Could one more Batman be returning to the DC multiverse?
Could one more Batman be returning to the DC multiverse?
Batman fans have theorised that Christian Bale‘s incarnation of the Caped Crusader will appear in the upcoming Flash film.The DC film debuted its trailer last night (February 12) at the Super Bowl, showcasing Ezra Miller’s Barry Allen/The Flash alongside Michael Keaton and Ben Affleck’s incarnations of Batman.However, eagle-eyed fans have suggested that Bale could also be returning as Batman, with one brief moment showing the superhero riding a Batpod, much like the one seen in Christopher Nolan’s Dark Knight trilogy.“At the 1.55 mark is a Batman and Batmobile resembling Christian Bale… I will [lose] it in the cinema if he cameos!!” one fan tweeted.“Is that Christian Bale as the Nolan-Batman in #TheFlash trailer? I’m going to FREAK OUT if Bale is back!” another said.A third added: “Wait. Hold up.
EXCLUSIVE: Following the global success of Netflix original series D.P. and Hellbound, and the Netflix original film Jung-E, South Korea’s Climax Studio is developing filmmaker Jason Kim’s The Monster Tale along with Andy Serkis and Jonathan Cavendish’s Imaginarium Productions.
Liam Neeson is opening up about if he would make a return to Star Wars or the DC Universe.
There’s no surprises on Netflix‘s English-language TV and film charts in the U.S. for the week of January 9 to January 15.
Angela Bassett will be honored by the Make-up Artists & Hair Stylists Guild (MUAHS) with the 2023 Distinguished Artisan Award. The actor, director and executive producer is set to receive the accolade on Saturday, February 11, 2023, at The Beverly Hilton.
Before director Todd Field’s triumphant return to filmmaking with “TÁR,” the Academy Award-nominated “In The Bedroom” filmmaker hadn’t made a movie for 16 years. Field had nearly made dozens and dozens of films over this period—some that could have included Leonardo DiCaprio, Christian Bale, one with Cate Blanchett that almost happened a decade earlier than “TÁR.” But the luck of the draw for Field was that all of these projects—including an adaptation of Cormac McCarthy’s “Blood Meridian” for producer Ridley Scott—never saw the light of day.
After 16 years in the weeds—tons of projects in development, none of them panning out, projects that could have included Leonardo DiCaprio, Christian Bale, Daniel Craig, and more—filmmaker Todd Field returned last year with the critically acclaimed “TÁR” starring Cate Blanchett (#1 on our list of the Best Films of 2022). It’s a bold, audacious drama, and it will likely be nominated for several Oscars, including Best Picture, Best Actor, Best Director, and more.
Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will be factors in this year’s movie awards race.
Pandemics are already something of a horror, at least an existential one for modern-day audiences, and having a sick child is certainly a terrifying thought for all parents. Given all these problems are very real and scary, modern-day parents turn out to be even more protective of their children or become “helicopter parents.” And it seems like all these contemporary ideas are folded together in the new horror thriller “Blood” by genre filmmaker Brad Anderson best known for directing “The Machinist” with Christian Bale.
If you believe Christian Bale is one of our finest working actors, then you must make sense of his continued collaboration with writer/director Scott Cooper. Their latest joint, Netflix’s “The Pale Blue Eye,” marks a trinity of team-ups for Bale and Cooper.
Murder early American style is pointedly served cold in The Pale Blue Eye, a fancifully gruesome account of killings at the U.S. Military Academy at West Point, circa 1832, that attracts the attention of a certain Edgar Allan Poe, among others. Handsomely made in the dead of winter and generally adept at playing its dramatic cards, the film’s intrigue stems from the unusual academic setting, the ritualistic freakishness of the killings, the intelligence of the characters and the admittedly narrow portrait of a United States still just getting on its feet.
It’s clear that Christian Bale is the type of actor who loves to collaborate with specific filmmakers multiple times over his career. He’s done that with Adam McKay, David O.
“American Psycho” is a film that people fully embrace now, more than 20 years after its release. However, at the time, Mary Harron’s adaptation of the Bret Easton Ellis classic novel was actually thought to be silly and just not good.
