‘Law & Order’ Returns, With New Energy and a Considered Approach: TV Review
23.02.2022 - 01:55
/ variety.com
Daniel D'Addario Chief TV CriticThere is surely enough “Law & Order” content in existence to program an entire network, seven nights a week, with reruns. Spinoff “Special Victims Unit” has run continuously since 1999; the flagship series aired from 1990 to 2010.
There are obvious market reasons to bring back the original — the perceived likelihood of a known quantity outperforming a replacement-level new series, the decades’ worth of audience familiarity with the format. But artistically, the only justification for reviving “Law & Order” is finding within it something to say about a world that’s come a long way since Sam Waterston’s Jack McCoy was last onscreen.In its first episode, “Law & Order” 2.0 manages that.
The show is the show is the show — fans will be soothed by its dogged commitment to its structure, while detractors will once again note, for instance, the fairly ludicrous departure from real-life courtroom protocol. But “Law & Order’s” new look comes in on the margins, in a procedural that seems at the very least concerned with framing its subjects with something other than reflexive sympathy for law enforcement, and for the prosecution.
To wit: A new character played by Jeffrey Donovan is notably volatile, and, in the investigation of a high-profile murder of an accused serial rapist, treats Black youth with instant suspicion and derision. What ensues is a conversation between Donovan’s character Det.
Frank Cosgrove and his partner Det. Kevin Bernard (a somewhat tamped-down Anthony Anderson, making his return from the late period of the first “Law & Order”) that pushes edgily close to outright sparring, with Cosgrove complaining about the presence of cell phones and Bernard, strikingly, saying that the
.