Alejandro G.Iñárritu Latest Celebrity News & Gossip

Over the weekend, we saw a number of high-profile films get major premieres at the Venice Film Festival. One of the most anticipated features to debut is Alejandro G.

There’s no shortage of star power on the Lido this year. The 79th Venice Film Festival boasts such boldface names as Timothée Chalamet — along with his fellow the Bones And All castmates and filmmaker Luca Guadagnino — Cate Blanchett, Alejandro G. Iñárritu, Adam Driver and dozens more.

EXCLUSIVE: When he comes to a film festival with his latest film, Alejandro G. Iñárritu cuts a supremely confident swath. As he premiered his film Bardo in Venice, the writer/director seemed a bit more vulnerable. This is understandable because the film is a mix of dream and reality, a deep dive into his own life tragedies, the identity conflict facing an immigrant who becomes wildly successful in their adopted country, and the inevitable need to face one’s mortality.

Alejandro G Iñárritu‘s three-hour-long opus Bardo (False Chronicle of a Handful of Truths) received a warm reception at its Venice Film Festival world premiere on Thursday night. Six minutes of applause began inside the Sala Grande as the credits rolled, with attendees standing for the Oscar winning filmmaker for about four of those.

Dear Alejandro:

Owen Gleiberman Chief Film Critic “Bardo, False Chronicle of a Handful of Truths” is a movie longer than its title, and maybe even more pretentious. It’s the first film that Alejandro G. Iñárritu (“Birdman,” “The Revenant”) has made in his native Mexico in 22 years, and you feel, in every scene, the sweat and ardor of his ambition. He wants to make an epic statement — about life and death, fiction and reality, history and imagination. He wants to make a confessional autobiographical fantasia about the fears and dreams hidden behind his façade as a famous and celebrated film director. He also wants to complement and compete with his fellow filmmaker and transplanted countryman Alfonso Cuarón, who in 2018 returned to Mexico and drew on his own life to make “Roma,” the world’s artiest Oscar-bait movie, getting it bankrolled by the deep pockets of Netflix. (“Bardo” is, if possible, an even artier Oscar-bait movie, also bankrolled by the deep pockets of Netflix.)

The 49th Telluride Film Festival opens Friday in a much-awaited edition that is set to feature world premieres of Searchlight’s Oscar hopeful Empire of Light from director Sam Mendes, starring Olivia Coleman and Colin Firth; Women Talking from director Sarah Polley, starring Rooney Mara and Frances McDormand in the ensemble; Sebastian Lelio’s The Wonder, starring Florence Pugh; and Sony/Netflix’s sizzling new version of D.H. Lawrence’s Lady Chatterley’s Lover with Emma Corrin and Jack O’Connell; among other films.

is going to arrive in force, isn’t it?Please?That’s the feeling in the community I like to think of as Hollywood’s Kudo-Industrial Complex. That community limped through one year, 2020, in which theaters were closed, film festivals were canceled or moved online and almost all the shows were virtual; and a second year, 2021, that started out to be a cautiously muted season but was then blindsided by a COVID resurgence that forced a return to streaming and virtual events.Now, as the Venice Film Festival begins on Wednesday, followed by the three-day Telluride Film Festival on Friday and then the mammoth Toronto International Film Festival next Thursday, there’s a palpable yearning for things to return to normal.

Nick Vivarelli International Correspondent The Venice Film Festival once again looks like the place to launch the heavy hitters of awards season. As the world’s oldest film festival —unspooling on the island of Lido —  celebrates its 90th year, it serves up a dazzling display of goods and stars, starting from its opener, Noah Baumbach’s black comedy “White Noise” — with Adam Driver, Greta Gerwig and Jodie Turner-Smith expected on the red carpet — to an impressive array of arthouse auteurs screening their latest. Assembling the 2022 Venice lineup has been a long and complicated process for festival topper Alberto Barbera and his team. They started viewing submissions in November, several months earlier than usual, so in some cases they had to take the plunge without knowing what else would become available by showtime. The Venice selection process was further hampered by the ongoing pandemic, which continues to disrupt delivery dates and distribution schedules. “I admit that it’s been the most challenging year,” Barbera says. 

Clayton Davis It’s late summer, so it’s time to start talking about awards season. Cannes issued the first slate of contenders in the international feature Oscar race, and now Venice and Toronto are ready to screen another batch, which begs the question: What looks like the breakout pics from the festival circuit that should contend for kudos? More than 90 countries have been submitting films for Academy consideration for the past few years, in order to walk away with the coveted best international feature Oscar. Coming off the Cinderella story of Japan’s “Drive My Car” from Ryûsuke Hamaguchi, which was also nominated for three other Oscars including best picture, it became the tenth film to be recognized for both best picture and international feature.

Charlotte Gainsbourg is set to be honored at this year’s Zurich Film Festival with the Golden Eye award. Gainsbourg will be presented with the award on September 26 at the festival and the presentation will be followed by the world premiere of her latest film The Almond and the Seahorse, starring Rebel Wilson.

Hello and welcome to another week that was in international entertainment. Jesse Whittock here, back to guide you through the big stories and scoops. Also, a warm welcome to another new face in our London office, Zac Ntim, who’s joined us as International Film Reporter. Drop him a note and say hello.