It wasn’t a surprise to see that Scott Cooper had recruited Christian Bale to star in his most recent project, Netflix’s upcoming “The Pale Blue Eye.” However, it was a nice surprise to learn that Howard Shore would be providing the music.
“The Pale Blue Eye” marks the latest collaboration between Christian Bale and Scott Cooper. The two have previously worked together on “Out of the Furnace,” which was met with massive critical praise for both talents, while their previous collaboration, “Hostiles,” wasn’t as well-received.
Christian Bale and director Scott Cooper have a history together. They first teamed up on 2013’s “Out Of The Furnace,” then reunited on 2017’s “Hostiles.” Now they collaborate again on “The Pale Blue Eye,” Cooper’s follow-up to last year’s “Antlers,” which hits Netflix next January.
Last decade, Christian Bale and director Scott Cooper teamed up for two films, 2013’s “Out Of The Furnace” and 2017’s criminally underseen “Hostiles.” Now, they join forces again on “The Pale Blue Eye,” Cooper’s take on Louis Bayard‘s 2006 novel about a double murder at the West Point military academy in 1830. Vanity Fair’s first look at the film offers a glimpse at the period mystery thriller, which sees Bale’s detective come out of retirement to solve the murders thanks to a new protegé, Henry Melling‘s young Edgar Allan Poe.
the cast of David O. Russell’s Amsterdam. Bale and Washington play World War I veterans who befriend each other after serving together.
Pierce Brosnan was once in the running to play Batman, and he is looking back on his campaign to embody the caped crusader.
The new movie Amsterdam has been in theaters for just one week, but it’s already been deemed a massive failure due to its disappointing box office performance.
While tentpoles resuscitated moviegoing this past summer with pics like Top Gun: Maverick, it’s true that the more, adult-skewing fare is having a much harder time now. No where was this more true than with David O. Russell’s Amsterdam which rivals believed had a shot at opening to $12M-$15M this past weekend based on the period absurdist comedy’s glossy ensemble of Christian Bale, Margot Robbie, John David Washington, Rami Malek, Robert De Niro, Anya Taylor Joy, Taylor Swift, Michael Shannon (the list doesn’t stop…).
Rebecca Rubin Film and Media Reporter “Ticket to Paradise,” a romantic comedy that reunites Julia Roberts and George Clooney, is (surprise, surprise) charming audiences at the international box office. The movie has generated $60 million overseas to date, a promising start given the current challenges facing theatrical rom-coms. Of course, it helps when the genre gets a boost from megawatt stars like Roberts and Clooney. According to Universal, which is backing the film, “Ticket to Paradise” is outpacing recent meet-cute stories like “The Lost City,” “Last Christmas” and “Crazy Rich Asians” at the same point in their respective big-screen rollouts. Over the weekend, “Ticket to Paradise” earned $10.5 million from 61 territories, including debuts in France ($1 million), Mexico ($1 million) and Italy ($800,000). In holdover markets, “Ticket to Paradise,” which features Clooney and Roberts as exes who try to stop their daughter from marrying a near stranger, has been popular in Australia ($8.5 million), the United Kingdom and Ireland ($7.4 million) and Germany ($7.4 million). It opens Oct. 21 in the U.S. and Canada.
Rebecca Rubin Film and Media Reporter David O. Russell’s star-studded period drama “Amsterdam” collapsed in its box office debut, earning an anemic $6.5 million from 3,005 North American theaters. The movie, which cost $80 million to produce, couldn’t overcome bad reviews and minimal buzz and is shaping up to be one of the biggest misfires of the year. This weekend’s other newcomer “Lyle Lyle Crocodile” also fell short of expectations with $11.5 million from 4,350 cinemas in its opening weekend. However, Sony’s animated family film, an adaptation of the popular children’s book about an anthropomorphic reptile (who sings!) voiced by Shawn Mendes, won’t be as painful for the studio given its $50 million price tag.
according to IMDB’s Box Office Mojo. The horror flick is projected to take in $16.8 million this weekend, according to The Hollywood Reporter.
