Alexander Payne Latest Celebrity News & Gossip

UPDATED with latest: The Telliride Film Festival began August 31 with a lineup for the Rockies event’s 50th edition that includes world premieres of Alexander Payne’s The Holdovers (Focus Features), Emerald Fennell’s Saltburn (Amazon) and Free Solo filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin’s narrative feature Nyad (Netflix).

Clayton Davis Senior Awards Editor Two-time Oscar winner Alexander Payne returns to the big screen with his entertaining and crowd-pleasing film “The Holdovers” which debuted at the Telluride Film Festival on Thursday night, where he was in-person to introduce. With a 1970s aesthetic, a sharp script by David Hemingson, and a trio of exquisite performers, the film feels like the slam-dunk Oscar contender the establishment members of the Academy can get behind. “The Holdovers” reunites Payne with his “Sideways” star Paul Giamatti.

Thank god for Alexander Payne. The filmmaker is, and always have been, a true humanist. A writer/director more interested in human beings, something that has always been the special effect of his movies. A two-time Oscar winning writer, his latest film, The Holdovers, which had its World Premiere Thursday at the Telluride Film Festival, is one of the rare movies in which he doesn’t also have a writing credit. David Hemingson did the screenplay, but the idea, an inspired one, came from Payne, a real film buff who was always intrigued by Marcel Pagnol’s 1935 French film Merlusse about a group of boarding school students stuck over the holidays with a much-despised teacher. The director thought it had the bones for a new story and developed with Hemingson. Still, set in 1970, it is Payne’s first period film after a celebrated career for movies like Sideways, The Descendants, and many others. He has made some contemporary classics, no doubt, but the warm humanity of a trio of people left alone at Christmas in a snowy boarding school, ranks right up there with his very best. It is funny, sad, witty, poignant, filled with snark and heart and great acting. It also manages to be a film set at the holidays that offers something truly new for the genre, and also delightfully not only evokes the period in which it is set, it also purposely looks like a movie made then.

Peter Debruge Chief Film Critic We’ve all seen our share of stories about inspirational teachers. “The Holdovers” is dedicated to the opposite sort: a hard-ass named Paul Hunham whom everyone hates. The feeling is mutual, as Mr.

The Telluride Film Festival didn’t officially kick off its 50th edition until Thursday, but at least one attendee decided to get an early start the night before.

Naman Ramachandran The 67th BFI London Film Festival has unveiled its full lineup, which includes galas and special presentations of films by contemporary masters. As previously announced, Emerald Fennell’s “Saltburn” will open the festival and Kibwe Tavares and Daniel Kaluuya’s “The Kitchen” will close it.

The Telluride Film Festival, a key part of the fall festival circuit launching awards season and perhaps some major Academy Award contenders, announced the wide-ranging lineup of films for its landmark 50th edition. The fest kicks off Thursday and runs through Labor Day and will feature world premieres of Oscar winners Alexander Payne’s The Holdovers (Focus Features), Emerald Fennell’s Saltburn (Amazon) and Free Solo filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin’s narrative feature Nyad (Netflix).

The 2023 Telluride Film Festival will celebrate its 50th Anniversary with an extra day of screenings and an impressive 20 world premieres. Notable films making their debuts in the mountains include Emerald Fennell’s “Promising Young Woman” follow-up, “Saltburn”; Andrew Haigh’s “All of Us Strangers” with Andrew Scott, Paul Mescal, Claire Foy and Jamie Bell; Jeff Nichols’ “The Bikeriders” starring Austin Butler, Jodie Comer and Tom Hardy; and Ethan Hawke‘s latest directorial effort, “Wildcat,” co-starring Telluride resident Laura Linney.

Clayton Davis Senior Awards Editor The 50th Telluride Film Festival official lineup has been announced, revealing multiple world premieres including Emerald Fennell’s “Saltburn,” George C. Wolfe’s “Rustin,” Jeff Nichols’ “The Bikeriders” and Alexander Payne’s “The Holdovers.” In addition, the festival will pay tribute to Oscar-nominated director Yorgos Lanthimos, whose film “Poor Things” will debut Stateside after premiering at the Venice Film Festival.