After a hybrid edition in 2021, the Toronto International Film Festival is back in full force for 2022. The long-running Canadian festival announced a majority of its upcoming lineup with new films from Sebastián Lelio, Sam Mendes, Sarah Polley, Todd Field, Darren Aronofsky, Luca Guadagnino, and Alejandro G.

The Venice Film Festival announced its lineup for its 79th edition yesterday, and it’s a stacked group of films. Among other films in competition for the coveted Golden Lion there’s Alejandro G.

The 79th edition of the Venice Film Festival boasts one of its strongest lineups in years. There are new films from Luca Guadagnino, Noah Baumbach, Alejandro G.

The lineup announced today for the 79th Venice Film Festival is a varied and rich offering from the world’s oldest event of its kind. There are auteur filmmakers galore who have also shown commercial mettle, previous Lido winners and some tantalizing out-of-competition entries including a short film featuring Chris Rock. While there may not be a Dune– or Joker-sized Hollywood tentpole in the bunch, this is an intriguing mix which is sure to bring plenty of star power — notably with Olivia Wilde’s out of competition title Don’t Worry Darling ferrying Florence Pugh, Harry Styles, Gemma Chan and Chris Pine to the island.

The 79th Venice Film Festival is about a month away and the Biennale organization set cinephiles’ hearts aflutter this morning with its 2022 program. This year’s slate includes new films from Darren Aronofsky (“The Whale”), Todd Field (“Tar”), Luca Guadaginio (“Bones & All”) Martin McDonaugh (“The Banshees of Inisherin”) Alejandro G.

Nick Vivarelli International CorrespondentThe upcoming Venice Film Festival is getting ready to unleash a robust roster of Oscar hopefuls promoted by boatloads of Hollywood stars, with Netflix spearheading the Lido landing in September.As Venice artistic director Alberto Barbera begins to lock in his selection, Variety understands there are four Netflix original films in the Venice mix.The streamer’s Venice titles include Andrew Dominik’s Marilyn Monroe drama “Blonde” starring Bond girl Ana de Armas (“No Time to Die”) as the Hollywood icon; Noah Baumbach’s “White Noise,” with Greta Gerwig, Adam Driver and Jodie Turner-Smith, which is based on the 1985 novel of the same name by Don DeLillo; “Bardo, False Chronicle of a Handful of Truths,” the new film from Oscar winner Alejandro G. Iñárritu, which chronicles the story of a Mexican journalist and documentary filmmaker going through an existential crisis; and Romain Gavras’ modern tragedy “Athena,” co-written by the French “The World is Yours” director with “Les Miserables” filmmaker Ladj Ly.

Owen Gleiberman Chief Film CriticPretend it was one year ago, when the streaming revolution, stoked by the pandemic (when is a pandemic good for business? When your business depends on people staying home), was feeling the first flush of being the New Paradigm That Ate The World. And pretend, in that spring of 2021, that you’d been asked to imagine how a film industry headline from the future might read.

Netflix has officially secured another high-profile Oscar contender after Jane Campion‘s fantastic western “The Power of The Dog” landed the filmmaker a Best Director prize at the Academy Awards earlier this year. The streamer has announced they’ve bought the next feature film from Oscar-winning director Alejandro G.

Brent Lang Executive Editor of Film and MediaNetflix has acquired “Bardo, False Chronicle of a Handful of Truths,” the new film from Oscar-winner Alejandro G. Iñárritu.The highly-anticipated film is currently in post-production, and is expected to wrap by fall.

Netflix has officially secured another high-profile Oscar contender after Jane Campion‘s fantastic western “The Power of The Dog” landed the filmmaker a Best Director prize at the Academy Awards earlier this year. The streamer has announced they’ve bought the next feature film from Oscar-winning director Alejandro G.

Mary Parent, Vice Chairman of Worldwide Production at Legendary Entertainment and the Oscar-nominated producer of The Revenant whose credits also include Dune, will receive the Producers Guild’s 2022 David O. Selznick Achievement Award in March.

And just like that, Alejandro G. Iñárritu has wrapped production on his new film in Mexico City.

Tim Gray Senior Vice PresidentFilm history is filled with notable directors who made a Western after establishing themselves in other genres. That list includes Robert Altman (“McCabe and Mrs.

Following in the footsteps of acclaimed Mexican directors Guillermo del Toro, AlfonsoCuarón and Alejandro G. Iñárritu, Fernando Fríasde la Parra has entered the awards conversation this year with his featureI'm No Longer Here,Mexico's official submission for the best international feature Oscar.

A number of artists and scientists have signed an editorial titled “No To A Return To Normal” amid the ongoing coronavirus pandemic.

Antonio Sanchez, a Grammy-nominated Mexican-American drummer and composer, is making the rounds on social media after posting a heartfelt tribute to his grandfather and iconic actor Igancio Lopez Tarso.

Director and activist Spike Lee will serve as jury president of the 73rd edition of the Cannes Film Festival. Lee succeeds Alejandro G. Iñárritu, whose 2019 jury awarded the Palme d’Or to Korean director Bong Joon-ho’s “Parasite,” which won a Golden Globe and was just nominated for six Oscars.