Agnieszka Holland Latest Celebrity News & Gossip

Refresh for latest…: The 80th Venice Film Festival officially draws to a close this evening with the main awards, including the top prize Golden Lion, soon to be handed out inside the Sala Grande.

Christopher Vourlias Three decades ago, just a few years after the fall of the Berlin Wall ushered in a new era of hope and promise in Europe, Polish filmmaker Agnieszka Holland made the historical drama “Europa, Europa,” which follows the harrowing ordeal of a Jewish teenager who goes to impossible lengths to survive the Holocaust. The title, says Holland, was meant to express “the duality of the European tradition: Europe of our aspirations, the cradle of culture and civilization, the rule of law and democracy, human rights, equality and fraternity, but on the other hand, Europe as the cradle of the worst crimes against humanity, selfishness and hatred.” Throughout her career, the three-time Academy Award nominee has found inspiration in “the great and tragic subjects of the 20th century,” powered by the conviction that “history is relevant, that what happened is relevant,” Holland tells Variety.

Christopher Vourlias The fall festival circuit features a powerhouse lineup of Polish cinema that showcases an industry in full stride, with hard-hitting topical dramas, award-season hopefuls and potential box-office breakouts highlighting the strength and diversity of filmmaking in a country with a storied cinematic history. Among the hotly anticipated premieres at this week’s Toronto Film Festival is “The Peasants,” a lavish, hand-painted animated feature from the filmmaking team behind Oscar nominee and box-office sensation “Loving Vincent.” Meanwhile, three-time Oscar nominee Agnieszka Holland will be on hand for the North American premiere of “Green Border,” her searing portrayal of Europe’s refugee crisis that just bowed in competition at the Venice Film Festival.

Marta Balaga Controversy over Venice title “Green Border” continues to heat up as director Agnieszka Holland gave an ultimatum to Poland’s Minister of Justice Zbigniew Ziobro following his comments about her film. According to the statement shared with Variety, Holland has hired the lawyers Sylwia Gregorczyk-Abram and Michał Wawrynkiewicz.

Even if the critical reactions have been mixed, Italian films have proven much stronger than usual at this year’s Venice Film Festival, with a notable resurgence of genre filmmaking in the likes of Adagio and Enea. Ironically, Matteo Garrone, the one local director in the selection whose actual stock in trade is genre of all stripes — gangster realism (Gomorrah, Dogman), satirical comedy (Reality), and baroque fantasy (Tale of Tales) — arrived this year with a blisteringly topical drama that might be his most traditional, and best, yet.

Christopher Vourlias Three-time Academy Award nominee Agnieszka Holland has called out a hard-right Polish minister who compared her refugee drama “Green Border” to Nazi propaganda, accusing him of “hate speech” and insisting that the Eastern European nation’s right-wing ruling party is “afraid” of her film’s damning portrayal of its response to the refugee crisis. The movie is competing for a Golden Lion at the Venice Film Festival this week. “We expected that they would be furious.

As if to come to the aid of her national cinema after the debacle that was Roman Polanski’s The Palace, Poland’s Agnieska Holland, soon to turn 75, restores some of her homeland’s cultural dignity with a devastating exposé that angrily, and quite brilliantly, questions its humanity and political integrity. At 144 minutes, and in black and white, it is not exactly a Trojan horse, and its moral rigor does not come with a spoonful of sugar. But Green Border earns every second of that running time, and with a focus and energy that belies its directors age. Awards-wise, this may prove to be the international feature to beat.

Jessica Kiang While you’re still in the vice-like grip of its multilevel narrative it may not feel like it, but a film like Agnieszka Holland’s bruisingly powerful new refugee drama ultimately comes from a place of optimism. It is optimistic to expect and nurture of a reaction of potentially motivating outrage, when you portray the brutality of which human individuals, at the behest of human institutions, are capable. It is optimistic to believe that, faced with extraordinary cruelty, a viewer’s ordinary decency will be compelled to rise and rebel.

Christopher Vourlias Academy Award nominee Agnieszka Holland follows the harrowing ordeal of a refugee family trapped on the margins of the E.U. in “Green Border,” a gripping drama from the prolific Polish director that plays in competition at the Venice Film Festival.

Leo Barraclough International Features Editor Triple Oscar nominee Agnieszka Holland’s “Green Border,” which will premiere in competition at the Venice Film Festival, before going onto Toronto Film Festival and New York Film Festival, has sold to multiple territories. Variety has been granted access to an exclusive clip from the film, and Holland’s notes on the production, which we quote from below, again exclusively.

Naman Ramachandran Auteurs Agnieszka Holland, Wim Wenders, Hamaguchi Ryusuke and Aki Kaurismaki are among the filmmakers featured in the Toronto International Film Festival’s (TIFF) Centrepiece program. The strand, previously known as Contemporary World Cinema, which honors and celebrates global cinematic achievements, features 47 titles from filmmakers representing 45 countries.