Michaela Zee Bell Canada is ending its long-standing sponsorship of the Toronto International Film Festival, Variety has confirmed. The telecommunications company, a lead sponsor since 1995, will not continue its partnership with TIFF after the festival’s 48th edition this year. “Bell has had a terrific partnership with TIFF for the past 28 years,” the company said in a statement shared with Variety on Saturday.

EXCLUSIVE: Despite all the champagne popping at Warner Bros and Universal over the bananas box office success of Barbie and Oppenheimer, distribution executives continue to sweat over a possible lengthy SAG-AFTRA strike that is already blowing up the fall release calendar. We told you first last week this was going to happen. All major motion picture studios are assessing release-date changes the longer SAG-AFTRA strike goes on. Many want their stars to promote these films.

Given the chaos wrought by the SAG-AFTRA strike, Toronto has just announced a surprisingly strong first-wave lineup.

Brent Lang Executive Editor Two labor strikes may be upending Hollywood’s awards season and the film festivals that serve as launching pads for many Oscar contenders, but the Toronto International Film Festival signaled Monday that it still plans to showcase the best in cinema, unveiling its 2023 slate of movies. Alexander Payne, Richard Linklater, Kore-eda Hirokazu and Justine Triet are among the auteurs who will be screening their latest works at the festival. Payne will be on hand with “The Holdovers,” a comedy set in a boarding school that reunites him with “Sideways” star PaulGiamatti, while Linklater is showing “Hitman,” an action-comedy with Glen Powell and Adria Arjona. Kore-eda and Triet will screen “Monster” and “Anatomy of a Fall,” both of which premiered at Cannes, where the latter won the Palme d’Or.

You gotta love when a studio decides to take a bit of a risk when it comes to marketing a film. It’s always fun when you watch a trailer and realize that a marketing team has really felt inspired when they worked on something.

Tara Karajica In his 2017 film “Downsizing” two-time Oscar winner Alexander Payne presents an unbelievable antidote to the world’s growing population: the downsizing of the average human being. On Tuesday, the film opened the Evia Film Project, which focuses on green issues. “It didn’t start with the ecological element,” the director tells Variety at the event, which takes place on the Greek island of Evia, which was devastated by fires two years ago. Although six years old, the film is ageing well. It is still relevant and even mentions the pandemic in a scary foreboding, but he is not optimistic. “Things are getting worse,” he says.

Tara Karajica On Tuesday, Alexander Payne’s “Downsizing” opened the 2nd Evia Film Project, in the presence of the two-time Oscar-winning director. The green initiative was launched by the Thessaloniki Film Festival last year to offer support to Northern Evia following the devastating 2021 wildfires. The event runs to June 24 with an enhanced program. The films of this year’s edition are a mix of both classics and recent hits, feature films and documentaries. They have been selected to raise awareness, inform, incite to action, bring to light the repercussions of human-driven activities and mankind’s relation to the environment and, last but not least, praise nature’s magic.

John Bleasdale Guest Contributor At the Cannes Film Festival, Italy’s 102 Distribution is selling thriller “Light Falls,” directed by Phedon Papamichael, the cinematographer on James Mangold’s “Indiana Jones and the Dial of Destiny.” Papamichael, who was Oscar nominated for handling the cinematography on Alexander Payne’s “Nebraska” and Aaron Sorkin’s “The Trial of the Chicago 7,” talks to Variety about shooting “Light Falls.” The film tells the story of Clara, played by Elene Makharashvili, and Ella, played by Nini Nebieridze, two young lovers whose Greek island holiday spirals out of control when a tragic incident leads to an encounter with a trio of illegal Albanian immigrants. The thriller establishes the relationship of the young women before moving in a darker and more violent direction.

Refresh for updates The studio that owns the highest grossing movie of the year so far, Universal with its billion bound Super Mario Bros Movie, brought the stars and filmmakers to CinemaCon. Could we expect anything less?

Filmmakers and executives, creatives of music, theater and art remembered Tom Luddy as friend and mentor, tastemaker and cultural force who deployed an astonishingly vast network to nurture talent and bring people and projects together over decades.

