Is this the end? Jesse Lee Soffer addressed his exit from Chicago P.D. after Jay Halstead made the difficult decision to move on.
Is this the end? Jesse Lee Soffer addressed his exit from Chicago P.D. after Jay Halstead made the difficult decision to move on.
Emily Longeretta SPOILER ALERT: This story contains spoilers for “A Good Man,” the Oct. 5 episode of “Chicago P.D.“ Jay Halstead no longer works for the CPD. Jesse Lee Soffer appeared in his final episode of NBC’s “Chicago P.D.” on Wednesday night. After another hour of shutting out his wife and partner, Hailey Upton (Tracy Spiridakos), Jay finally realized that he had changed — and not for the better. During a case that involved saving the reputation of an Army vet who had assisted in a robbery, Jay went around the law (once again) to take down the robbers. He didn’t turn in the vet, who ultimately died saving another woman, in order to protect the man’s family and reputation. However, knowing that he’d broken the law once again — and stabbed a man in the process — Jay chose to resign from Intelligence.
WARNING: SPOILERS AHEAD! DO NOT READ IF YOU DON’T WANT TO KNOW!
Selome Hailu NBC’s three-hour “Law & Order” crossover premiere event was the most-watched and highest-rated program the night that it aired, according to Live + 3 data exclusively obtained by Variety. Airing from 8-11 p.m. on Sept 22, the crossover marked the premiere of Season 22 of the “Law & Order” flagship series, Season 24 of “Law & Order: Special Victims Unit” and Season 3 of “Law & Order: Organized Crime.” When accounting for three days of viewing, each of the three season premieres matched or exceeded the average rating and total viewership of the last four episodes of their previous seasons, respectively. “Law & Order,” which concluded the crossover at 10 p.m., landed a 1.0 rating in the key adults 18-49 demographic and 6.8 million total viewers through three days of measurement — the best performance of a “Law & Order” episode since Season 21 debuted in February. Compared to Episodes 7-10 of “Law & Order” Season 21, the series’ four previous episodes, this marks a 36% increase in rating and a 20% increase in total viewership.
Alana De La Garza is just like Us! She may be busy fighting crime on screen, but at home, she’s focused on being the best mom and wife she can be.
A.D. Amorosi Ever since its 2012 start, no matter how attractive its actors, there is only one person who truly puts the heat, smoke and flames to “Chicago Fire”: special effects coordinator and pyrotechnic John Milinac. Fire may be the star of Dick Wolf’s red-hot series, but Milinac is its master. For ten seasons, Milinac has pitted Chicago’s imaginary firefighters and paramedics against raging flames, quickly enveloping smoke and crumbling properties, as well as exploding cars, runaway trucks, un-moored electrical wires and more than a few slippery roofs. Working on this season’s seventh episode when speaking to Variety, Milinac and his 13-person team are prepping a “burn stage” and all of its elements so that it can be turn-key ready for filming on Tuesday morning. “That’s a lot of push, especially after we just wrapped an exterior fire that was condensed — which means things are overlapping — and next, we have some carnage with a handful of vehicles, which means we’re going to have some pre-damage to do in advance.”
Selome Hailu Fall TV returned last week, and just like last year, NBC was the broadcast network on top in primetime, among both total viewers and the key adults 18-49 demographic. During the week of Sept. 19-25 (the first week of the 2022-2023 TV season, according to Nielsen), when many of the most prominent network TV programs debuted new seasons, NBC averaged a 1.1 rating among the 18-49 demographic. While that’s a 13% drop from the 1.3 rating the network received during the same week last year, it’s still this year’s highest performance. ABC was next with a 1.0 rating compared to last year’s 0.6 — an impressive 67% jump — with Fox landing a 0.9, bumped up from last year’s 0.8. CBS trailed behind with a 0.4 rating, down 33% from 2021, while the CW came in last place, remaining consistent with a 0.1.
EXCLUSIVE: Yellowjackets has added Malaysian actress Nuha Jes Izman for a recurring guest star role.