Film at Lincoln Center has set the 32 features from 18 countries making up the Main Slate of the New York Film Festival, from Cannes prize-winners Anatomy Of A Fall by Justine Triet (Palme d’Or) and Zone Of Interest by Jonathan Glazer (Grand Prix), to the latest by Ryûsuke Hamaguchi, Wim Wenders, Agnieszka Holland, Hong Sangsoo, Radu Jude, Yorgos Lanthimos and Alice Rohrwacher.

The red carpet may not have as many stars as in previous years, but the 2023 edition of the Venice Film Festival will feature a slew of highly anticipated films. And, likely, their directors taking center stage.

Marta Balaga Polish helmer Agnieszka Smoczyńska fought for Tamara Lawrance to be a part of “The Silent Twins,” she said at Karlovy Vary Film Festival. “We had two options: [hire] one actress who plays both characters, but there is no chemistry, or find actual twins, which was not possible. We had Letitia Wright, who was this amazing actress and ‘Black Panther’ star, and then we found Tamara,” she said. The story was inspired by real-life identical twins June and Jennifer Gibbons, who only communicated with each other. “They are not that similar, so what do you do? You make a decision. And I knew she was the one, because it was all about this tension between them.”

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Christopher Vourlias With Jonathan Glazer’s Auschwitz-set Holocaust drama “The Zone of Interest” competing for the Palme d’Or and a host of Polish producers bringing buzzy upcoming projects to the Marché du Film, the Polish industry should again have Cannes talking. Here’s a rundown of some of the highlights: The Zone of Interest(Competition)Director: Jonathan GlazerProducers: James Wilson, Ewa Puszczyńska (JW Films, Extreme Emotions)Sales: A24The veteran British filmmaker’s first film in nearly a decade, which will compete for the Palme d’Or, is a Holocaust drama loosely based on the novel by Martin Amis that’s sure to be among the festival’s most talked-about films.

Films Boutique has closed multiple territory deals on Agnieszka Holland’s “The Green Border,” which just completed principal photography in Poland. The film has been sold to Condor (France), September Films (Benelux), Movies Inspired (Italy), Leopardo Filmes (Portugal), MCF Megacom (former Yugoslavia), Kino Swiat (Poland) and AQS (Czech Rep./Slovakia). “The Green Border” tells the story of a family of Syrian refugees, a solitary English teacher from Afghanistan and a young border guard, all of whom meet on the Polish-Belarusian border during the most recent humanitarian crisis triggered by Belarus’ president Alexander Lukashenko, who opened the country’s doors to migrants as a back door to enter the EU.

Elsa Keslassy International Correspondent Rolling off a successful collaboration on “Charlatan,” Films Boutique has boarded Agnieszka Holland’s next film “The Green Border,” which just completed principal photography in Poland. Now in post production, “The Green Border” tells the fateful story of a family of Syrian refugees, a solitary English teacher from Afghanistan and a young border guard, all of whom meet on the Polish-Belarusian border during the most recent humanitarian crisis triggered by President Lukaschenko opening doors to migrants in Belarus as a back door to enter the EU.  The screenplay, penned by Holland, Gabriela Łazarkiewicz-Sieczko and Maciej Pisuk, is inspired by real events. Research for the film included hundreds of hours of document analysis, interviews with refugees, border guards, borderland residents, activists and experts.

John Hopewell Chief International Correspondent He was working to the last. Five days before his latest work, “Lorca by Saura,” opened at Madrid’s Infanta Isabel Theater – in what he saw as a new phase of theatre-based creativity –  Carlos Saura died on Feb. 10 at his Collado Mediano home in the lap of the Guadarrama mountains, north of Madrid. Agnieszka Holland and Volker Schlöndorff look set to attend a Carlos Saura Homage Screening which will be held at the Berlin Film Festival on Monday Feb. 20 at 17:30.  Further good and great are still to confirmed at an event backed by the Berlin Festival and the European Film Academy. The tribute will be combined with the double bill of “Rosa, Rosae” and “Walls Can Talk” (“Las paredes hablan”), films which premiered at San Sebastian in 2021 and last year.

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I Am Cuba would probably still be locked away in a vault in Russia,” Scorsese continued. “He also produced films that really counted, by Werner Herzog, Paul Schrader, Norman Mailer, Jean-Luc Godard, Barbet Schroeder, Agnieszka Holland and others.

The pan-Canadian Selection Committee has chosen director Jason Loftus’ Eternal Spring as its entry for the Best International Feature Film Oscar.

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India’s All That Breathes followed up its victory at the Sundance Film Festival by winning top documentary honors in Cannes.