Todd Gilchrist editor Warner Bros. will commemorate its 100th anniversary with a block of programming on Turner Classic Movies starting April 1. TCM will broadcast remastered and newly restored versions of 10 classic Warner Bros. films, each featuring an introduction from a filmmaker or film expert culled from the network’s ongoing partnership with the Film Foundation, a non-profit preservation and exhibition organization. The program coincides with the April 13-16 run of the TCM Classic Film Festival in Hollywood. On April 13, a new 4K restoration of 1959’s “Rio Bravo,” Howard Hawks’ classic western starring John Wayne, Dean Martin, Ricky Nelson and Angie Dickinson, will premiere on TCM and serve as the opening night film of the festival. Dickinson will attend the in-person event, while Martin Scorsese will introduce the film on TCM’s small-screen presentation. Similarly, Warner Bros. will premiere a new 4K restoration of Elia Kazan’s “East of Eden,” starring James Dean, on both the big screen and the network, the latter featuring an introduction by filmmakers Wes Anderson and Joanna Hogg.

Here’s a movie Focus Features is excited about for next awards season, and it wouldn’t be shocking to see it world premiering at a big film festival some time this year: Alexander Payne’s New England prep school comedy The Holdovers. The Universal label just dated the pic for November 10 with a wider break on Wednesday, November 22 ahead of Thanksgiving. 

Rebecca Rubin Film and Media Reporter Alexander Payne’s comedy “The Holdovers” is landing in theaters in time for Thanksgiving. Focus Features will begin rolling out the film on Nov. 10 in select markets before expanding nationwide on Wednesday, Nov. 22, ahead of Turkey Day. It’ll play in theaters alongside Disney’s animated adventure “Wish,” which debuts on the same day, as well as “The Hunger Games: The Ballad of Songbirds and Snakes” and Universal’s “Trolls 3,” which open the week prior. “The Holdovers” reunites Payne with Paul Giamatti for the first time since their 2004 Oscar-winning film “Sideways.” In the upcoming movie, Giamatti plays a curmudgeonly instructor at an elite New England prep school who is forced to remain on campus during Christmas break to babysit the students with nowhere to go. He eventually forms an unlikely bond with a damaged, brainy troublemaker (played by newcomer Dominic Sessa) and the head cook (portrayed by Da’Vine Joy Randolph).

Lionsgate is set as the distributor for the action-comedy Operation Fortune: Ruse de Guerre, helmed for Miramax by Guy Ritchie. The film starring Jason Statham (F9), Hugh Grant (Glass Onion), Aubrey Plaza (The White Lotus), Josh Hartnett (Lucky Number Slevin), Cary Elwes (Rebel Moon) and Bugzy Malone (The Gentlemen) will be released in the U.S. on March 3. 

Few ’90s comedies are as beloved as Alexander Payne‘s cult classic “Election.” Now, Deadline reports that Payne and Paramount Pictures have a sequel to the film in the works over at Paramount+, with Reese Witherspoon also on board to reprise her iconic role as Tracy Flick. READ MORE: Reese Witherspoon Says There’s A “Deep Desire” For More ‘Big Little Lies’ In The Future Like the 1999 film, “Tracy Flick Can’t Win” is based on a novel by Tom Perrotta, whose sequel to his 1998 book came out in June.

Paramount Pictures has announced that Tracy Flick Can’t Win — a sequel to Alexander Payne’s cult classic 1999 comedy Election — is being made for Paramount+. Payne is returning as director, with the original film’s lead Reese Witherspoon to produce and reprise her starring role.

EXCLUSIVE: Ezra Emanuel has been promoted to Production Executive at Miramax. Emanuel previously served as Bill Blocks executive assitant, serving as the day-to-day point man. In his new role he will be reporting to head of production Andrew Golov and Miriam Brin, SVP of Production, helping to source both TV/Film projects for Miramax and assisting all projects to their completion and sale.

EXCLUSIVE: Echo Lake Entertainment has signed actress Alisa Wainwright (Raising Dion) for management in all areas.

Veteran studio executives Peter Kujawski and Jason Cassidy will receive an Industry Tribute at the 32nd annual Gotham Awards ceremony, taking place live and in person at Cipriani Wall Street in New York City on Monday, November 28.