Joshua Alston To be a network police or medical procedural in the past decade is to want for a companion series. From there, the goal is to crawl kudzu-like across the schedule until the primetime grid is bespeckled with colons and occasionally clogged with three-hour crossover events. Still, ABC’s “The Rookie,” now in its fifth season, has never seemed an obvious choice for the Dick Wolf treatment. Not because the show lacks ambition, though it does possess the happy-go-lucky quirk of a “Characters Welcome”-era USA drama. But “The Rookie” puts all its weight on the title character and stars the supernaturally charming Nathan Fillion, the kind of performer whose charisma can cut through even the schlockiest material. Creating a spinoff would require an equally charismatic performer who, like Fillion, can go from gravitas to goofiness at a moment’s notice. Enter Niecy Nash-Betts, just such a performer, to topline “The Rookie: Feds,” a show well-crafted and thoughtful enough to feel like more than a perfunctory franchise expansion.
It’s depressing to look at Live+Same Day ratings these days as linear viewing’s decline continues. There have been a few bright spots this Premiere Week, and they have one thing in common — they are part of established procedural drama franchises or competition reality staples.
Selome Hailu Three of Dick Wolf’s franchises — “Law & Order,” “One Chicago” and “FBI” — were the most-viewed broadcast series of their respective season premiere nights on Tuesday, Wednesday and Thursday. en they premiered. “FBI” brought in 6.8 million viewers while airing its Season 5 premiere on CBS at 8 p.m. Tuesday night, making it the most-watched broadcast series of the week excluding sports programming. The Season 2 premiere of “FBI: International” followed at 9 p.m. and was the second-most-watched program of the night with 5.3 million viewers. The last Wolf premiere of the night was “FBI: Most Wanted” Season 4 at 10 p.m., bringing in 5.1 million viewers, a time period high.
A close call. Filming on the set of Chicago Fire reportedly came to a sudden halt after a shooting occurred a few blocks away from the NBC series.
"Chicago Fire" was forced to stop production after shots were fired nearby where the NBC show was filming Wednesday, the Chicago Police Department confirmed to Fox News Digital. Authorities responded to the scene shortly after 1:45 p.m. when an "unknown offender, armed with a handgun shot at a group of people standing in the 5900 block of W.
local report, the full cast was on-scene, and three cameras were rolling when the gunfire broke out around 1:45 p.m. CT. The incident took place as exterior shots were being filmed at A.A.
Another shooting impacted a Hollywood set Wednesday in Chicago, and this time, it happened near the set of NBC’s Chicago Fire.
John Oliver took aim at the “Law & Order” franchise during Sunday night’s edition of “Last Week Tonight”, and he didn’t pull any punches.
The Law & Order television franchise is “commercial” for a “defective product,” said John Oliver on Sunday’s Last Week Tonight, capping a lengthy rant about the Dick Wolf cop shows that Oliver argued present an unrealistic and misleading depiction of law enforcement.
“Last Week Tonight.”Oliver noted how Wolf, 75, has a “close, behind-the-scenes relationship with the NYPD, employing officers as consultants and boasting about the access he had.”He then revealed a past interview with an anonymous “Law & Order” writer, who claimed if the series depicted police in a more realistic, critical way, then the NYPD would make it very “difficult” to continue filming in the Big Apple.The chat show host went on to describe that because Wolf’s franchise works closely with the cops, there is much accuracy in how the law is portrayed. Details such as “specific laws, jargon and crime scene procedures” are illustrated properly, Oliver said.“But crucially it also makes a lot of choices that significantly distort the big picture of police,” he said, adding that the right offender is usually arrested midway through the episode — and justice is done by the end.
Another behind-the-scenes change at Law & Order: Organized Crime: Sean Jablonski is taking over for Bryan Goluboff as showrunner.
Dick Wolf universe. Sean Jablonski is stepping in as the new showrunner on “Law & Order: Organized Crime” for the upcoming third season, Variety has learned. Jablonski becomes the fourth showrunner on the series, replacing Bryan Goluboff, who was announced as the Season 3 showrunner in May. Barry O’Brien had been named interim showrunner in February following the exit of Ilene Chaiken. “Law & Order: Organized Crime,” produced by Universal Television in association with Wolf Entertainment, revolves around the character of Elliot Stabler, played by Christopher Meloni, who starred on “SVU” for 12 seasons, and then returned to the “Law & Order” universe in 2021. Because of Stabler’s longstanding relationship with “SVU’s” Olivia Benson (Mariska Hargitay) — something fans have obsessed over for years now — those two shows have frequently intersected since “Organized Crime” premiered.
