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Daniel D'Addario Chief TV CriticThe set of the new Broadway production of “American Buffalo” at Circle in the Square is choked with the unwanted artifacts of recent history. The show’s two acts take place in a junk shop glutted with relics, one whose barest gestures toward organization are just begging to be undone; the place is already sliding into disorder, so why not finish the job?It’s fitting in more ways than this production may anticipate.

Daniel D'Addario Chief TV CriticThere’s a brutally silly device at work in “Anatomy of a Scandal,” Netflix’s new London-set limited series. At key moments, often the end of an episode, one character or another will become suddenly destablized, a process depicted by them flying backwards in the air or falling down.

Daniel D'Addario Chief TV CriticIn the early 2000s, “The Brothers Garcia” was a hit on Nickelodeon; that show depicted a loving Latino family in San Antonio, and was anchored by the dynamic between squabbling brothers.In keeping with the current vogue for reviving recognizable IP on a roughly two-decade cycle, six of that show’s principal cast members are back for a sequel series on HBO Max. “The Brothers Garcia” is created (as was its Nick ancestor) by Jeff Valdez, and depicts an extended family enjoying an extended-stay vacation on a Mexican beach.Notionally, “The Garcias” is pitched at a broad audience: Its humor is broad, its plotlines are heartfelt.

Daniel D'Addario Chief TV CriticIn the second episode of “The Kardashians,” Hulu’s new reality show featuring the widely-documented Calabasas, Calif. family, there is a moment of reflection.

Daniel D'Addario Chief TV CriticA great frustration for me as a critic of television, and a viewer of television, has been the ongoing dominance of “The Bachelor” franchise — a series that requires herculean endurance on the part of the viewer to find moments of genuine oddity. Over the course of punishingly long episodes, “The Bachelor” tends toward the most rote sorts of provocation, placing contestants who have been cast for their ability to approximate normalcy into extreme situations.After all, “The Bachelor” runs on happy endings, and so we must be rooting for its leads (the Bachelor or Bachelorette, and the credible options for them to pick at the end) to really find love.

Daniel D'Addario Chief TV Critic“Power is a dangerous, delicate creature,” Kiernan Shipka’s character tells us in voice-over as she zips up her dress. “Intoxicating.

Daniel D'Addario Chief TV CriticOver cigarettes in a Tokyo nightclub, a newbie crime reporter eager to make a mark is speaking to his source. Jake Adelstein (Ansel Elgort), an American who’s become fluent in Japanese to work as a journalist far from home, uses the language to ask his source Jin Miyamoto (Hideaki Itō) whether the city of Tokyo has officially recorded murder cases at all. Miyamoto, a corrupt cop, is briefly caught up in all the flashes of distraction the nightclub has to offer — bright lights, music, liquor on order and young women ambiently available — before explaining the situation to this outsider.

Daniel D'Addario Chief TV Critic“Better Call Saul” is, at the start of its two-part final season, still twin shows — a riveting one and one that, even while well-made, can feel like yesterday’s news. The good news for viewers who are interested in the storyline about Jimmy McGill’s slippage into the amoral Saul Goodman, and his dragging of Kim Wexler with him, is that that half of the series is as strong as ever.

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission.Marvel has added a new live-action series to its growing lineup this week with the debut of “Moon Knight” on Disney Plus.The highly anticipated show, starring Oscar Isaac as the franchise’s infamous antihero, marks the fifth comic series that the streamer has adapted for the screen, following wildly successful hits such as “WandaVision” and “The Mandalorian.” It’s also the first time that the Moon Knight character, whose story has been explored in dozens of comic issues since 1970, will be featured heavily onscreen.The story starts off by following a British gift shop employee named Steven Grant (Isaac), who is haunted by nightmarish visions seemingly caused by a mysterious force that’s taken over his mind. Soon enough, it turns out those visions are really the real, dissociative states of Mark Specter, another character played by Isaac that shares Grant’s body and identity but is also a human embodiment of the Egyptian god Khonshu.