Matt Donnelly Senior Film Writer Hong Chau has joined the cast of the anticipated new film from “The Favourite” and “The Lobster” director Yorgos Lanthimos. Chau, who has been prolific in recent years, joins a stacked ensemble featuring Emma Stone, Jesse Plemons, Willem Dafoe and Margaret Qualley. Plot details are (frustratingly) under wraps from the Greek master of subversion, who has also given us “The Killing of a Sacred Deer” and “Dogtooth.” Lanthimos directs from a script he wrote with Efthimis Filippou (reuniting after both “Lobster” and “Sacred Deer”). Searchlight Pictures is financing and distributing the project with Element Pictures and Film4. Ed Guiney and Andrew Lowe of Element, Kasia Malipan and Lanthimos are producing. Principal photography begins this month in Chau’s native New Orleans.

EXCLUSIVE: Jeremy Steckler is exiting his post as President of Film Production at Imperative Entertainment to focus on producing under his newly launched shingle Enhanced Hammer. In addition to leading his production company, he will act as a consultant to Imperative Entertainment on select projects. Steckler arrived at Imperative in July 2019.

Manori Ravindran International Editor Neon has acquired the North American rights to the thriller “How to Blow Up a Pipeline” out of the Toronto International Film Festival, where it world premiered in the auteur-driven Platform section. Based on Andreas Malm’s manifesto tackling the climate crisis, the film is directed by Daniel Goldhaber (“CAM”); produced, co-written and stars Ariela Barer (“Runaways”, “Atypical”); co-written by Jordan Sjol and edited by Daniel Garber (“CAM,” “Some Kind of Heaven”). “How to Blow Up a Pipeline” follows a group of young environmental activists who set out to sabotage an oil pipeline in a timely thriller that’s described as “part high-stakes heist, part radical exploration of direct action as climate activism.”

Angelique Jackson The hottest sales title at the Toronto Film Festival is officially off the market, with Focus Features landing worldwide distribution rights to Alexander Payne’s “The Holdovers,” in a deal worth roughly $30 million. Paul Giamatti stars in the Christmas-themed film that reunites the actor and director for the first time since their Oscar-winning 2004 hit “Sideways.” It will hit theaters in Christmas 2023. In “The Holdovers,” Giamatti portrays Paul Hunham, a universally disliked professor at a prep school called Deerfield Academy. With no family and nowhere to go around the holidays in 1970, he stays on campus to supervise students who couldn’t go home. After a few days, only one person is left: a troublemaking 15-year old named Angus, a good student whose bad behavior always threatens to get him expelled. Along with the school’s head cook Mary (Da’Vine Joy Randolph), whose own son was recently lost in Vietnam, the three form an unlikely bond as they spend Christmas together during two very snowy weeks in New England. The cast also includes Carrie Preston, Gillian Vigman and Tate Donovan. David Hemingson wrote the film’s script script.

Deadline first reported the sale and said it was for $30 million, but the individual told TheWrap that it could even be north of that figure.The film, which reunites the team from Payne’s “Sideways,” screened on Sunday at TIFF in which all major streamers and studios attended.

EXCLUSIVE: The biggest deal ever made at Toronto will be on a film that is not in the Toronto Film Festival roster. I’m hearing that Focus Features is tying up a $30 million worldwide rights deal with Miramax’s Bill Block and CAA Media Finance for The Holdovers, after a discreet screening here for buyers held Sunday. Focus will give the film a theatrical release, and Middle East is the only turf not covered in the deal. The film marks the reteam between director Alexander Payne and Paul Giamatti, who teamed memorably in the 2004 wine-tasting road trip comedy Sideways, a film that won Payne and Jim Taylor Oscars for Best Adapted Screenplay. David Hemingson wrote The Holdovers script.

As they say here north of the border: Time to drop the puck on the 2022 Toronto Film Festival.

EXCLUSIVE: Da’Vine Joy Randolph (Only Murders in the Building) and Cliff “Method Man” Smith (Power Book II: Ghost) have signed on to star alongside Kerry Washington and Omar Sy in Lionsgate’s action-thriller Shadow Force, from director Joe Carnahan (Copshop).