Jon Burlingame editorFantasy films and television have been the basis for some of the most memorable scores in history, and more are on display with the debuts of “She-Hulk: Attorney at Law” this week and “House of the Dragon” on Sunday.Disney+ and HBO are, for the most part, keeping a lid on music until the shows premiere, but Variety got a preview of both from the composers themselves.“I feel like every composer wants to, at some stage, write that big action-adventure score and get to work with an orchestra,” says Amie Doherty, composer of “She-Hulk,” the Marvel series with Tatiana Maslany as a lawyer who can also turn into a giant green-skinned super-being.Doherty, the Irish-born composer who recently scored the animated “Spirit Untamed” and orchestrated many episodes of “Star Trek: Discovery” and “The Umbrella Academy,” has secretly been toiling on “She-Hulk” for the past year. The challenge, she says, was finding a central theme that she could apply to both sides of the character, along with creating music for the “really quirky characters” who are her clients.