Daniel D'Addario Chief TV CriticPete Holmes is a fairly cerebral comic, a presence whose jokes consistently feel carefully thought through. His recent HBO sitcom “Crashing,” which ended in 2019, took a subject that is easy to lampoon — a comedian’s quest for recognition and success — and took it seriously, treating it with real sensitivity.There’s something particularly dispiriting, then, about “How We Roll,” a new sitcom starring Holmes that’s lacking any semblance of his voice or his wit.

Daniel D'Addario Chief TV CriticOf all this season’s limited series based on high-profile incidents of chicanery, “The Dropout” stands out. More than Showtime’s Uber show, Apple’s WeWork show, or Netflix’s Anna Delvey show, Hulu’s look at the life and career of Theranos founder Elizabeth Holmes feels as though it has a certain point-of-view on its subject.

Daniel D'Addario Chief TV CriticLast year, Marvel made a serious run at using streaming TV to do something qualitatively different than what it does on the big screen. With “WandaVision,” the first of its series to stream on Disney Plus, the studio used familiar characters to animate a story that, in its early going, was substantially more pliable and strange than what they were willing to attempt in a heavily leveraged movie.

Daniel D'Addario Chief TV Critic“Plaza Suite” practically demands to be played straight.Neil Simon’s look at three romantic couples facing down the passage of time is sharp and knowing, but it is, crucially, earnest. Each character gives direct and explicit voice to what’s on their mind; relationship dynamics are explored with an openness of heart that isn’t remotely trying to be cool or distanced.

Zack Sharf Donald Glover has confirmed that Malia Obama is in the writers’ room for his new Amazon series. The “Atlanta” Emmy winner told Vanity Fair that Obama is “an amazingly talented person,” adding, “She’s really focused, and she’s working really hard.”“I feel like she’s just somebody who’s gonna have really good things coming soon,” Glover said.

Daniel D'Addario Chief TV CriticIn a scene in the first season of the Ukrainian sitcom “Servant of the People,” the newly-elected president of Ukraine is attempting to get the attention of his parliament, which has devolved from bickering into a physical brawl. Gently clearing his throat and murmuring for some peace and quiet won’t do, and this head of state is too green to command much respect from those serving alongside him in government.

Daniel D'Addario Chief TV CriticThere’s a beautifully drawn moment in the fourth episode of “Pachinko,” Apple TV Plus’ new cross-generational epic, in which a young woman (Minha Kim) is served white rice as a final meal in Korea before setting out to the unknown. It’s moving on its merits — this character, Sunja, has already been through a great deal, and a meal lovingly prepared by her mother (Inji Jeong) has a certain symbolic weight all its own.

Daniel D'Addario Chief TV CriticMonday night brings the end of what has been one of 2022’s most indulgent pleasures — and one that calls to mind the TV of a decade prior. HBO’s “The Gilded Age” has made a strong argument for the efficacy of series creator Julian Fellowes’ method as a deliverer of narrative delight.Every episode has been an hourlong fantasia in which the mind, unbothered by a plot that seems at best ornamental, is free to roam — a pleasant, happy state of what Gen Z might call “smooth-brained” experience, untroubled and uncomplicated by the firing of synapses or the development of nuance.

Daniel D'Addario Chief TV Critic“I just kept thinking, why isn’t anyone stopping us? Why didn’t anyone stop us?”Amber (Laura Dreyfuss) is addressing her wife (Jamie Neumann), deep into a scheme that has spiraled beyond either one of these two white women’s control. On their way to the madness of this moment, they’ve demonstrated both a powerful and shocking inhumanity and the grim whimsicality of racism – the manner in which new rules can be created by the people in charge breezily, as if for their own amusement.This is, and is not, “Atlanta.” The show, returning to the air for the first time since 2018, has jettisoned its cast for this installment, stepping outside the plot to tell a story of startling power.

Daniel D'Addario Chief TV CriticIt’s not hard to see why a story about a U.S. at war with itself might have seemed especially piquant to producers over the past several years.

Daniel D'Addario Chief TV CriticNetflix has once again found a criminal case whose oddity, extremity, and seeming delusion make for an interesting story. “Bad Vegan: Fame. Fraud.