David O Russell’s oeuvre, it’s that great film-making chops (Three Kings!) meet wildly divergent outcomes (often within a single film); Russell will fall out with some of his cast, and said cast will be star-filled. His latest is Amsterdam, a period crime romp led by Margot Robbie, Christian Bale and John David Washington, abetted by Robert De Niro, Anya Taylor-Joy, Chris Rock, Rami Malek, Mike Myers, Andrea Riseborough, Zoe Saldaña, Michael Shannon and Taylor Swift. Results may vary.
“Amsterdam,” the new David O. Russell historical mystery, has enough mega-watt stars to power a midsized American city.The cast includes (but is not limited to) Margot Robbie, John David Washington, Anya Taylor-Joy, Rami Malek, Chris Rock, Mike Myers, Zoe Saldaña, Timothy Olyphant and Matthias Schoenaerts. If there’s a lead in the movie, it’s Christian Bale, who developed the project with Russell and who stars as an injured veteran of World War I who is now looking to help his fellow wounded soldiers start their new lives in New York.
Matthias Schoenaerts has been cast opposite Kate Winslet in HBO’s limited series The Palace, from Succession duo Will Tracy and Frank Rich and The Queen director Stephen Frears.
Christian Bale stars in David O. Russell’s “Amsterdam,” in theaters this weekend, the latest film of the actor’s illustrious career.
Jordan Moreau “Lyle, Lyle, Crocodile” is slowly getting ready to take a bite out of the weekend box office. It earned $575,000 from 3,453 theaters in Thursday previews, while David O. Russell’s “Amsterdam” picked up $550,000 million from 3,005 theaters. Sony’s live-action/CGI hybrid, co-financed by TSG, is a family-friendly movie about a singing crocodile, starring Grammy-nominated artist Shawn Mendes as the titular reptile. The studio projects an opening haul of $11 million to $12 million, with some projections belting out upwards of $15 million. With a budget of $50 million, it will need plenty of support from kids and families over the fall to snap up a profit. The cast includes Javier Bardem as Hector P. Valenti, Lyle’s flamboyant owner, Brett Gelman as Mr. Grumps and Constance Wu, Scoot McNairy and Winslow Fegley as the Primm family. The Primms move to a new house in New York City, where they discover Lyle, a saltwater crocodile with the voice of a high-end recording artist, living in their attic.
Christian Bale’s career took a remarkable turn, thanks to Leonardo DiCaprio. According to the actor, his rise to fame came after DiCaprio declined to accept parts in important movies. “Look, to this day, any role that anybody gets, it’s only because he’s passed on it beforehand,” Bale jokingly told GQ in an interview.“It doesn’t matter what anyone tells you.
Christian Bale is opening up about playing «mediator» between Amy Adams and director David O. Russell while on the set of .During a wide-ranging interview with, the 48-year-old actor was asked about Russell being well-known for having difficult sets and how he responded to that kind of working environment. He said that, for starters, understanding the method to one's madness is paramount.«If I can have some sense of understanding of where it's coming from, then, I do tend to attempt to be a mediator,» he tells GQ.
“Amsterdam,” David O. Russell‘s first movie in seven years, hits theaters on Friday, and it’s his third team-up with Christian Bale.
Christian Bale has said he only has an acting career because Leonardo DiCaprio has rejected so many roles.The actor, known for starring in Christopher Nolan’s Batman trilogy and American Psycho, claimed DiCaprio was offered “every one” of the roles Bale’s taken before him, even from directors he’s worked with “multiple times”.Asked by GQ about the rumour that he lost at least five roles to DiCaprio in the 1990s, Bale said: “Oh, dude. It’s not just me. Look, to this day, any role that anybody gets, it’s only because he’s passed on it beforehand.“It doesn’t matter what anyone tells you.
Nine years after the Oscar-winning film "American Hustle" premiered, Christian Bale is speaking out about his role on and off-screen. During a recent interview, the "Batman Begins" actor revealed he played "mediator" behind the scenes between Amy Adams and director David O. Russell, as the two would often get into heated interactions.
Christian Bale has had a wide, varied career since his early breakout as a kid actor in Steven Spielberg‘s 1987 film “Empire Of The Sun.” But what performance of Bale’s do moviegoers find ubiquitous with the actor? For some, it’s his turn as deranged finance guy Patrick Bateman in Mary Harron‘s “American Psycho.” For others, it’s a more recent role, like Brit road racer Ken Miles in “Ford V.
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