Manchester United manager Erik ten Hag has suggested he has held discussions with Marcus Rashford about his work rate this season.
14.04.2024 - 17:01 / variety.com
Meredith Woerner Deputy Editor, Variety.com After much anticipation, the sequel to the 2017 sketch “Papyrus 2” has finally emerged despite being cut for time during the live broadcast, making its debut on YouTube. The original sketch was conceived by former “SNL” writer Julio Torres, who was inspired by a past tweet in which he mused, “Every day I wake up and remember that Avatar, a huge international blockbuster, used the Papyrus font for their logo, and no one stopped them.” Directed by Dave McCary(who also shot the previously pointed Torres sketch “Wells For Boys” with his now-wife and current collaborator Emma Stone), this meditation on obsession and a questionable font became the logo for James Cameron’s massive franchise.
Gosling recalled the (alleged) decision-making process of choosing the font papyrus for the blockbuster, in the past sketch, “Like a thoughtless child just wandering by a garden, just yanking leaves along the way.” Eventually, his character would descend into madness trying to uncover the “designer” (played by Kyle Mooney) who made the decision that would plague his days. In this new sketch, Mooney returns, but this time, he isn’t there to antagonize Gosling’s character but instead brings him peace.
After realizing that the new “Avatar” logo is indeed still using the papyrus font (only bold now), Gosling tracks down the designer again and confronts him at a celebration of his career. In their big confrontation, Gosling reveals his name, Johnathan Wingdings, son of the creator of the even more insufferable font, wingdings.
Manchester United manager Erik ten Hag has suggested he has held discussions with Marcus Rashford about his work rate this season.
Nick Vivarelli International Correspondent Sudanese director Mohamed Kordofani’s “Goodbye Julia,” a timely morality tale that takes place just before the 2011 secession of South Sudan, leads the way in nominations for the eighth edition of the Critics Awards for Arab films, winners of which will be announced during the Cannes Film Festival. The first Sudanese film ever to screen in Cannes’ official selection, “Goodbye Julia” is the story of two women — one from the North, the other from the South — who are brought together by fate in a complex relationship that attempts to reconcile differences between northern and southern Sudanese communities in the currently war-ravaged country.
EXCLUSIVE: German-based TV event Seriencamp will return to Cologne in June and has a raft of key industry players signed up for its upcoming tenth edition.
Manchester United will be sweating on the fitness of a number of players ahead of Wednesday's Premier League clash with Sheffield United.
Lexi Carson The international distribution company Glass House Distribution has acquired the worldwide rights to “The Private Eye,” a mystery, comedy and romance. The film was written and directed by Jack Cook and stars comedian Matt Rife. Glass House Distribution will represent the movie at the Cannes Film Festival in May with all territories available.
It has been hailed as one of the most memorable Saturday Night Live videos of the past decade. During his second turn as host in 2017, Ryan Gosling headlined a video titled Papyrus in which he plays a man obsessed by the fact that James Cameron’s blockbuster Avatar used Papyrus, a common letter style, for its logo. The skit has raked in 12M views on YouTube alone. (You can watch it below).
Meredith Woerner Deputy Editor, Variety.com Ryan Gosling returned to “SNL” this week in a cold open with “Barbie” co-star Kate McKinnon, reviving one of their most famous sketches, “Close Encounter,” in which they recount being abducted by aliens and their vastly different experiences aboard the spaceship. The original sketch debuted eight years ago and featured Gosling and McKinnon, alongside Cecily Strong (it currently has 60 million views on YouTube). The actor also recreated this sketch on his second time hosting six years ago.
It almost sounds like a Hallmark movie. Young man grows disenchanted, decides to seek a simpler life.
Zack Sharf Digital News Director Ryan Gosling visited “The Tonight Show” ahead of his latest hosting stint on “Saturday Night Live” and was asked about his internet-breaking live performance of “I’m Just Ken” at the Oscars last month. Asked by host Jimmy Fallon if it was an immediate yes when the Academy called him up to request he perform the “Barbie” original song live during the ceremony, Gosling said his answer was “100% no.” “There’s a lot of ways that could go wrong,” Gosling said. But the performance went very right.
The Santa Barbara International Film Festival has announced that the 40th annual festival will take place in Santa Barbara, California, from February 4 through February 15.
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender.
John Hopewell Chief International Correspondent CANNES — Powering up another growth axis, as anticipated by CEO Laura Fernández Espeso, international scripted powerhouse The Mediapro Studio is doubling down on formats in the non-fiction space, Underscoring this growth TMS Head of International Development Ran Tellem (“Homeland,” “The Head”) and Head Of Format Strategy, Non-Scripted, Salva Romero (“Sing On,” “The Language of Love”) unleashed at Cannes’ final MipTV trade fair The Mediaapro Studio’s first full slate of titles, framed at MipFormats in a spirited session, Meet the Creative Minds Behind The Mediapro Studio Formats. Tellem and Romero talked about TMS’ formats in the last two years, but also on the creative strategy, thinking and sentiments behind them.
Ryan Gosling is hosting Saturday Night Live on April 13 and is seemingly nervous about meeting musical guest Chris Stapleton.
Well Go USA has landed North American rights for Dutch action thriller Invasion about a daring military operation in the wake of a hostile attack on the Caribbean islands of Aruba and Curacao.
Katcy Stephan Two-time Oscar winner Renée Zellweger is set to return to one of her most beloved roles in Universal Pictures’ and Working Title’s “Bridget Jones: Mad About the Boy,” an adaptation of Helen Fielding’s best-selling novel. Hugh Grant and Emma Thompson are confirmed to return alongside franchise newcomers Chiwetel Ejiofor and Leo Woodall. The film will be directed by Michael Morris (“To Leslie,” “Better Call Saul”).
Rafa Sales Ross Guest Contributor Germany’s Beta Film is bringing the love story between a Dutch prince and a beautiful Argentinian financier to the Croisette. The world premiere of “Máxima” screens out-of-competition at Canneseries on April 9 after being teased at the London TV Screenings in late February.
Leo Barraclough International Features Editor French broadcaster M6 has greenlit a French-language adaptation of Turkish crime drama “Persona,” to be titled “Mémoire Vive.” Instead of a male protagonist, as in the Turkish version, it will have a female main character, Esther Lefevre, to be played by Clementine Celarie, whose credits include “Six Women,” “Betty Blue” and “Two Is a Family.” “Mémoire Vive,” which will comprise four hour-long episodes, is being produced by Calt Studio. It is written by Laurent Burtin (“Astrid: Murder in Paris”), Anne-Gaëlle Daval (“Ladies”) and Hélène Lombard (“Call My Agent!”).
Erik ten Hag has recalled Marcus Rashford to Manchester United's starting team against Liverpool because he feels 'it's a game for him'.
Could Scottish soccer be the next to benefit from Hollywood investment?
Gene Maddaus Senior Media Writer When the Writers Guild of America went on strike last May, union leaders argued that artificial intelligence posed an existential threat to writers, painting a picture of a dystopian future in which TV shows might be crafted by one writer and a machine. Ten months later, the tone in Hollywood labor circles has shifted significantly. At a March 3 rally in Los Angeles, Matthew Loeb, international president of IATSE, argued that AI has the potential to make union members’ jobs easier.