France has submitted The Taste Of Things as its candidate for the Best International Feature Film at the 96th Academy Awards, in a major upset after Justine Triet’s Cannes Palme d’Or winner and hot favorite Anatomy Of A Fall was shut out.
France has submitted The Taste Of Things as its candidate for the Best International Feature Film at the 96th Academy Awards, in a major upset after Justine Triet’s Cannes Palme d’Or winner and hot favorite Anatomy Of A Fall was shut out.
Elsa Keslassy International Correspondent “Anatomy of a Fall,” Justine Triet’s Palme d’Or winning film, is one of the five movies shortlisted by France’s Oscars committee to represent the country in the international feature film race. The movie, which was acquired by Neon at Cannes, was pre-selected alongside “The Taste of Things” (previously titled “The Pot-au-Feu,” a culinary romance starring Juliette Binoche which won best director at Cannes for French-Vietnamese filmmaker Trần Anh Hùng); “The Scent of Green Papaya”; Clement Cogitore’s “Goutte d’or”; Thomas Cailley’s supernatural coming-of-age drama “The Animal Kingdom”; and Denis Imbert’s “Sur les chemins noirs.” The year’s selection committee includes sales agents Sabine Chemaly and Tanja Meissner, producers Charles Gillibert and Patrick Wachsberger, directors Olivier Assayas and Mounia Meddour, and Oscar-winning composer Alexandre Desplat.
France has unveiled the five titles in the running to be its entry for Best International Feature Film at the 96th Academy Awards.
Elsa Keslassy International Correspondent Chinese director Bi Gan, whose 2018 film “Long Day’s Journey into Night” played at Cannes, will next direct “Resurrection.” The ambitious sci-fi detective movie is to be headlined by Chinese superstar Jackson Yee (“Better Days”) and Taiwanese actor Shu Qi (“The Assassin”) who sits on this year’s Venice jury. Boasting Bi’s edgy aesthetic and narrative style, the film tells the story of a woman whose consciousness falls into the “eternal time zone” during a surgical procedure.
Naman Ramachandran France has named a heavyweight Oscar selection committee to decide the submission in the international feature film category at the 2024 Academy Awards. France’s Minister of Culture Rima Abdul Malak has appointed a seven-person committee proposed by Dominique Boutonnat, president of French film board CNC. They include composer Alexandre Desplat, whose 11 Oscar nominations have led to two wins for “The Shape of Water” and “The Grand Budapest Hotel”; former Lionsgate executive and producer Patrick Wachsberger, Oscar winner for “CODA”; and two-time Cesar winning producer Charles Gillibert (“Mustang,” “M”).
Lionsgate film co-chief Patrick Wachsberger has been named as one of the members of the selection committee that will decide the French entry for the Best International Film Oscar category this year.
Elsa Keslassy International Correspondent Leos Carax, whose latest film “Annette” won best director at Cannes in 2021, will shed light on his enigmatic and singular body of work in his next project “It’s Not Me.” The self-portrait film reunites Carax with French actor Denis Lavant whom he directed in five of his most famous films, including “Boy Meets Girl,” “Bad Blood,” “Lovers on the Bridge,” and Berlinale prizewinning “Holy Motors.” Les Films du Losange, the Paris-based company which won this year’s Berlinale Golden Bear with Nicolas Philibert’s On The Adamant, will distribute “It’s Not Me” in France, as well as represent the film in international markets. “It’s Not Me” also reteams Carax with Charles Gillibert at CG Cinema, who produced “Annette.” After world premiering at Cannes, the ambitious English language musical drama went on to win many laurels, including best director at the Cesar Awards. It also earned a Cesar nomination for Driver, and a Golden Globe nomination for Cotillard.
Elsa Keslassy International Correspondent Kinology has come on board the highly anticipated next film of Russian filmmaker Kirill Serebrennikov, “The Disappearance of Josef Mengele,” based on Olivier Guez’s bestselling novel. Kinology is at Cannes to present the project to buyers. Set to start shooting in a few weeks, the film is being produced by Charles Gillibert at CG Cinema (“Annette”) and Ilya Stewart at Hype Studios (“Tchaikovsky’s Wife”). It stars August Diehl as Mengele, the notorious Nazi doctor who found refuge in South America at the end of WWII and was never captured. Mengele died in Brazil in 1979 without having been judged for his crimes. The daring movie will focus on Mengele’s fugitive years, spanning from Paraguay to the Brazilian jungle, and will be told from the man’s point of view.
Christopher Vourlias Producer Ilya Stewart has launched an independent studio based in Europe that will operate on a global scale, working with international talent and focusing on English-language feature films and television series, Variety can exclusively reveal. Hype Studios is the new venture from Stewart, the formerly Moscow-based producer who in recent years has been a fixture at the Cannes Film Festival, where his collaborations with Russian auteur Kirill Serebrennikov, including “Petrov’s Flu” and “Tchaikovsky’s Wife,” have premiered in competition. Among the co-productions with American and European partners currently on Hype Studios’ slate is Zach Wigon’s “Sanctuary,” starring Margaret Qualley and Christopher Abbott, which premieres as a Special Presentation next month at the Toronto International Film Festival and was produced with Rumble Films and Mosaic Films, along with Charades. Also on the slate is Pietro Marcello’s French-language “Scarlet,” produced in partnership with CG Cinéma’s Charles Gillibert, which opened this year’s Directors’ Fortnight in Cannes and will receive its North American premiere at the New York Film Festival.