Daniel D'Addario Chief TV Critic“Minx,” a new comedy on HBO Max, has a plot that’s all about reversing the gaze — looking as pruriently at men as media often looks at women. And the form of the show follows suit.In order to tell the story of Minx, a new magazine launching in this show’s depiction of a swinging 1970s, this series refuses to hold back, diving deep into a curiosity about the male form that’s as gently inquisitive as it is prurient.

Daniel D'Addario Chief TV CriticHulu’s new limited series “The Girl From Plainville,” which premiered at the SXSW festival on March 12, faces, and surmounts, an interesting challenge: Its two lead characters have a relationship based almost entirely on text messages. The sight of someone with their face buried in a phone is hardly novel, nor is it compelling — at least not enough to sustain an eight-episode drama.The question of whether “The Girl From Plainville,” based on the real-life manslaughter trial of Michelle Carter after she encouraged her boyfriend over text to kill himself in 2014, really needed all of those episodes to tell its story is a fair one.

Daniel D'Addario Chief TV CriticIn the new documentary series “The Andy Warhol Diaries,” the late pop artist’s re-created voice sounds eerie and uncanny — human but not. It’s aesthetically jarring, and a fitting tribute.Director Andrew Rossi, with the permission of Warhol’s estate, used an artificial-intelligence program to reproduce his speaking voice, so that “Warhol” can read aloud from the diaries he kept.

Daniel D'Addario Chief TV CriticIt’s hard, at first, to see what drew Renée Zellweger to the lead role of “The Thing About Pam.”Zellweger, in an attempt to resemble the real-life convicted murderer Pam Hupp, forces herself to act through a shroud of body prosthetics. The show’s writers have stripped away subtext, dimming Zellweger’s sparky comic timing.

Daniel D'Addario Chief TV CriticJohn C. Reilly first shows up in “Winning Time” post-coitally, musing about the ways in which his favorite activity has pleasures not unlike his second-favorite. “God damn,” he muses to his sleeping mistress, his gaze slightly tangent to the camera’s gaze.

Daniel D'Addario Chief TV CriticNetflix’s new drama “Pieces of Her” kicks off with an act of violence that predicts much of what will lie ahead: It is startling for its randomness.In this series’ first episode, a mother and daughter (Toni Collette and Bella Heathcote) are caught up in a public mass shooting, the denouement of which reveals Collette’s character Laura to have a surprising, unforeseen boldness. The attention Laura’s heroism receives threatens to upset a delicate balance, one that Heathcote’s Andy hasn’t even realized exists.Soon enough, Andy, whose adult life has been in a state of suspended animation to care for the ailing Laura, is thrust into the world, ordered by Laura to leave their town, where they have kept a purposefully low profile existence, and go into hiding.

Daniel D'Addario Chief TV CriticSPOILER ALERT: Do not read this review if you haven’t watched “All My Life, My Heart Has Yearned for a Thing I Cannot Name,” the Season 2 finale of “Euphoria.”When Sydney Sweeney’s Cassie Howard charged the stage during her sister’s self-produced theater work in the season finale of “Euphoria,” the audience at the show’s hypercharged high school was left uncertain as to whether her outburst was part of the play.In the most clever moment of a tricky, meta, exceptional season of television, the answer, of course, was both that it was and was not. The play, on which the action of the season hinged, was designed to elicit an angry reaction from Cassie, and it achieved its goal; Cassie’s freaking out at playwright Lexi (Maude Apatow) was an inherent plot point, though Lexi couldn’t have predicted the specifics.

Ethan Shanfeld The final seven episodes of “Ozark” will premiere on April 29 on Netflix.The official logline of Season 4, Part 2 reads: “Marty and Wendy are rid of Helen and climb to the top of Navarro’s empire. They find another opportunity to get out of the Ozarks but some past sins won’t stay buried and the most dangerous threats come from blood.”“Ozark” stars Jason Bateman, Laura Linney, Julia Garner, Sofia Hublitz, Skylar Gaertner, Charlie Tahan, Jessica Frances Dukes, Lisa Emery, Felix Solis, Damian Young, Alfonso Herrera, Adam Rothenberg, John Bedford Lloyd, Joseph Sikora, Bruno Bichir, Katrina Lenk, CC Castillo and Ali Stroker.“My childhood traumas are not like yours,” Ruth (Garner) says in the trailer.