Naman Ramachandran Indian filmmaker Shaunak Sen’s “All That Breathes” has won the Cannes Film Festival’s top documentary award, the Golden Eye.The film won the documentary grand jury prize at the Sundance Film Festival earlier this year and was acquired by HBO Documentary Films during Cannes, where it played as a special screening.Set in Indian capital Delhi, where, in an unbreathable atmosphere, the threat of inter-religious massacres floats in the air, the film follows two brothers, Nadeem and Saud, who along with their assistant, dedicate their lives to save the migratory black kites that are destroyed by human madness.The Golden Eye jury, composed of Agnieszka Holland, Iryna Tsilyk, Pierre Deladonchamps, Alex Vicente and Hicham Falah, said: “The Golden Eye goes to a film that, in a world of destruction, reminds us that every life matters, and every small action matters. You can grab your camera, you can save a bird, you can hunt for some moments of stealing beauty, it matters.

Nick Holdsworth European Film Academy president Agnieszka Holland has criticized the Cannes Film Festival for welcoming a Russian movie to the main competition.The Polish-born director – who fled to France in 1981 when Communist authorities imposed martial law – said now was the time to stand up to Russian aggression in Ukraine.That demanded a total ban on Russian cultural products in Europe, she said in Cannes on Saturday.The Academy Award-nominated filmmaker slammed the festival’s inclusion of Russian director Kirill Serebrennikov’s “Tchaikovsky’s Wife.”“If it were up to me, I would not include Russian films in the official program of the festival – even if Kirill Serebrennikov is such a talented artist,” the 73 year old filmmaker said. Speaking in Cannes at an industry roundtable on supporting the Ukrainian film industry at a time of war, Holland added: “Unfortunately my bad feelings were confirmed by his words.

Lise Pedersen The Cannes Docs sidebar of the Cannes Film Market has announced the lineup of its annual Doc Day, which takes place on May 24. The day will open with a morning session dedicated to ACID Cannes 2022 title “Polaris,” described by organizers as “a creative and human journey interwoven with uncompromising, gentle and bold filmmaking by a woman filmmaker, set against the backdrop of the Arctic.” Entitled “A Producing Journey,” the session will bring together Marion Schmidt, the co-founder of Cannes Docs partner DAE (Documentary Association of Europe), director Ainara Vera and producers Clara Vuillermoz (Point du Jour – Les Films du Balibari) and Emile Hertling Péronard (Ánorâk Film).

Naman Ramachandran The European Film Academy has pledged support to its members in Ukraine and is looking for practical ways to help them. “We need to immediately move beyond ‘thoughts and prayers’ and start to concentrate on what practical help can be given to our membership and community,” European Film Academy chair and board member of the International Coalition for Film makers at Risk, Mike Downey, told Variety.

The European Film Academy (EFA) has contacted its members in Ukraine pledging support amidst today’s assault on the country by Russian forces.

‘Righteous Thieves’ First Look

K.J. Yossman Agnieszka Holland has signed on to direct a biopic of 20th century novelist Franz Kafka.Titled “Kafka,” the film will cover the writer’s life in a series of standalone vignettes, from his birth in 19th century Prague through to his death in Berlin just a few years after the close of World War I.Šárka Cimbalová, Sam Taylor and Mike Downey are set to produce the feature. “‘Kafka’ will be a dazzling kaleidoscopic mosaic of a film that dramatizes the famous writer’s life and imagination in a series of standalone vignettes that span Kafka’s life from his birth in pre-war Prague, up to his tragic death in Berlin in 1924 and into scenes from the future he envisioned,” the trio said in a statement.

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Masked men stormed a Moscow showing of Agnieszka Holland’s film Mr Jones yesterday night, chanting “Shame on the Motherland” as they took over the stage.

European Film Academy president and prominent filmmaker Agnieszka Holland launched a rallying call for the independent biz today during a Cannes Marche panel, and also cautioned about the influence of algorithm-driven streaming services.

Marta Balaga As writer Jakub Żulczyk faces charges for calling Poland president Andrzej Duda a “moron” on Facebook, and online event “Herstories for Women’s Day” is suddenly pulled, Polish leadership is raising eyebrows, with their actions perceived by some as a sign of the country’s further shift towards authoritarianism.“The loop is tightening, especially since their ass is on fire,” notes director Agnieszka Holland, an outspoken critic of Poland’s right-wing government.“This [situation] will

Naman Ramachandran In today’s Global Bulletin, Steven Knight’s “SAS: Rogue Heroes” starts shooting, Agnieszka Holland’s “Charlatan” cleans up at Czech Lion Awards, BBC Comedy hires “I May Destroy You” producer Tanya Qureshi, Content Catalyst Fund adds executives and reveals slate and George Takei’s “Allegiance” streams on BroadwayHD.Filming is underway on BBC One drama series “SAS: Rogue Heroes,” from “Peaky Blinders” creator Steven Knight.