A post shared by Tracy Spiridakos (@spiridakos)The news of Soffer’s departure broke Monday, with the actor sharing his thanks with the longtime fans of the show, who’ve followed his story line since the series debuted in 2014.“This is sad but true. Just want all the fans to know how grateful I am,” Soffer tweeted Monday. “You guys are why we do it! It has been an honor.
The Chicago P.D. world won’t be the same. Tracy Spiridakos is weighing in on costar Jesse Lee Soffer‘s impending exit from the series.
Tracy Spiridakos is reacting to the news that Jesse Lee Soffer is leaving Chicago P.D. after 10 seasons.
Jesse Lee Soffer is leaving, with the upcoming 10th season marking his last as Det. Jay Halstead.
A shake-up in Chicago. Jesse Lee Soffer is set to exit Chicago P.D. during the upcoming 10th season.
Jesse Lee Soffer is bidding farewell to “Chicago P.D.”.
Another big change in the Dick Wolf-verse: Deadline has confirmed that Jesse Lee Soffer, who plays Det. Jay Halstead, is leaving NBC’s Chicago P.D.
Jesse Lee Soffer has announced that he is leaving Chicago PD after the upcoming 10th season.
Emily Longeretta Jesse Lee Soffer is turning in his badge on “Chicago P.D.” The upcoming 10th season will be the last for Soffer, Variety can exclusively announce. The actor has portrayed Det. Jay Halstead since the NBC series’ debut in 2014, appearing in all 187 episodes. He will be departing sometime in the fall. “I want to thank the incredible fans for their unwavering support during the past 10 years and want to express my deepest gratitude to Dick Wolf and everyone at Wolf Entertainment, Peter Jankowski, Matt Olmstead, Derek Haas, Michael Brandt, Rick Eid, Gwen Sigan, NBC, Universal Television, my fellow castmates and our incredible crew,” he said in a statement to Variety on Monday. “To create this hour drama week after week has been a labor of love by everyone who touches the show. I will always be proud of my time as Det. Jay Halstead.”
Emily Longeretta Kelli Giddish’s upcoming “Law & Order: Special Victims Unit” exit was not her choice, nor was it a decision made by showrunner David Graziano, Variety has learned. According to multiple sources, the “SVU” shake-up was a call made from above, with one insider noting that the company is always looking to keep the show as up to date and current as possible. Mariska Hargitay, who is both the star and an executive producer on the Dick Wolf drama, as well as at least one other producer pushed to keep Giddish on the procedural, but the decision had already been made. Additionally, salary negotiations and her future on the show were part of the conversation and, ultimately, a compromise couldn’t be made.
Case closed. Kelli Giddish shocked Law and Order: SVU fans when she announced she will be exiting the series during season 24, which premieres on September 22.
Kelly Giddish is saying goodbye to "Law & Order: SVU" after more than a decade. The actress, who plays Detective Amanda Rollins on the NBC series, confirmed that the 24th season will be her last. She made her debut in 2007.
Onward and upward! Law & Order: SVU star Kelli Giddish revealed her time on the long-running crime series has come to an end after portraying Detective Amanda Rollins for over a decade.
Fans weren’t too happy to learn that Kelli Giddish is leaving Law & Order: SVU after 12 seasons, so some went looking for someone to blame on social media. Fingers were pointed at Dick Wolf, but even new showrunner David Graziano was tagged in some messages by irate fans.
Michaela Zee editor For the first time in the history of Dick Wolf’s “Law & Order” franchise, all three dramas are uniting for a special premiere event on Sept. 22 from 8-11 p.m. ET on NBC. The historic “Law & Order” crossover, which will kick off NBC’s 2022-23 TV season, intertwines the storylines of “Law & Order,” “Law & Order: SVU” and “Law & Order: Organized Crime.” Following the murder of a mysterious young girl, Detective Frank Cosgrove (Jeffrey Donovan) and Detective Jalen Shaw (Mehcad Brooks) team up to track down her killer. Captain Olivia Benson (Mariska Hargitay), Detective Elliot Stabler (Christopher Meloni) and district attorney Jack McCoy (Sam Waterston) also join forces to help solve the homicide case.
“Law & Order: Special Victims Unit” is saying goodbye to a longtime cast member.
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