’s 59th annual awards luncheon on March 25. The news was announced today by awards chairs Tim Menke and Sheryl Main.

COVID-19 pandemic and the subsequent health and safety protocols.  With invitations having just started to go out this week for the always glamorous March 27 bash, Page Six is reporting that it will again take place at the Wallis Annenberg Center For The Performing Arts in Beverly Hills, only this time the venue will be reimagined as an 'open air space.

Naman Ramachandran Sony release “Uncharted” continued its reign atop the U.K. and Ireland box office for the third weekend in a row collecting £3.08 million ($4.1 million), according to numbers released by Comscore.

It’s almost comical how many older Hollywood types end up saying the most out-of-touch things nowadays. Recently, we had some strong words from Francis Ford Coppola about filmmaking and blockbusters.

The infamous boss who ran the Gambino crime family in the late 20th century was a profound fan of “The Godfather” and expressed his generosity to the cast, actor John Martino, 84, who portrayed Paulie Gatto in the film, told The Post. “He loved ‘The Godfather,’ ” Martino, known for his death in the “leave the gun, take the cannolis” scene, recalled how he became close to Gotti years after the 1972 release of the award-winning film.“He mentioned to somebody in my family, and they said to me, ‘Johnny, [Gotti] wants to meet you so bad,’ ” Martino, a nephew of early 20th-century mob icon Charles “Lucky” Luciano, said.Happy to oblige, Martino met up with Gotti at a club in Manhattan in the 1980s, he said.“When I saw him for the first time he had just become the boss . .

she had been in her brother Francis Ford Coppola‘s shoes, she wouldn’t have hired herself for the role of Connie Corleone in “The Godfather.”Alluding to the fact that Paramount Pictures execs were mulling whether to fire director Coppola from the production she revealed, “it was really tough for Francis.”Shire, 75, added, “And I think the last thing he needed was his sister at that time … It added one more tension for him … I wouldn’t have had me on the set.”But the actress also noted that she “had to audition” for the role — and she and her big bro, now 82, eventually “enjoyed a collaborative professional relationship on that movie.”Shire, who played the challenging role of the only daughter of Don Corleone — married to ne’er do well Carlo Rizzi (Gianni Russo) — said that the harrowing scene where a clearly pregnant Connie is throwing dishes while dodging blows from her onscreen husband was difficult to shoot.“It’s a rough thing to see a pregnant woman being knocked around,” she acknowledged before explaining that legendary cinematographer Gordon Willis was “in the center of the action.”“And I had to move from place to place and I was honestly terrified because you didn’t want to do another take. Another take meant everything had to be reset and I just wanted to keep going and sometimes things wouldn’t break.

Oscars telecast won’t be airing eight of the 23 categories during the March 27th show in an effort to make the ceremony “more thrilling.”The same day, the “Godfather” filmmaker, 83, was celebrating the 50th anniversary of his 1972 mob film on the Paramount lot. He hadn’t yet heard the news about the Oscars axing certain awards until he got to the red carpet.“All those [categories] are important.

After decades of making films, some of which are thought to be the best ever to grace the big screen, Francis Ford Coppola is perhaps about to embark on his biggest risk to date, a big-budget, self-funded feature, “Megalopolis.” And according to the filmmaker behind “The Godfather,” his hope for “Megalopolis” might actually be higher than the $120 million budget would suggest.

After decades of making films, some of which are thought to be the best ever to grace the big screen, Francis Ford Coppola is perhaps about to embark on his biggest risk to date, a big-budget, self-funded feature, “Megalopolis.” And according to the filmmaker behind “The Godfather,” his hope for “Megalopolis” might actually be higher than the $120 million budget would suggest.

Godfather” of cinema, Francis Ford Coppola, isn’t too happy with how movies are made nowadays. “There used to be studio films.

Various directors have voiced their concerns about the state of modern studio films in recent years. And that means it’s unavoidable that they’ll eventually comment on the Marvel Cinematic Universe.

Clayton Davis The most shocking snub of the Oscar noms was Denis Villeneuve’s omission from the best directing category for his science-fiction epic “Dune.”The film’s 10-nomination haul includes best picture and adapted screenplay, the latter perceived to be its most difficult to attain. Yet, Villeneuve’s lack of recognition for directing could rally widespread support from Academy voters and result in the film tying or surpassing a 50-year record held by “Cabaret” (1972).Bob Fosse’s classic adaptation of the Broadway stage musical set a record at the 45th Academy Awards for the most Oscars received without winning best picture.

Paramount+ limited series about the making of the 1972 mob drama “The Godfather” is set to premiere on April 28.The dramatic teaser is full of 1970s nostalgia, wild fashions and glossy sets that take viewers back to the New Hollywood era. The streaming service describes the 10-episode show as Oscar-winning producer Albert S.

A fight between Frank Sinatra and Mario Puzo inspired the upcoming Paramount+ miniseries The Offer, about the making of film based on Puzo’s best selling novel. The 10-episode project premieres on April 28.

As anticipation builds for “The Offer“, Paramount+ shared the first teaser for the limited series, which chronicles the making of the acclaimed 1972 film “The Godfather” and captures a long gone era of Hollywood. The first footage for the real-life story gives viewers a closer look at Miles Teller as producer Albert S. Ruddy, who also serves as executive producer on the 10-part TV event, and Matthew Goode as notorious Paramount Studios chief Robert Evans.

Zack Sharf Miles Teller is ready to make an offer that Paramount Pictures can’t refuse in the first trailer for the upcoming limited series “The Offer.” The 10-episode limited series centers on famous Hollywood producer Albert S. Ruddy and his attempts to get an adaptation of Mario Puzo’s gangster classic off the ground at Paramount.

, Paramount+ shared the first teaser for the limited series, which chronicles the making of the acclaimed 1972 film and captures a long gone era of Hollywood. The first footage for the real-life story gives viewers a closer look at Miles Teller as producer Albert S.

Miles Teller is ready to tell the tale of The Godfather.

TV viewers now have a first look at one of the year’s most anticipated new projects, “The Offer”.

As we noted in a feature in 2020, titled, “Welcome The New Trend Of ‘Prestige IP’: Studios Are Mining Their Vaults To Keep Franchises Going,” Hollywood is ravenous to make sure all their intellectual property is not sitting idling. Of course, there’s the endless cycle of storytelling regarding lucrative superhero, sci-fi, and fantasy properties.