Daniel D'Addario Chief TV Critic“Better Things,” launching its fifth and final season February 28, is not the highest-profile show to have recently announced its conclusion, or the flashiest. But its time on FX has been a small-scale triumph both of art and of persistence — and a moment in TV history that seems to be flickering out of view.From its 2016 launch, “Better Things” depicted the trials endured by Sam Fox (show creator Pamela Adlon), who struggled to balance her life as a single mother with her career as a working actor in Hollywood.

Daniel D'Addario Chief TV CriticThere is surely enough “Law & Order” content in existence to program an entire network, seven nights a week, with reruns. Spinoff “Special Victims Unit” has run continuously since 1999; the flagship series aired from 1990 to 2010.

Daniel D'Addario Chief TV CriticThe news that Wendy Williams’ talk show is to end makes official what fans had suspected for months: TV is losing one of its most distinctive talents.And “talent” is the word that feels right to describe Williams, a former radio DJ who made the leap to daytime in 2008. Her show, defined by its host’s off-the-cuff chatter at the start of every episode, was the opposite of studied. And Williams’ own persona was loose and provocative in ways that felt like the result of an inborn gift for living out loud, an ability to transmit private amusement to an audience of millions.

Daniel D'Addario Chief TV Critic“Super Pumped: The Battle for Uber,” Showtime’s limited series about Travis Kalanick’s period as CEO of the rideshare company, runs on a simple either-or proposition. Kalanick focused all of his energies on the success of the corporation he ran, at the expense of his employees’ well-being and physical safety, as well as of ethics, labor practices and the law.

Daniel D'Addario Chief TV CriticThe CW’s “All American” has had a successful run — a notably successful one, on a network dominated by superhero programming — taking on stories about high school football. Now, a spinoff shifts the action to college baseball and tennis, but keeps the source material’s focus on Black youth.

Daniel D'Addario Chief TV CriticThe new documentary series “Lincoln’s Dilemma” begins and ends outside of Abraham Lincoln’s era — opening with footage of the siege on the Capitol on January 6, 2021, and concluding only weeks later, with the journalist Jelani Cobb’s observation that the military “occupied” Washington to keep Joe Biden safe at his inauguration. But the point this series makes is that, indeed, we’re hardly outside Lincoln’s moment at all — that the tenuousness and the peril of his era persist, as does the fundamentally unresolved question of race in this country.Directed by Jacqueline Olive and Barak Goodman and executive produced by, among others, former HBO chief Richard Plepler, “Lincoln’s Dilemma” uses various techniques to illustrate the life and legacy of the 16th president, and the problems he faced while in office.

Addie Morfoot Contributor“Hacks” is a dark comedy about two women in different stages of life desperately trying to hold on to their careers, but it’s also a character study that defies genre.The series stars Jean Smart as comedian Deborah Vance and Hannah Einbinder as Ava, a young, struggling comedy writer brought in to revamp Vance’s stale Vegas residency.The 10-episode first season of the HBO Max series, created by “Broad City” trio Lucia Aniello, Paul W. Downs and Jen Statsky, tackles isolation, loneliness and, according to Variety’s Daniel D’Addario, “successfully argues that there is a virtue all its own in showing up and gutting it out — in being a hack.”At the heart of the show is the relationship between Vance and Ava – a pair of strong-willed, hardheaded women from opposite worlds and generations who share a common passion: comedy.

Daniel D'Addario Chief TV CriticThe most surprising thing about Jon Stewart’s recent defense of the comic and podcaster Joe Rogan might have been that it made waves at all.Stewart, on a podcast affiliated with his Apple TV Plus series “The Problem With Jon Stewart,” called the reaction to claims Rogan has made about COVID-19 vaccines “a mistake.” Stewart compared Rogan, the podcaster and comic, to “dishonest, bad actors,” and said that identifying such people “is so much more important to me.” He added, “You have to engage. Like, how do you not engage with people? The whole point of engagement is, hopefully, clarification… It might be a fool’s errand, but I will never give up on engagement.” This argument brought Stewart — a discourse-shifting TV icon in his time as host of “The Daily Show,” and a figure who has lately struggled to break into the conversation — back into the news.