Paul Simon hasn’t “accepted” his hearing loss, but is looking for a solution

Kelly Clarkson is very happy being single right now!

Leo Barraclough International Features Editor European pay TV platform Sky has released the trailer for Sky Original film “Dance First,” ahead of its world premiere at San Sebastian Film Festival on Sept. 30. The film is directed by BAFTA and Academy Award winner James Marsh (“The Theory of Everything”) and written by BAFTA winner Neil Forsyth (“Guilt”).

Britney Spears may have a memoir coming out, but she definitely isn’t “in the right space” for any on-camera interviews yet.

Married at First Sight UK has returned bringing with it a sea of singletons hoping to find love and stay committed to their significant other. But what we've already learnt about the hopefuls is that this isn't their first time on TV, including charming Nathanial Valentino who stole the hearts of the nation on Wednesday, 20 September. During the second episode of the hit Channel 4 show, we saw Nathanial tie the knot with Ella Morgan, who later came out as transgender to her new hubby, despite her crippling fear of being rejected.

Travis Kelce is opening up about his love life.

Julie Chen Moonves is turning the other cheek.

SPOILER ALERT: This post contains details about the ending of John Wick: Chapter 4.

Russell Brand’s wife is sticking by his side.

Organizers of the Camden International Film Festival in coastal Maine are moving ahead with regular programming today, as Hurricane Lee – downgraded to a post-tropical cyclone – aims further north towards Nova Scotia.

Brent Lang Executive Editor Talk about ending with a flourish. Bradley Cooper’s “Maestro,” a critically acclaimed look at the dramatic life and career of composer and conductor Leonard Bernstein, will close the 2023 edition of the Hamptons International Festival. “Maestro,” which co-stars Carey Mulligan, will screen on Oct.

Britney Spears has moved on from Sam Asghari less than two months after he filed for divorce from her.

Owen Gleiberman Chief Film Critic The first thing to say about Alex Gibney’s “In Restless Dreams: The Music of Paul Simon” is that it’s three-and-a-half hours long. Normally I wouldn’t lead with that daunting fact, especially since the film is mostly marvelous: a documentary that every Paul Simon fan on earth should want to see and experience. But will they? I raise the issue only because “In Restless Dreams” has come into the Toronto Film Festival without a distributor, and let’s just be honest: The 209-minute running time, when you hear about it, doesn’t exactly sound…user-friendly.

Van Morrison‘s 1968 album ‘Astral Weeks’. Other non-jazz albums that featured Davis’ playing include Bruce Springsteen‘s ‘Born to Run’ (on the track ‘Meeting Across the River’), Paul Simon‘s ‘There Goes Rhymin’ Simon’ (on ‘Something So Right’) and Bo Diddley‘s ‘Where It All Began’.Davis often served as bandleader within ensembles he performed in, which includes the band put together to record ‘Astral Weeks’ with Morrison. It is believed that Davis had over 3,000 album credits across his decades as a working musician.

The TIFF Tribute Awards took place and Pedro Almodóvar acknowledged the WGA and SAG-AFTRA strikes while accepting an award.

Addie Morfoot Contributor In his latest documentary “In Restless Dreams: The Music of Paul Simon,” Alex Gibney explores the singer-songwriter’s six-decade career. The Oscar winning director also captures Simon creating his latest album, “Seven Psalms,” which he made while losing hearing in his left ear. Although Gibney is mostly recognized for his rigorously researched investigative exposes (“Enron: The Smartest Guys in the Room,” “Going Clear: Scientology and the Prison of Belief”), he is also skilled in creating portraits of cultural icons like Simon.

Addie Morfoot Contributor When it comes to documentary filmmakers, Alex Gibney, Errol Morris and Raoul Peck are at the top of their game. Along with tremendous talent, each helmer possesses what every successful documentarian needs — business savvy — which in turn has allowed them to experience continued success over many years.

The western genre has been so pervasive throughout the entire history of the movies, and it is hard to imagine doing anything in it that hasn’t already been done. Viggo Mortensen, in writing, directing, producing, and co-starring in only his second film behind the camera (after 2020’s Falling) finds a moving, if tragic, love story to play against the stunning landscape of the circa 1860’s west, and somehow it all feels new. John Ford and Howard Hawks would love this movie.

UPDATED with latest: The Toronto Film Festival began September 7 in Ontario with opening-night movie The Boy and the Heron, from Oscar-winning filmmaker Hayao Miyazaki. It kicks off a lineup for the fest’s 48th edition that includes world premieres of GameStop pic Dumb Money, Netflix’s Pain Hustlers, Taika Waititi’s Next Goal Wins, Kristin Scott Thomas’ Scarlett Johansson pic North Star, Chris Pine’s Poolman, Michael Keaton-directed Knox Goes Away, Anna Kendrick’s Woman of the Hour, Atom Egoyan’s Seven Veils, Michael Winterbottom’s Shoshana, Grant Singer’s Reptile, Viggo Mortensen’s The Dead Don’t Hurt, Lee Tamahori’s The Convert and Alex Gibney’s doc In Restless Dreams: The Music of Paul Simon.

The Rifles frontman Joel Stoker has spoken to NME about the impending chart success of his debut solo album ‘The Undertow’ – despite no radio support and the record’s deeply personal themes – and the thrill of supporting Liam Gallagher at his recent low-key KOKO gig.The album – recorded virtually solo in Stoker’s shed, with only drummer Brendan O’Neill, Rifles keyboardist Dean Mumford and ex-Menswear member Stuart Black adding instrumentation – is sitting at Number 10 in the midweek album chart.The singer, who sets out on a smattering of solo shows in September, October and November, also revealed that The Rifles are back in the studio working on new material, after two decades of self-made success including four Top 40 albums. “Taken aback really. It didn’t even cross the mind, chart positions or anything like that.

For Dolly Parton, hearing Miley Cyrus’ “Wrecking Ball” for the first time was like getting hit by a wrecking ball.