Elsa Keslassy International CorrespondentKino Lorber has acquired North American distribution rights to Pietro Marcello’s sprawling post-WWI film “Scarlet,” which opened Cannes’ Directors Fortnight.Represented in international markets by Orange Studio, “Scarlet” will have its North American premiere at the New York Film Festival, before a theatrical release in 2023.A loose adaptation of Alexander Grin’s novel, “Scarlet” marks Kino’s second collaboration with Marcello. It follows “Martin Eden,” which competed at Venice, won best actor for Luca Marinelli and went on to play at Toronto.Marcello, who rose to prominence as a documentarian with his film “The Mouth of the Wolf,” penned the script for “Scarlet” with his regular screenwriting partner Maurizio Braucci (“Martin Eden”) and Maud Ameline, with the participation of novelist Geneviève Brisac.
Elsa Keslassy International CorrespondentMusic Box Films has acquired North American rights to “Rodeo,” the bold feature debut of Lola Quivoron which premiered in Un Certain Regard at Cannes where it won the Coup de Cœur du Jury special prize. Produced by Charles Gillibert (“Annette”) at CG Cinema and represented by Les Films du Losange, “Rodeo” stars newcomer Julie Ledrue a Julia, a hot tempered and fiercely independent young woman who infiltrates an underground dirt bike community in France.After a chance meeting at an urban ‘Rodeo,’ Julia finds herself drawn into a clandestine and volatile clique and striving to prove herself to the ultra-masculine group, but is she is faced with a series of escalating demands that will make or break her place in the community.
Elsa Keslassy International CorrespondentLola Quivoron wowed critics and audiences at Cannes with her bold first film “Rodeo” which picked up the Coup de Coeur prize at the Cannes Film Festival’s Un Certain Regard section.Following the world premiere of “Rodeo,” Quiveron started being courted by a flurry of U.S. agents while Les Films du Losange, which is selling her movie, is fielding several offers from top North American buyers.Produced by Charles Gillibert (“Annette”) at CG Cinema, “Rodeo” follows a hot tempered and fiercely independent young woman who infiltrates an underground dirt bike community in France.
Elsa Keslassy International CorrespondentSony Pictures Classics has nabbed “One Fine Morning,” Mia Hansen-Love’s critically acclaimed drama starring Lea Seydoux at Cannes on the heels of its world premiere at Directors’ Fortnight. Les Films du Losange, the indie film powerhouse, has now sold the film in 50 territories.The deal is for North American, Latin American and Middle East rights to the film.
Nick Vivarelli International CorrespondentNeapolitan director Pietro Marcello, who made the transition from high-profile docs to fiction with his Naples-set 2019 adaptation of Jack London’s Martin Eden – that made a splash on the international art-house scene – has now tackled a France-set tale inspired by a Russian novel in his new film “Scarlet” (see review) that mixes fable, musical, historical and magical realism elements.The pic’s central character is Juliette, played by promising newcomer Juliette Jouan, an orphan girl raised by a community of women and by her father Raphaël, a burly soldier who returned from the First World War to find that his adored wife after giving birth had passed away. Marcello spoke to Variety about what he calls his first ‘feminine’ film. Excerpts.I’ve always made films that are quite masculine.
Elsa Keslassy International CorrespondentLes Films du Losange has unveiled the trailer for Lola Quivoron’s daring feature debut “Rodeo” ahead of its world premiere in Un Certain Regard at the Cannes Film Festival. Produced by Charles Gillibert (“Annette”) at CG Cinema, “Rodeo” follows a hot tempered and fiercely independent young woman who infiltrates an underground dirt bike community in France.
Elsa Keslassy International CorrespondentPietro Marcello’s French-language period drama “Scarlet” is set to open the 54th edition of Cannes’ Directors Fortnight on May 18. Weaving musical and fantasy elements, the film is set in Northern Normandy, between the two world wars, a time of great inventions, and follows the journey of a young woman who was raised by her father, a widowed war veteran, and strives to find her own path in life.
Elsa Keslassy International CorrespondentEdouard Weil and Alice Girard, the producers of Audrey Diwan’s Venice Golden Lion-winning “Happening” and Valerie Lemercier’s Celine Dion movie “Aline,” won the Toscan du Plantier Award at a fancy Paris ceremony hosted by the Cesar Academie. Weil and Girard, who run the Paris-based production banner Rectangle Productions, were selected by 1,557 voters, including all the artists and crew members who have been nominated at the Cesar Awards since 2008, as well as the 164 members of the Association for the Promotion of Cinema.Besides “Happening” and “Aline,” Rectangle Productions delivered several other critically acclaimed films within the last year, including Jean-Christophe Meurisse’s “Bloody Oranges,” Gaspar Noé’s “Vortex” which played at Cannes.
Elsa Keslassy International Correspondent“Call My Agent!” producer Mother Production and Charles Gillibert’s CG Cinéma (“Annette”) are joining forces to create TV production label Les Saisons. The outfit will kick off with the series adaptation of Leïla Slimani’s critically acclaimed novel “Le Pays des autres.”Slimani’s novel, which was published in more than 30 countries and sold 670,000 units in France, is part of a trilogy charting the tumultuous love story between a young French woman and a Moroccan soldier.
Elsa Keslassy International Correspondent“Annette” producer Charles Gillibert is set to produce “Rodeo,” Lola Quivoron’s daring feature debut about a young woman who infiltrates an underground dirt bike community in France.Quivoron previously directed the short film “Au Loin Baltimore” which played at Locarno in 2016 and co-directed (with Antonia Buresi) “Headshot,” a documentary about today’s youth that aired on Franco-German network Arte.“Rodeo” shot entirely on the outskirts of Bordeaux,
Elsa Keslassy International CorrespondentIFC Films has set the U.S. theatrical release date for Mia Hansen-Løve’s “Bergman Island” on Oct.
Elsa Keslassy International CorrespondentIFC Films has acquired U.S. rights to “Bergman Island,” the English-language debut of Mia Hansen-Løve (“Things to Come”) which will world premiere in competition at the Cannes Film Festival.
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